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Text Identifier:"^o_god_my_god_my_all_thou_art$"

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O God, my God, my all thou art!

Author: John Wesley Appears in 45 hymnals Matching Instances: 45 Used With Tune: HURSLEY Text Sources: From the Spanish

Tunes

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GERMANY

Meter: 8.8.8.8 Appears in 691 hymnals Matching Instances: 1 Composer and/or Arranger: William Gardiner Tune Sources: Sac­red Mel­o­dies, 1815 Tune Key: B Flat Major Incipit: 51712 56711 76277 Used With Text: O God, My God, My All Thou Art!
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ITALIAN

Appears in 1 hymnal Matching Instances: 1 Tune Key: F Major Incipit: 53714 45157 76175 Used With Text: O God, my God, my all thou art
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BERKSHIRE

Meter: 8.8.8.8 Appears in 6 hymnals Matching Instances: 1 Composer and/or Arranger: C. Wesley, 1757-1834 Tune Key: A Major Incipit: 51364 32125 132 Used With Text: O God, my God, my all Thou art

Instances

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Published text-tune combinations (hymns) from specific hymnals

O God, my God, my all thou art

Hymnal: A Collection of Hymns Adapted to the use of the Methodist Episcopal Church Including the Whole Collection of the Rev. J. Wesley #ad414 (1836) Languages: English
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O God, my God, my all thou art

Hymnal: The Heart and Voice #27a (1865)
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O God, my God, my all Thou art!

Author: C. Wesley, 1708-1788 Hymnal: Hymns and Chorales #66 (1892) Languages: English Tune Title: BAVARIA

People

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Authors, composers, editors, etc.

William Gardiner

1770 - 1853 Composer of "GERMANY" in The Cyber Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Charles Wesley

1757 - 1834 Person Name: C. Wesley, 1757-1834 Composer of "BERKSHIRE" in The Methodist Hymn-Book with Tunes Charles Wesley, Jr. (b. Bristol, 12/11/1757; d. London, 5/23/1834), son of the great hymn-writer, Charles Wesley (1707-1788). The family was very musical, and young Charles and his brother Samuel gave private concerts at their home. Charles was a child prodigy who played the harpsichord at the age of three, although his father did not allow him to become a chorister at the Chapel Royal and discouraged him from becoming a professional musician. Charles did study organ, however, and became an accomplished organist, first at the Lock Hospital (1797-1802) and later at the Marylebone Parish Church (1817-1834). He composed some hymn tunes, anthems, voluntaries, concertos, and string quartets, and edited a new edition of his uncle John Wesley's Sacred Harmony in 1822. Psalter Hymnal Handbook, 1988

Peter Ritter

1760 - 1846 Composer of "HURSLEY" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Peter Ritter; b. 1760, Mannheim; d. 1846 Evangelical Lutheran Hymnal, 1908