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Text Identifier:"^o_thou_to_whom_in_ancient_time$"

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O, Thou, to whom in ancient time

Author: J. Peirpont, 1785-1866 Appears in 123 hymnals Hymnal Title: Methodist Hymn and Tune Book Lyrics: 1 O Thou, to whom in ancient time The lyre of Hebrew bards was strung, Whom kings adored in song sublime, And prophets praised with glowing tongue; 2 Not now on Zion's height alone The favoured worshipper may dwell, Nor where, at sultry noon, thy Son Sat weary by the patriarch's well. 3 From every place below the skies, The grateful song, the fervent prayer, The incense of the heart may rise To heaven, and find acceptance there. 4 O Thou, to whom in ancient time The holy prophet's harp was strung, To Thee at last in every clime, Shall temples rise and praise be sung. Topics: The Church and the Kingdom of God The Lord's Day Used With Tune: WAREHAM

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WARREN

Appears in 23 hymnals Composer and/or Arranger: V. C. Taylor Hymnal Title: Christ in Song Tune Key: E Major Incipit: 53332 12317 65434 Used With Text: From Every Place
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SAMSON

Appears in 71 hymnals Composer and/or Arranger: Handel Hymnal Title: Common Praise Incipit: 13453 67115 65321 Used With Text: O Thou, to whom in ancient time
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[O Thou, to whom in ancient time]

Appears in 19 hymnals Composer and/or Arranger: L. Mason Hymnal Title: Good-Will Songs Incipit: 13332 34556 55343 Used With Text: O Thou, to whom in ancient time

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Every Place a Temple

Author: Pierpont Hymnal: A Book of Hymns for Public and Private Devotion (15th ed.) #81 (1866) Meter: 8.8.8.8 Hymnal Title: A Book of Hymns for Public and Private Devotion (15th ed.) First Line: O Thou, to whom, in ancient time Lyrics: O Thou, to whom, in ancient time, The lyre of Hebrew bards was strung; Whom kings adored in songs sublime, And prophets praised with glowing tongue: Not now on Zion’s height alone Thy favored worshippers may dwell; Nor where, at sultry noon, Thy Son Sat weary, by the Patriarch’s well. From every place below the skies, The grateful song, the fervent prayer,— The incense of the heart,—may rise To heaven, and find acceptance there. To Thee shall age, with snowy hair, And strength, and beauty, bend the knee; And childhood lisp, with reverent air, Its praises and its prayers to Thee! O Thou, to whom, in ancient time, The lyre of prophet bards was strung, To Thee, at last, in every clime, Shall temples rise, and praise be sung! Languages: English
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O Thou, to whom, in ancient time

Author: Pierpont Hymnal: A Book of Hymns for Public and Private Devotion. (10th ed.) #81 (1848) Hymnal Title: A Book of Hymns for Public and Private Devotion. (10th ed.) Languages: English
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O thou, to whom, in ancient time

Hymnal: A Collection of Hymns and Sacred Songs #54 (1882) Hymnal Title: A Collection of Hymns and Sacred Songs Languages: English

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Virgil Corydon Taylor

1817 - 1891 Person Name: V. C. Taylor Hymnal Title: Christ in Song Composer of "WARREN" in Christ in Song

George Frideric Handel

1685 - 1759 Person Name: Handel Hymnal Title: Common Praise Composer of "SAMSON" in Common Praise George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

John Pierpont

1785 - 1866 Person Name: J. Peirpont, 1785-1866 Hymnal Title: Methodist Hymn and Tune Book Author of "O, Thou, to whom in ancient time" in Methodist Hymn and Tune Book Pierpont, John, son of James Pierpont, of Litchfield, Connecticut, was born at Litchfield, April 6, 1785, and educated at Yale College, where he graduated in 1804. After fulfilling engagements as a Tutor in New Haven, and in Charlestown, South Carolina, he was admitted to the Bar in 1812. Shortly after he retired and went into business, only to leave it also, and to pass on to Harvard College as a student in theology. In 1819 he succeeded Dr. Holley as the pastor of the Unitarian congregation in Hollis Street, Boston. At length his zeal against intemperance and slavery caused him to resign his charge in 1840 [sic. 1845] (see Lothrop's Proceedings of an Eccl. Council in the case of the Hollis Street Meeting and the Rev. J. Pierpont). At this date he published his Poems & Hymns, including his anti-slavery and temperance poems and songs. In 1845 he became the pastor of an Unitarian congregation at Troy, New York. This he vacated for another at Medford, Massachusetts, in 1849. That he resigned in 1859. When over 70 years of age he became Chaplain in the United States Army (1862), and was finally a Government clerk in the Treasury Department at Washington. He died suddenly at Medford, Aug. 27, 1866. Pierpont's publications include Airs of Palestine, 1816, some school books, and his Poems & Hymns, 1840 and 1854. His hymns in common use include:— 1. Another day its course hath run. Evening. Appeared in Hymns for Children, Boston, 1825; in Greenwood's Chapel Liturgy, 1827; and in the author's Poems & Hymns, 1840. 2. Break forth in song, ye trees. Public Thanksgiving. Written for the Second Centennial Celebration of the Settlement of Boston, Sept. 17, 1830, and included in the Poems & Hymns, 1840. 3. Break the bread and pour the wine. Holy Communion. In Harris's Hymns for the Lord's Supper, 1820. 4. Father, while we break the bread. Holy Communion. 5. God Almighty and All-seeing. Greatness of the Father. Contributed to Elias Nason's Congregational Hymn Book, Boston, 1857. 6. God of mercy, do Thou never. Ordination. Written for the Ordination of John B. P. Storer at Walpole, Nov. 15, 1826; and published in the author's Poems, &c, 1840. 7. God of our fathers, in Whose sight. Love of Truth desired. This hymn is composed of st. ix., x. of a hymn written for the Charlestown Centennial, June 17, 1830. In this form it was given in the Boston Hymns of the Spirit, 1864, and others. 8. Gone are those great and good. Burial. Written in 1830. Part of No. 2 above. 9. I cannot make him dead. Gone Before. "A part of an exquisitely touching and beautiful poem of ten stanzas, originally printed in the Monthly Miscellany, Oct. 1840." 10. Let the still air rejoice. Praise. 11. Mighty One, Whose name is Holy. Charitable Institutions. Written for the anniversary of the Howard Benevolent Society, Dec. 1826, and included in the author's Poems, &c, 1840. 12. My [0] God, I thank Thee that the night. Morning. Appeared in his Poems, &c, 1840. In Martineau's Hymns, &c, 1873, it begins "O God, I thank Thee," &c. 13. 0 bow Thine ear, eternal One. Opening of Divine Service. This is dated 1823, but was not included in the author's Poems, &c, 1840, although one of his best productions. 14. 0 Thou to Whom in ancient time. Universal Worship. “Written for the opening of the Independent Congregational Church in Barton Square, Salem, Massachusetts, Dec. 7, 1824," and printed at the close of the sermon preached by Henry Colman on that day. It was given in Pierpont's Poems, &c, 1840, and is found in several collections in Great Britain and America. It is widely known. 15. 0 Thou Who art above all height. Ordination. “Written for the Ordination of Mr. William Ware, as Pastor of the First Congregational Church in New York, Dec. 18, 1821," and included in his Poems, &c, 1840. 16. 0 Thou Who on the whirlwind rides. Dedication of a Place of Worship. Written for the opening of the Seamen's Bethel in Boston, Sept. 11, 1833. Sometimes given as “Thou Who on the," &c. 17. O'er Kedron's stream, and Salem's height. Gethsemane. One of eight hymns contributed to Dr. T. M. Harris's Hymns for the Lord's Supper, 1820. It is in Martineau's Hymns, &c, London, 1873, and others. 18. On this stone, now laid with prayer. Foundation-stone Laying. Written for the laying of the cornerstone of Suffolk Street Chapel, Boston, for the Ministry of the Poor, May 23, 1839. 19. With Thy pure dews and rain. Against Slavery. Written for the African Colonization Society, and included in Cheever's American Common Place Book, 1831. Not in the author's Poems, &c, 1840. Pierpont's talents as a hymn-writer, as in other fields, were respectable rather than commanding, but so energetically employed as to make their mark. Thus, although he never wrote a single hymn that can be called a great lyric, yet he has attained to a prominent position in American hymnody. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)