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Text Identifier:"^he_who_would_valiant_be$"

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Who would true valor see

Author: John Bunyan Meter: 6.5.6.5.6.6.6.5 Appears in 149 hymnals Hymnal Title: Calvin Hymnary Project Topics: Conflict; Pilgrimage, Christian

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VALOR

Appears in 1 hymnal Composer and/or Arranger: Josiah Booth Hymnal Title: Christian Song Incipit: 51233 65671 15123 Used With Text: Who would true valor see
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MONK'S GATE

Meter: 6.5.6.5.6.6.6.5 Appears in 52 hymnals Composer and/or Arranger: Ralph Vaughan Williams (1872-1958) Hymnal Title: Church Hymnary (4th ed.) Tune Key: E Flat Major Incipit: 12313 45654 2711 Used With Text: Who would true valour see
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ST. ETHELWALD

Appears in 71 hymnals Composer and/or Arranger: W. H. Monk Hymnal Title: The Church and School Hymnal Tune Sources: English Traditional Melody Incipit: 54323 43325 66556 Used With Text: Who would true valour see

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He who would valiant be

Author: John Bunyan Hymnal: A Calendar of Hymns #d22 (1961) Hymnal Title: A Calendar of Hymns Languages: English

He Who Would Valiant Be

Author: John Bunyan, 1628-1688 Hymnal: A Hymnal for Friends #73 (1942) Hymnal Title: A Hymnal for Friends Languages: English Tune Title: ST. DUNSTAN'S

He Who Would Valiant Be

Author: John Bunyan, 1628-1688 Hymnal: A Hymnal for Friends #79 (1955) Hymnal Title: A Hymnal for Friends Tune Title: ST. DUNSTAN'S

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Authors, composers, editors, etc.

Josiah Booth

1852 - 1930 Hymnal Title: Christian Song Composer of "VALOR" in Christian Song Josiah Booth (27 March 1852 – 29 December 1929) was an English organist and composer, known chiefly for his hymn-tunes. See also in: Wikipedia

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Complete Anglican Hymns Old and New Arranger of "MONKS GATE" in Complete Anglican Hymns Old and New Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Charles Winfred Douglas

Person Name: C. Winfred Douglas, 1867-1944 Hymnal Title: Lutheran Worship Composer of "ST. DUNSTAN'S" in Lutheran Worship See Douglas, Winfred, 1867-1944