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Scripture:Psalm 22:25-31

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Psalm 22

Author: Isaac Watts Meter: 8.8.8.8 Appears in 112 hymnals Scripture: Psalm 22:28-29 First Line: Now let our mournful songs record Lyrics: Now let our mournful songs record The dying sorrows of our Lord, When he complained in tears and blood, As one forsaken of his God. The Jews beheld him thus forlorn, And shake their heads, and laugh in scorn: "He rescued others from the grave; Now let him try himself to save. "This is the man did once pretend God was his Father and his Friend; If God, the blessed, loved him so, Why doth he fail to help him now?" Barbarous people! cruel priests! How they stood round like savage beasts! Like lions gaping to devour, When God had left him in their power. They wound his head, his hands, his feet, Till streams of blood each other meet; By lot his garments they divide, And mock the pangs in which he died. But God, his Father, heard his cry; Raised from the dead, he reigns on high, The nations learn his righteousness, And humble sinners taste his grace. Topics: Christ his sufferings and kingdom; Exaltation of Christ to the kingdom; Gentiles given to Christ; Sufferings and kingdom of Christ; Christ his death and resurrection; Death and sufferings of Christ; Sufferings and death of Christ
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Psalm 22 Part 2

Author: Isaac Watts Meter: 8.6.8.6 Appears in 28 hymnals Scripture: Psalm 22:27-31 First Line: Now from the roaring lion's rage Lyrics: "Now from the roaring lion's rage, O Lord, protect thy Son, Nor leave thy darling to engage The powers of hell alone." Thus did our suff'ring Savior pray, With mighty cries and tears; God heard him in that dreadful day, And chased away his fears. Great was the vict'ry of his death, His throne exalted high; And all the kindreds of the earth Shall worship or shall die. A num'rous offspring must arise From his expiring groans; They shall be reckoned in his eyes For daughters and for sons. The meek and humble souls shall see His table richly spread; And all that seek the Lord shall be With joys immortal fed. The isles shall know the righteousness Of our incarnate God, And nations yet unborn profess Salvation in his blood. Topics: Christ his sufferings and kingdom; Exaltation of Christ to the kingdom; Gentiles given to Christ; Sufferings and kingdom of Christ; Christ his death and resurrection; Death and sufferings of Christ; Sufferings and death of Christ
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The Ends of All the Earth Shall Hear

Meter: 8.8.8.8 with refrain Appears in 17 hymnals Scripture: Psalm 22:27-31 Refrain First Line: All earth to him her homage brings Lyrics: 1 The ends of all the earth shall hear and turn unto the Lord in fear; all kindreds of the earth shall own and worship him as God alone. Refrain: All earth to him her homage brings, the Lord of lords, the King of kings. 2 His is the kingdom, his of right; he rules the nations by his might. All earth to him her homage brings, the Lord of lords, the King of kings. Refrain 3 Both rich and poor, both bond and free shall worship him on bended knee, and children's children shall proclaim the glorious honor of his name. Refrain 4 The Lord's unfailing righteousness all generations shall confess; from age to age they shall be taught what wondrous works the Lord has wrought. Refrain Topics: Family; King, God/Christ as; Church and Mission; Assurance; Family; King, God/Christ as; Kingdom; Missions Used With Tune: VISION Text Sources: Psalter, 1912

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VISION

Meter: 8.8.8.8 with refrain Appears in 35 hymnals Composer and/or Arranger: William H. Doane, 1832-1915 Scripture: Psalm 22:27-31 Tune Key: D Major Incipit: 32155 61532 15653 Used With Text: The Ends of All the Earth Shall Hear
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CELEBRATION

Appears in 15 hymnals Composer and/or Arranger: Brent Chambers Scripture: Psalm 22:3-27 Tune Key: d minor Incipit: 54321 71554 32117 Used With Text: In the Presence of Your People
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BOVINA

Meter: 8.6.8.6 D Appears in 13 hymnals Composer and/or Arranger: Laura A. Tate Scripture: Psalm 22:22-28 Tune Key: C Major Incipit: 11321 23543 51653 Used With Text: Amid the Thronging Worshipers

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Published text-tune combinations (hymns) from specific hymnals
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Christ the Lord Is Risen Today!

Author: Charles Wesley Hymnal: Glory to God #245 (2013) Meter: 7.7.7.7 with alleluia Scripture: Psalm 22:29 First Line: "Christ the Lord is risen today!" Lyrics: 1 "Christ the Lord is risen today!" Alleluia! All creation, join to say: Alleluia! Raise your joys and triumphs high, Alleluia! Sing, O heavens, and earth reply, Alleluia! 2 Love’s redeeming work is done, Alleluia! Fought the fight, the battle won, Alleluia! Death in vain forbids him rise, Alleluia! Christ has opened paradise. Alleluia! 3 Lives again our glorious King, Alleluia! Where, O death, is now your sting? Alleluia! Jesus died, our souls to save, Alleluia! Where your victory, O grave? Alleluia! 4 Hail the Lord of earth and heaven! Alleluia! Praise to you by both be given, Alleluia! Every knee to you shall bow, Alleluia! Risen Christ, triumphant now. Alleluia! Topics: Christian Year Easter Vigil; Christian Year Resurrection/Easter; Jesus Christ Resurrection; Christian Year Easter Languages: English Tune Title: LLANFAIR

Christ the Lord is risen today; Alleluia

Author: Charles Wesley, 1707-1788 Hymnal: Singing the Faith #298 (2011) Meter: 7.7.7.7 with alleluias Scripture: Psalm 22:31 Topics: Jesus Christ: Risen and Ascended Languages: English Tune Title: EASTER HYMN
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When All Thy Mercies, O My God

Author: Joseph Addison (1672-1719) Hymnal: Common Praise (1998) #343 (1998) Meter: 8.6.8.6 Scripture: Psalm 22:22-30 First Line: When all thy mercies, O my God Lyrics: 1 When all thy mercies, O my God, my rising soul surveys, transported with the view, I'm lost in wonder, love, and praise. 2 Unnumbered comforts to my soul thy tender care bestowed, before my infant heart conceived from whom those comforts flowed. 3 Ten thousand thousand precious gifts my daily thanks employ; nor is the least a cheerful heart that tastes those gifts with joy. 4 Through every period of my life thy goodness I'll pursue; and after death, in distant worlds the glorious theme renew. 5 Through all eternity to thee a joyful song I'll raise; for O, eternity's too short to utter all thy praise! Topics: God Praise and Thanksgiving; Praise of God Languages: English Tune Title: ST. STEPHEN

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W. Howard Doane

1832 - 1915 Person Name: William H. Doane, 1832-1915 Scripture: Psalm 22:27-31 Composer of "VISION" in Psalter Hymnal (Gray) An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)

James Montgomery

1771 - 1854 Scripture: Psalm 22 Author of "Glad was my heart to hear" in Sacred Poems and Hymns James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853). Bert Polman ======================== Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:— (1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions. Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:— i. Appeared in Collyer's Collection, 1812. 1. Jesus, our best beloved Friend. Personal Dedication to Christ. 2. When on Sinai's top I see. Sinai, Tabor, and Calvary. ii. Appeared in Cotterill's Selection, 1819. 3. Come to Calvary's holy mountain. The Open Fountain. 4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn. 5. Hear me, O Lord, in my distress. Ps. cxliii. 6. Heaven is a place of rest from sin. Preparation for Heaven. 7. I cried unto the Lord most just. Ps. cxlii. 8. Lord, let my prayer like incense rise. Ps. cxxxix. 9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii. 10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe." 11. The world in condemnation lay. Redemption. 12. Where are the dead? In heaven or hell? The Living and the Dead. iii. Appeared in his Songs of Zion, 1822. 13. Give glory to God in the highest. Ps. xxix. 14. Glad was my heart to hear. Ps. cxxii. 15. God be merciful to me. Ps. lxix. 16. God is my strong salvation. Ps. xxvii. 17. Hasten, Lord, to my release. Ps. lxx. 18. Have mercy on me, O my God. Ps. li. 19. Hearken, Lord, to my complaints. Ps. xlii. 20. Heralds of creation cry. Ps. cxlviii. 21. How beautiful the sight. Ps. cxxxiii. 22. How precious are Thy thoughts of peace. Ps. cxxxix. 23. I love the Lord, He lent an ear. Ps. cxvi. 24. In time of tribulation. Ps. lxxvii. 25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name." 26. Judge me, O Lord, in righteousness. Ps. xliii. 27. Lift up your heads, ye gates, and wide. Ps.xxiv. 28. Lord, let me know mine [my] end. Ps. xxxi. 29. Of old, 0 God, Thine own right hand. Ps. lxxx. 30. O God, Thou art [my] the God alone. Ps. lxiii. 31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name." 32. O my soul, with all thy powers. Ps. ciii. 33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place." 34. Searcher of hearts, to Thee are known. Ps. cxxxix. 35. Thank and praise Jehovah's name. Ps. cvii. 36. Thee will I praise, O Lord in light. Ps. cxxxviii. 37. The Lord is King; upon His throne. Ps. xciii. 38. The Lord is my Shepherd, no want shall I know. Ps. xxiii. 39. The tempter to my soul hath said. Ps. iii. 40. Thrice happy he who shuns the way. Ps. i. 41. Thy glory, Lord, the heavens declare. Ps. xix. 42. Thy law is perfect, Lord of light. Ps. xix. 43. Who make the Lord of hosts their tower. Ps. cxxv. 44. Yea, I will extol Thee. Ps. xxx. iv. Appeared in his Christian Psalmist. 1825. 45. Fall down, ye nations, and adore. Universal adoration of God desired. 46. Food, raiment, dwelling, health, and friends. The Family Altar. 47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822. 48. Green pastures and clear streams. The Good Shepherd and His Flock. 49. Less than the least of all. Mercies acknowledged. 50. Not to the mount that burned with fire [flame]. Communion of Saints. 51. On the first Christian Sabbath eve. Easter Sunday Evening. 52. One prayer I have: all prayers in one. Resignation. 53. Our heavenly Father hear. The Lord's Prayer. 54. Return, my soul, unto thy rest. Rest in God. 55. Spirit of power and might, behold. The Spirit's renewing desired. 56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand." 57. The days and years of time are fled. Day of Judgment. 58. The glorious universe around. Unity. 59. The pure and peaceful mind. A Children's Prayer. 60. This is the day the Lord hath made (q. v.). Sunday. 61. Thy word, Almighty Lord. Close of Service. 62. What secret hand at morning light ? Morning. 63. While through this changing world we roam. Heaven. 64. Within these walls be peace. For Sunday Schools. v. Appeared in his Original Hymns, 1853. 65. Behold yon bright array. Opening a Place of Worship. 66. Behold the book whose leaves display. Holy Scriptures. 67. Come ye that fear the Lord. Confirmation. 68. Home, kindred, friends, and country, these. Farewell to a Missionary. 69. Let me go, the day is breaking. Jacob wrestling. 70. Not in Jerusalem alone. Consecration of a Church. 71. Praise the high and holy One. God the Creator. In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand. As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart. --John Julian, Dictionary of Hymnology (1907)

Brent Chambers

b. 1948 Scripture: Psalm 22:3-27 Author (st. 1) of "In the Presence of Your People" in Songs for Life Brent Sinclair Chambers (b. Napier, Hawkes Bay, New Zealand, 1948) composed this song after experiencing an evening of ethnic music and dance in 1977. Chambers attended the Bible College of New Zealand and Auckland University and then became a self-employed painting contractor and song writer. He has written or co-written over five hundred songs, a number of which have been recorded or published. He based the text on Psalm 22:3, 22 and Psalm 145:7, though the words of the first line could also have been taken from Psalm 52:9b. He named his tune CELEBRATION, and both text and music were published in Scripture in Song (1977), one of the most important Scripture-chorus collections (initially from New Zealand) of the 1970s. The vocable "lai," suggested for the descant line on the repetition of the music, can be replaced with combinations of "ah" and "alleluia." Other stanzas can be added as well. --www.hymnary.org/hymn/PsH/160