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Text Identifier:"^o_savior_welcome_to_my_heart$"

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O Saviour, welcome to my heart

Author: W. Sanders; H. Bourne Appears in 36 hymnals Matching Instances: 36 Scripture: Ephesians 3:17 Used With Tune: URBANA

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URBANA

Appears in 5 hymnals Matching Instances: 1 Composer and/or Arranger: J. H. Hall Tune Key: A Flat Major Incipit: 55555 66617 1321 Used With Text: O Saviour, welcome to my heart
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CARLTON

Meter: 8.6.8.6 Appears in 6 hymnals Matching Instances: 1 Tune Key: A Flat Major Incipit: 53243 67112 21235 Used With Text: The entire surrender
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HOLMAN

Appears in 1 hymnal Matching Instances: 1 Used With Text: Self-Dedication

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Saviour, welcome to my heart

Hymnal: The Harp. 2nd ed. #a563 (1860)
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O Saviour, welcome to my heart

Author: H. Bourne; W. Sanders Hymnal: Deutsches Lieder- und Melodienbuch #a353 (1895) Languages: English
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O Savior, welcome to my heart

Hymnal: Salvation Echoes #7b (1882) Languages: English

People

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Jacob Henry Hall

1855 - 1941 Person Name: J. H. Hall Composer of "URBANA" in Hymns and Tunes Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch

William Sanders

b. 1799 Person Name: W. Sanders Author of "O Saviour, welcome to my heart" in Hymns and Tunes Sanders, William, a Primitive Methodist minister, who was alive in 1881, but concerning whom we have no later information, left the home connexion after some years of labour, and undertook pastoral duty at Pottsville, U.S.A., in 1838. In the early days of the Primitive Methodist movement Sanders assisted H. Bourne (p. 165, i.) in compiling the hymn-books for the use of the Connexion. In hymn-writing they often worked together, and numerous hymns in the old collections of the denomination are signed jointly as, "H. B. & W. S.," and again as “W. S. & H. B." In the Primitive Methodist Hymnal of 1887 the following hymns are by him from the Collection of Hymns for Camp Meetings, &c, 1821, in which they are signed "W. S.":— 1. Behold, what wondrous love and grace. The Love of God. 2. Servants of the great Jehovah. Missions. 3. We seek a glorious rest above. Seeking Heaven. 4. Where shall my soul begin to sing? Love of Jesus. In the Primitive Methodist Large Hymn Book, 1824, the following, also in their Hymnal of 1887, are signed jointly by Bourne and Sanders:— 5. While passing through this vale of woe. Death Anticipated. 6. Why do I wander from my God? Lent. At p. 165, ii., "Hark! the Gospel news is sounding," is attributed to Bourne and Sanders jointly. In the Large Hymn Book, 1824, the signature is "H. B. & W. S." Why Dorricott and Collins attribute this hymn in their Lyric Studies solely to Sanders we cannot say. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Anonymous

Person Name: Anon. Author of "O Saviour, welcome to my heart" in The Social Psalmist In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.