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¡Santo Cordero! por tu llamamiento
Author: Anonymous Appears in 4 hymnals Matching Instances: 4
¡Santo Cordero! por tu llamamiento
HASTA QUE VENGAS
Appears in 8 hymnals Matching Instances: 1 Composer and/or Arranger: G. C. Stebbins Tune Key: A Flat Major Incipit: 32617 21766 5 Used With Text: ¡Santo Cordero! por tu llamamiento
HASTA QUE VENGAS
O QUANTA QUALIA
Appears in 151 hymnals Matching Instances: 1 Composer and/or Arranger: J. B. Dykes Tune Sources: Méthode du Plain Chant, 1808 Tune Key: G Major or modal Incipit: 11231 14322 15314 Used With Text: La Mesa del Señor
O QUANTA QUALIA
¡Santo Cordero! por tu llamamiento
Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #285 (1931) Languages: Spanish Tune Title: HASTA QUE VENGAS
¡Santo Cordero! por tu llamamiento
¡Santo Cordero!
Hymnal: El Himnario Bautista de la Gracia #251 (2000) Meter: 10.10.10.10 First Line: Santo Cordero! por tu llamamiento Topics: La Iglesia Cena del Señor Languages: Spanish
¡Santo Cordero!
La Mesa del Señor
Author: desconocido Hymnal: Cántico Nuevo #214 (1962) First Line: ¡Santo Cordero! por tu llamamiento Languages: Spanish Tune Title: O QUANTA QUALIA
La Mesa del Señor
Anonymous
Person Name: desconocido Author of "La Mesa del Señor" in Cántico Nuevo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
George C. Stebbins
1846 - 1945 Person Name: G. C. Stebbins Composer of "HASTA QUE VENGAS" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey.
At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England.
(www.hymntime.com/tch)
George C. Stebbins
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Harmonizer of "O QUANTA QUALIA" in Cántico Nuevo As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
