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Text Identifier:"^en_el_curso_de_este_dia$"

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En el curso de este día

Appears in 6 hymnals Hymnal Title: El Himnario Evangelico Used With Tune: SHEPHERD Text Sources: H. M.

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ZION

Meter: 8.7.8.7.4.7 Appears in 8 hymnals Composer and/or Arranger: Thomas Morley, 1842-1891 Hymnal Title: Culto Cristiano Tune Key: A Flat Major Incipit: 17653 21543 67132 Used With Text: En el curso de este día
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SHEPHERD

Appears in 481 hymnals Composer and/or Arranger: William B. Bradbury Hymnal Title: El Himnario Evangelico Tune Key: E Flat Major Incipit: 33323 45153 23465 Used With Text: En el curso de este día
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[En el curso de este día]

Appears in 74 hymnals Hymnal Title: Himnario Adventista Tune Sources: Melodia Alemana Tune Key: G Major Incipit: 12354 32232 13271 Used With Text: En el curso de este día

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En el curso de este día

Author: Desconocido Hymnal: Culto Cristiano #315 (1964) Meter: 8.7.8.7.4.7 Hymnal Title: Culto Cristiano Lyrics: 1 En el curso de este día Nos cercó tu dulce amor; Tu poder nos protegía, Y con cantos de loor Te adoramos, ¡Oh divino Redentor! 2 Danos plácido reposo, Vela Tú nuestro dormir; Cuídanos, Señor bondoso, Nuestros males haz huir; De peligros Tú nos puedes encubrir. 3 Y al final de la existencia Cuando Tú a llamarnos vas, Cólmanos de tu clemencia Y recíbenos en paz; Y de entonces No te ofenderemos más. Amén. Topics: Ocasiones Especiales La Noche; Special Occasions Night Languages: Spanish Tune Title: ZION
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En el curso de este día

Hymnal: El Himnario Evangelico #33 (1893) Hymnal Title: El Himnario Evangelico Languages: Spanish Tune Title: SHEPHERD
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En el Curso de este Día

Hymnal: El Nuevo Himnario Evangelico para el uso de las Iglesias Evangelicas de Habla Espanol en Todo el Mundo #26 (1914) Hymnal Title: El Nuevo Himnario Evangelico para el uso de las Iglesias Evangelicas de Habla Espanol en Todo el Mundo Languages: Spanish

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Anonymous

Person Name: Desconocido Hymnal Title: Culto Cristiano Author of "En el curso de este día" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Thomas Morley

1845 - 1891 Person Name: Thomas Morley, 1842-1891 Hymnal Title: Culto Cristiano Composer of "ZION" in Culto Cristiano Thomas Morley; b. Oxford, England, 1845; d. St. John, New Brunswick, 1891 Evangelical Lutheran Hymnal, 1908

William B. Bradbury

1816 - 1868 Hymnal Title: El Himnario Evangelico Composer of "SHEPHERD" in El Himnario Evangelico William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry