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Text Identifier:"^o_carpenter_why_leave_the_bench$"

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Texts

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O Carpenter, Why Leave the Bench

Author: Richard Leach Meter: 8.6.8.6 Appears in 3 hymnals Matching Instances: 3

Tunes

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CARPENTER

Meter: 8.6.8.6 Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: James E. Clemens Tune Sources: Storm of Grace: Hymns for Worship Tune Key: e minor Incipit: 51235 42751 54655 Used With Text: O Carpenter, Why Leave the Bench
Audio

LEWIS-TOWN

Meter: 8.6.8.6 Appears in 7 hymnals Matching Instances: 1 Composer and/or Arranger: William Billings Tune Key: g minor Incipit: 51321 53223 12512 Used With Text: O Carpenter, Why Leave the Bench

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Carpenter, Why Leave the Bench

Author: Richard Leach Hymnal: Voices Together #280 (2020) Meter: 8.6.8.6 Topics: Following Christ; God’s Call; Vocation Scripture: Matthew 13:55-56 Tune Title: CARPENTER
Audio

O Carpenter, Why Leave the Bench

Author: Richard Leach Hymnal: Glory to God #162 (2013) Meter: 8.6.8.6 Topics: Christian Year Baptism of Jesus; Christian Year Transfiguration; Jesus Christ Life; Love of God for Us; Praise; Redemption Scripture: Matthew 13:55 Languages: English Tune Title: LEWIS-TOWN

O Carpenter, Why Leave the Bench

Author: Richard Leach, 1953- Hymnal: Community of Christ Sings #25 (2013) Meter: 8.6.8.6 Languages: English Tune Title: CARPENTER

People

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Authors, composers, editors, etc.

Richard Leach

b. 1953 Author of "O Carpenter, Why Leave the Bench" in Glory to God

James E. Clemens

b. 1966 Composer of "CARPENTER" in Voices Together

William Billings

1746 - 1800 Composer of "LEWIS-TOWN" in Glory to God William Billings (b. 1746; d. 1800) was an American choral composer, thought by some to be the father of American choral music. His father died when William was 14, and he was forced to drop all formal education and take up tanning to get by. With no formal musical training he began to compose, and his songs were well-loved and traveled quickly. However, due to unsubstantial copyright laws, Billings received hardly a penny from the publication of his music. After a period of fame and prosperity, his music was forgotten, and his last decade was one of decline. Married with six children, he died in poverty, though his music would be resurrected after his death and sung to this day. Laura de Jong