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Ride on! ride on in majesty!
Author: Henry Hart Milman Meter: 8.8.8.8 Appears in 504 hymnals Hymnal Title: Calvin Hymnary Project Topics: Christ Triumphal Entry
Ride on! ride on in majesty!
[Ride on, ride on in majesty]
Appears in 1 hymnal Composer and/or Arranger: Rev. W. L. Remsberg Hymnal Title: Augsburg Songs for Sunday Schools and other services Incipit: 33333 33355 55555 Used With Text: Ride on! Ride on in Majesty!
[Ride on, ride on in majesty]
[Ride on, ride on in majesty]
Appears in 7 hymnals Composer and/or Arranger: George C. Stebbins Hymnal Title: Best Endeavor Hymns Incipit: 51231 67134 32117 Used With Text: Ride on in Majesty
[Ride on, ride on in majesty]
Ride on, ride on in majesty
Hymnal: A Church Hymn Book #45 (1861) Meter: 8.8.8.8 Hymnal Title: A Church Hymn Book Topics: The Sunday next before Easter Languages: English
Ride on, ride on in majesty
Ride on! ride on in majesty!
Hymnal: A Church hymnal #278 (1870) Hymnal Title: A Church hymnal
Ride on! ride on in majesty!
Ride on, ride on in majesty
Hymnal: A Church of England Hymn Book #154 (1880) Meter: 8.8.8.8 Hymnal Title: A Church of England Hymn Book Languages: English
Ride on, ride on in majesty
W. L. Remsberg
Person Name: Rev. W. L. Remsberg Hymnal Title: Augsburg Songs for Sunday Schools and other services Composer of "[Ride on, ride on in majesty]" in Augsburg Songs for Sunday Schools and other services
W. L. Remsberg
George C. Stebbins
1846 - 1945 Hymnal Title: Best Endeavor Hymns Composer of "[Ride on, ride on in majesty]" in Best Endeavor Hymns Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey.
At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England.
(www.hymntime.com/tch)
George C. Stebbins
Robert Schumann
1810 - 1856 Hymnal Title: Chalice Hymnal Composer of "CANONBURY" in Chalice Hymnal Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works.
John Perry
Robert Schumann
