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Blest morning, whose young, dawning rays
Author: Rev. Isaac Watts (1674-1748) Appears in 154 hymnals Matching Instances: 152 Used With Tune: HOLY TRINITY
Blest morning, whose young, dawning rays
Blest morning! whose first dawning rays
Author: Isaac Watts Hymnal: Scottish Psalter and Paraphrases #H4 (1800) Meter: 8.6.8.6 Lyrics: 1 Blest morning! whose first dawning rays
beheld the Son of God
arise triumphant from the grave,
and leave his dark abode.
2 Wrapt in the silence of the tomb
the great Redeemer lay,
till the revolving skies had brought
the third, th' appointed day.
3 Hell and the grave combin'd their force
to hold our Lord in vain;
sudden the Conqueror arose,
and burst their feeble chain.
4 To thy great name, Almighty Lord!
we sacred honours pay,
and loud hosannahs shall proclaim
the triumphs of the day.
5 Salvation and immortal praise
to our victorious King!
Let heav'n and earth, and rocks and seas,
with glad hosannahs ring.
6 To Father, Son, and Holy Ghost,
the God whom we adore,
be glory, as it was, and is,
and shall be evermore.
Languages: English
Blest morning! whose first dawning rays
Hymn 72
Author: Isaac Watts Hymnal: Psalms and Hymns of Isaac Watts, The #II.72 (1806) Meter: 8.6.8.6 First Line: Blest morning, whose young dawning rays Lyrics:
Blest morning, whose young dawning rays
Beheld our rising God,
That saw him triumph o'er the dust,
And leave his dark abode!
In the cold prison of a tomb
The dead Redeemer lay,
Till the revolving skies had brought
The third, th' appointed day.
Hell and the grave unite their force
To hold our God in vain;
The sleeping Conqueror arose,
And burst their feeble chain.
To thy great name, almighty Lord,
These sacred hours we pay;
And loud hosannahs shall proclaim
The triumph of the day.
[Salvation and immortal praise
To our victorious King;
Let heav'n, and earth, and rocks, and seas,
With glad hosannahs ring.]
Languages: English
Hymn 72
Blest morning, whose first, dawning [opening] rays [hour] [light]
Author: Isaac Watts, 1674-1748 Hymnal: Psalms and Hymns Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America #H133 (1830)
Blest morning, whose first, dawning [opening] rays [hour] [light]
William Dixon
1750 - 1825 Person Name: William Dixon, 1750-1825 Composer of "LANESBORO" in The Cyber Hymnal Born: 1750-60, London, England.
A composer, writer, teacher, and music engraver, Dixon lived in London and Liverpool. His works include:
Psalmodia Christiana, 1790
Euphonia
Introduction to Singing, 1795
--www.hymntime.com/tch/
William Dixon
Martin Shaw
1875 - 1958 Person Name: Martin Shaw 1875-1958 Harmonizer of "CREDITON" in The Australian Hymn Book with Catholic Supplement Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
Joseph Barnby
1838 - 1896 Person Name: Joseph Barnby (1838- ) Composer of "HOLY TRINITY" in Carmina Sanctorum Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
