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Text Identifier:"^god_is_our_refuge_and_our_strength_in_st$"

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God Is Our Refuge and Our Strength

Meter: 8.6.8.6 Appears in 51 hymnals Matching Instances: 51 First Line: God is our refuge and our strength, In straits a present aid Refrain First Line: The Lord of hosts is on our side

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[God is our refuge and strength]

Appears in 80 hymnals Matching Instances: 1 Composer and/or Arranger: R. Farrant, -1580 Tune Key: G Major Incipit: 11235 43221 Used With Text: God is our refuge and strength

[God is our refuge and strength]

Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: J. Battishill, 1738 - 1801 Tune Key: A Major Used With Text: God is our refuge and strength

[God is our refuge and strength]

Appears in 10 hymnals Matching Instances: 1 Composer and/or Arranger: S. Wesley, 1766-1837 Tune Key: E Major Incipit: 55564 31765 Used With Text: God is our refuge and strength

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God is our refuge and our strength

Hymnal: Sabbath-School Hymn-Book #P4 (1872)
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God is our refuge and our strength

Hymnal: The Y. M. Christian Association Hymn-Book, with Tunes. #5b (1868)

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John Hopkins

1470 - 1570 Author of "God is Our Refuge" in Redemption Songs

C. H. Spurgeon

1834 - 1892 Person Name: C. H. S. Alterer of "God is our refuge and our strength" in Spurgeon's Own Hymn Book Spurgeon, Charles Haddon, the world-famous preacher, was born June 19, 1834, at Kelvedon, in Essex, where his father was Congregational minister. He was educated at Colchester, and at an Agricultural College at Maidstone, after which he was for a few years usher in schools at Newmarket and Cambridge. In 1851 he became minister of a small Baptist church at Waterbeach, near Cambridge, and soon attained great popularity. In 1854 he removed to New Park Street, London, the place where Drs. Gill and Rippon had formerly ministered, and ere long the thronging of people to hear him led, first, to the temporary occupation of Exeter Hall, and of the Surrey Music Hall, and then to the erection of the great Metropolitan Tabernacle, where he still ministers. Mr. Spurgeon is chiefly known as a preacher and as the author of many vols. of sermons, expositions, and other homiletical literature; but he is also a hymn writer, and the compiler of a well-known hymn book. This book was prepared, in 1866, primarily for the use of the congregation at the Tabernacle. Hence its title Our Own Hymnbook, a collection of Psalms & Hymns for public, social, and private worship. It contains 220 versions of the Psalms, and 910 hymns. Of Mr. Spurgeon's contributions noted below, only one, "Sweetly the holy hymn," can be regarded as possessing any particular merit. The others do not rise above respectable mediocrity. His psalm-versions and hymns, all dated 1866, are:— 1. Amidst us our Beloved stands. Holy Communion. 2. Behold, O Lord, my days are made. Ps. xxxix. 3. Blessed is the man that feareth. Ps. cxii. 4. Here, O ye faithful, see. Holy Baptism. 5. I will exalt Thee, Lord of hosts. Ps. xxx. 6. Jesus, poorest of the poor. Ps. xli. 7. Lord, I would dwell with Thee. Ps. xv. 8. Lord, make my conversation chaste. Ps. lxviii. 9. Lord, Thy church without a pastor. Election of a Minister. 10. Make haste, O Lord, my soul to bless. Ps. lxx. 11. O God, be Thou no longer still. Ps. lxxxiii. 12. O God, Thou hast cast off Thy saints. Ps. lx. 13. Our ears have heard, O glorious God. Ps. xliv. 14. Praise the Lord with exultation, My whole heart, &c. Ps. cxi. 15. Risen Lord, Thou hast received. Election of a Minister. 16. Sweetly the holy hymn. Prayer Meetings. 17. The foes of Zion quake for fright. Ps. liii. 18. The Holy Ghost is here. Prayer. 19. The Kings of earth are in the hands. Ps. lxxxii. 20. Thy strength, 0 Lord, makes glad our King. Ps. xxi. In addition to these Mr. Spurgeon re-wrote or added to the hymns of others, as "Come ye who bow to sovereign grace"; "Great King of Zion, now"; "O God, before whose radiant throne"; and "Woe's me that I in Mesech am"; and composed two Graces for before, and two for after Meat. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Richard Farrant

1525 - 1580 Person Name: R. Farrant, -1580 Composer of "[God is our refuge and strength]" in The Hymnary for use in Baptist churches Like many composers of his day, the early years of Richard Farrant’s (c.1525- November 30, 1580) life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525. Although, that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriar Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named, Richard. As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George’s Chapel at Windsor. For Farrant, the post at at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November of 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theater of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he passed away, having left his house to his wife. Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems "When as we sat in Babylon" and "Call to remembrance" and "Hide not thou thy face." --en.wikipedia.org/wiki/