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In the Silent Midnight Watches
Author: E. Gustav Johnson; Arthur C. Coxe Meter: 8.5.8.5 D Appears in 4 hymnals Matching Instances: 4 First Line: In the silent midnight watches, Standing at your door Lyrics: 1. In the silent midnight watches,
Standing at your door,
Calls the Savior, pleading, knocking,
Now as oft before.
He would enter with salvation,
Heart oppressed by sin!
Open now the door for Jesus,
Let Him enter in!
2. Death will come some day, relentless,
Come to every man.
None can heedlessly ignore him,
None his entry ban.
Jesus waits in mercy pleading,
At the door today,
Him, not death, the cruel reaper,
You can turn away.
3. When you hear the Savior knocking,
Calling at your door,
O receive Him, let Him enter,
And your soul restore!
Then when breaks the golden morning,
Bright, eternal, fair,
He will open Heaven’s portals
And receive you there.
In the Silent Midnight Watches
[In the Silent Midnight Watches](Root)
Appears in 18 hymnals Matching Instances: 1 Incipit: 33333 34322 32133 Used With Text: Грешник слушай ухом веры (In the Silent Midnight Watches)
[In the Silent Midnight Watches](Root)
I DEN SENA MIDNATTSSTUNDEN
Appears in 3 hymnals Matching Instances: 1 Composer and/or Arranger: A. L. Skoog Incipit: 32156 16532 16232 Used With Text: In the silent midnight watches
I DEN SENA MIDNATTSSTUNDEN
Грешник слушай ухом веры (In the Silent Midnight Watches)
Hymnal: Small Church Music #6005 Languages: Russian Tune Title: [In the Silent Midnight Watches](Root)
Грешник слушай ухом веры (In the Silent Midnight Watches)
In the Silent Midnight Watches
Author: Arthur C. Coxe; E. Gustav Johnson Hymnal: The Cyber Hymnal #3061 Meter: 8.5.8.5 D Lyrics: 1. In the silent midnight watches,
Standing at your door,
Calls the Savior, pleading, knocking,
Now as oft before.
He would enter with salvation,
Heart oppressed by sin!
Open now the door for Jesus,
Let Him enter in!
2. Death will come some day, relentless,
Come to every man.
None can heedlessly ignore him,
None his entry ban.
Jesus waits in mercy pleading,
At the door today,
Him, not death, the cruel reaper,
You can turn away.
3. When you hear the Savior knocking,
Calling at your door,
O receive Him, let Him enter,
And your soul restore!
Then when breaks the golden morning,
Bright, eternal, fair,
He will open Heaven’s portals
And receive you there. Languages: English Tune Title: MIDNIGHT
In the Silent Midnight Watches
In the silent midnight watches
Author: Arthur C. Coxe; E. Gustav Johnson Hymnal: The Hymnal of the Evangelical Mission Covenant Church of America #228 (1950) Languages: English Tune Title: I DEN SENA MIDNATTSSTUNDEN
In the silent midnight watches
A. Cleveland Coxe
1818 - 1896 Person Name: Rev. A. C. Coxe, D.D. Author of "In the Silent Midnight Watches" in Gospel Hymns Nos. 1 to 6 Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain.
1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary.
2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883.
3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883.
4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844.
5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840.
6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869.
7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring."
8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873.
9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer.
10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840.
11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above.
12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer.
13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834.
14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections.
15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc.
16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory."
17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872.
Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird]
-- John Julian, Dictionary of Hymnology (1907)
A. Cleveland Coxe
E. Gustav Johnson
1893 - 1974 Alterer of "In the Silent Midnight Watches" in The Cyber Hymnal Born: May 21, 1893, Väse Vämland, Sweden.
Died: November 13, 1974, Miami, Florida.
Johnson’s family emigrated to America when he was 10 years old, settling in Hartford, Connecticut. He learned the craft of a printer, but at age 30 took up studies at North Park, Chicago, Illinois, where he earned degrees at the academy, college, and seminary. He went on to graduate from the University of Chicago and Duke University. He started teaching English and Swedish at North Park in 1931, staying there three decades. He also found time to edit the Swedish Pioneer Historical Quarterly. His works include:
The Swedish Element in America, 1933 (co-editor)
Translation of C. J. Nyvall’s Travel Memories from America, 1876
Translation of Erik Wallgren’s A Swedish-American Preacher’s Story
--www.hymntime.com/tch/
================
E. Gustav Johnson (1925)
The first literal English translation of "O store Gud" was by E. Gustav Johnson (1893–1974), then a professor of North Park College, Illinois. His translation of verses 1, 2, and 7-9 was published in the United States in the Covenant Hymnal as "O Mighty God" in 1925.
The first three Covenant hymnals in English used Johnson's translation, with The Covenant Hymnal(1973) including all nine verses of Boberg’s original poem. There was a desire to replace Johnson's version with the more popular version of British missionary Stuart K. Hine's “How Great Thou Art”. Wiberg explains:
Given the popularity of Stuart Hine’s translation of "How Great Thou Art" in the late 60s and early 70s, the Hymnal Commission struggled with whether to go with the more popular version or retain E. Gust’s translation. However, economics settled the issue inasmuch as we were unable to pay the exorbitant price requested by the publishing house that owned the copyright despite the fact that the original belonged to the Covenant.
--en.wikipedia.org/wiki/How_Great_Thou_Art
E. Gustav Johnson
A. L. Skoog
1854 - 1934 Person Name: Andrew L. Skoog Composer of "MIDNIGHT" in The Cyber Hymnal Skoog, Andrew L. (Gunnarskog, Sweden, December 17, 1856 [sic]--October 30, 1934, Minneapolis, Minnesota). Evangelical Covenant. Son of pietists. Tailor's apprentice at 10. Family emigrated to St. Paul, Minn., when Andrew was 13. Only formal music training was 12 lessons on a melodeon. Organist, choir director, and Sunday School superintendent in Swedish Tabernacle, Minneapolis, 1886-1916. Co-editor of hymnals: Evangelii Basun I & II, 1881-1883; Lilla Basunen, 1890; and Jubelklangen, 1896. Was in editorial committee of Covenant's first three hymnals: Sions Basun, 1908; De Ungas Sångbok, 1914; and Mission Hymns, 1921. Editor and publisher of Gittit 1892-1908, a monthly choir journal with music; a series of ten bound volumes of choir selections; and many hymns.
--J. Irving Erickson, DNAH Archives
A. L. Skoog
