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Text Identifier:"^preserve_me_o_god_for_in_you_i_take$"
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Ronald F. Krisman

Composer (Antiphon) of "[In you, my God, my body]" in Oramos Cantando = We Pray In Song

Norah Duncan

Person Name: Norah Duncan IV Composer (refrain) of "[In you, my God, my body will rest]" in Lead Me, Guide Me (2nd ed.)

Stanbrook Abbey

Composer (verses) of "[In you, my God, my body will rest]" in Lead Me, Guide Me (2nd ed.)

Joseph Gelineau

1920 - 2008 Composer (Gelineau tone) of "[In you, my God, my body will rest in hope]" in Worship (4th ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Michel Guimont

b. 1950 Composer (Psalm Tone) of "[In you, my God, my body]" in Oramos Cantando = We Pray In Song

Tony Alonso

b. 1980 Person Name: Tony E. Alonso Composer of "[Preserve me, O God, for in you I take refuge]" in RitualSong (2nd ed.) Tony Alonso has published several collections of liturgical music and his music appears in many hymnals throughout the world. He has an Bachelor of Music degree from Northwestern University and a M.A. degree in theology from Loyola Marymount University.

Gregory J. Polan

b. 1950 Person Name: Gregory J. Polan, OSB Composer (Conception Ab. Tone) of "[In you, my God, my body will rest in hope]" in Worship (4th ed.)

Eugene Englert

Composer (Antiphon) of "[In you, my God, my body will rest in hope]" in Worship (4th ed.)

John Schiavone

b. 1947 Person Name: JS Composer of "[You are my inheritance, O Lord, O Lord]" in Oramos Cantando = We Pray In Song

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