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He Comes! He Comes! the Judge Severe!
Author: Charles Wesley Meter: 8.8.8.8 Appears in 139 hymnals Hymnal Title: The Cyber Hymnal First Line: He comes! He comes! the Judge severe Lyrics: 1. He comes! He comes! the Judge severe!
The seventh trumpet speaks Him near;
His lightnings flash, His thunders roll;
How welcome to the faithful soul!
2. From Heav’n angelic voices sound;
See the almighty Jesus crowned,
Girt with omnipotence and grace!
And glory decks the Savior’s face.
3. Descending on His great white throne,
He claims the kingdoms for His own;
The kingdoms all obey His Word,
And hail Him their triumphant Lord.
4. Shout, all the people of the sky,
And all the saints of the Most High;
Our Lord, who now His right obtains,
Forever and forever reigns. Used With Tune: GRACE CHURCH Text Sources: Hymns of Intercession, 1758
He Comes! He Comes! the Judge Severe!
He comes, he comes, the judge severe
Author: Charles Wesley, 1707-1788 Hymnal: A Choice Selection of Evangelical Hymns, from various authors #432 (1806) Hymnal Title: A Choice Selection of Evangelical Hymns, from various authors Languages: English
He comes, he comes, the judge severe
He comes, he comes, the judge severe
Author: Charles Wesley, 1707-1788 Hymnal: A Collection of Evangelical Hymns; made from Different Authors and Collections for the English Lutheran Church in New York #d96 (1797) Hymnal Title: A Collection of Evangelical Hymns; made from Different Authors and Collections for the English Lutheran Church in New York Languages: English
He comes, he comes, the judge severe
Christ's second coming
Hymnal: A Collection of Hymn Tunes from the most modern and approved authors #VII (1783) Hymnal Title: A Collection of Hymn Tunes from the most modern and approved authors First Line: He comes! he comes! the judge severe! Lyrics: 1 He comes! he comes! the Judge severe!
The seventh trumpet speaks him near;
His lightnings flash, his thunders roll,
How welcome to the faithful soul,
Welcome, welcome, welcome, welcome,
Welcome to the faithful soul.
2 From heav'n angelic voices sound,
See the almighty Jesus crown'd!
Girt with omnipotence and grace,
And glory decks the Saviour's face,
Glory, glory, glory, glory,
Glory decks the Saviour's face!
3 Descending on his azure throne,
He claims the kingdoms for his own;
The kingdoms all obey his word,
And hail him their triumphant Lord:
Hail him, hail him, hail him, hail him,
Hail him their triumphant Lord.
4 Shout all the people of the sky,
And all the saints of the most high:
Our God who now his Right obtains
Forever and forever reigns;
Ever, ever, ever, ever,
Ever and forever reigns.
5 The Father praise, the Son adore,
The Spirit bless forever more:
Salvation's glorious work is done
We welcome thee great three in one!
Welcome, welcome, welcome, welcome,
Welcome thee great three in one.
Languages: English
Christ's second coming
Daniel Read
1757 - 1836 Hymnal Title: Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Composer of "WINDHAM" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Daniel Read; b. 1757, Rehoboth, Mass.; d. 1837, New Haven, Conn.An American composer and a primary figure in early American classical music. He was one of the “Yankee Tunesmiths” (1st New England School of Music) when classical music was popular in Europe. Read was a private in Massachusetts militia and later a comb maker and owner of a general store in New Haven, CN. He was only the 3rd composer in the U. S. to put out a collection of his own music. His work, “The American Singing Book” went through 5 editions, making him the most popular composer in the nation. Others often plagarized his tunes in those days. Tunebook sales supplemented his general store income, including “The Columbian Harmonist” (3 volumnes) with 3 revisions, and “The New Haven Collection of Sacred Music” 1818. Read also published “The American Musical magazine” in 12 annual issues in 1786 and 1787. In later years he came to appreciate European music more and imitated that styling in devotional music. Some of Read's music is still being performed, and selections have been published in “The Sacred Harp”, 1991 Edition, and the “Stoughton Music Society” (Centennial Collection 1980).
John Perry
Daniel Read
Ralph Harrison
1748 - 1810 Person Name: Rev. Ralph Harrison Hymnal Title: Sacred Hymns and Tunes Composer of "PETERBORO" in Sacred Hymns and Tunes
Ralph Harrison
Charles Wesley
1707 - 1788 Hymnal Title: The Cyber Hymnal Author of "He Comes! He Comes! the Judge Severe!" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
