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Songs of Thankfulness and Praise
Author: Christopher Wordsworth, 1807-1885 Meter: 7.7.7.7 D Appears in 127 hymnals Scripture: Matthew 3:13-17 Lyrics:
1 Songs of thankfulness and praise,
Jesus, Lord, to you we raise,
Manifested by the star
To the sages from afar;
Branch of royal David's stem
In your birth at Bethlehem;
Anthems be to you addrest,
God in flesh made manifest.
2 Manifest at Jordan's stream,
Prophet, Priest, and King supreme;
And at Cana, wedding guest,
In your Godhead manifest;
Manifest in pow'r divine,
Changing water into wine;
Anthems be to you addrest,
God in flesh made manifest.
3 Manifest in making whole
Palsied limbs and fainting soul;
Manifest in valiant fight,
Quelling all the devil's might;
Manifest in gracious will,
Ever bringing good from ill;
Anthems be to you addrest,
God in flesh made manifest.
4 Grant us grace to see you, Lord,
Mirrored in your holy word;
May we imitate you now,
And on us your grace endow;
That we like to you may be
At your great epiphany;
And may praise you ever blest,
God in flesh made manifest.
Topics: Seasons and Feasts Epiphany; Seasons and Feasts Baptism of the Lord Used With Tune: SALZBURG
Songs of Thankfulness and Praise
When Jesus Came to Jordan
Author: Fred Pratt Green, b. 1903 Meter: 7.6.7.6 D Appears in 21 hymnals Scripture: Matthew 3:13-17 Lyrics: 1 When Jesus came to Jordan
to be baptized by John,
he did not come for pardon.
but as the Sinless One.
He came to share repentance
with all who mourn their sins,
to speak the vital sentence
with which good news begins.
2 He came to share temptation,
our utmost woe and loss,
for us and our salvation
to die upon the cross.
So when the Dove descended
on him, the Son of Man,
the hidden years had ended,
the age of grace began.
3 Come, Holy Spirit,
aid us to keep the vows we make;
this very day invade us,
and ev'ry bondage break.
Come, give our lives direction,
the gift we covet most:
to share the resurrection
that leads to Pentecost.
Topics: Baptism of Our Lord, The; Epiphany Used With Tune: KING'S LYNN
When Jesus Came to Jordan
Spirit Divine! attend our prayers
Author: Andrew Reed Meter: 8.6.8.6 Appears in 391 hymnals Scripture: Matthew 3:16 Topics: God: His Attributes, Works and Word The Holy Spirit Used With Tune: MILTON
Spirit Divine! attend our prayers
RENDEZ À DIEU
Meter: 9.8.9.8 D Appears in 165 hymnals Composer and/or Arranger: Louis Bourgeois, c. 1510-c. 1561 Scripture: Matthew 3:13-16 Tune Key: F Major Incipit: 16511 24325 33143 Used With Text: Mark How the Lamb of God's Self-Offering
RENDEZ À DIEU
WINCHESTER NEW
Meter: 8.8.8.8 Appears in 383 hymnals Composer and/or Arranger: William H. Monk, 1823-89 Scripture: Matthew 3:13-17 Tune Sources: Musicalisch Hand-Buch der Geistlichen Melodien, Hamburg, 1690, alt. Tune Key: B Flat Major Incipit: 51566 54334 32554 Used With Text: To Jordan's River Came Our Lord
WINCHESTER NEW
Come, Holy Spirit, heavenly Dove
Author: Isaac Watts Hymnal: The Presbyterian Book of Praise #103 (1897) Meter: 8.6.8.6 Scripture: Matthew 3:16 Topics: God: His Attributes, Works and Word The Holy Spirit Languages: English Tune Title: NAOMI
Come, Holy Spirit, heavenly Dove
Come, Holy Spirit, Heavenly Dove
Author: Isaac Watts Hymnal: The Hymnbook #239 (1955) Meter: 8.6.8.6 Scripture: Matthew 3:16 Lyrics: 1 Come, Holy Spirit, heavenly Dove,
With all Thy quickening powers;
Kindle a flame of sacred love
In these cold hearts of ours.
2 In vain we tune our formal songs,
In vain we strive to rise;
Hosannas languish on our tongues,
And our devotion dies.
3 Dear Lord, and shall we ever live
At this poor dying rate?
Our love so faint, so cold to Thee,
And Thine to us so great!
4 Come, Holy Spirit, heavenly Dove,
With all Thy quickening powers;
Come, shed abroad a Saviour's love,
And that shall kindle ours.
Amen. Topics: Aspiration; Spirit, The Holy Tune Title: ST. AGNES
Come, Holy Spirit, Heavenly Dove
Come, Holy Spirit, Heavenly Dove
Author: Isaac Watts Hymnal: Glory to God #279 (2013) Meter: 8.6.8.6 Scripture: Matthew 3:16 Lyrics: 1 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
kindle a flame of sacred love
in these cold hearts of ours.
2 In vain we tune our formal songs;
in vain we strive to rise;
hosannas languish on our tongues,
and our devotion dies.
3 Dear Lord, and shall we ever live
at this poor dying rate?
Our love so faint, so cold to thee,
and thine to us so great!
4 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
come, shed abroad a Savior's love,
and that shall kindle ours.
Topics: Gift of the Holy Spirit; Love of God for Us; Renewal Languages: English Tune Title: ST. AGNES
Come, Holy Spirit, Heavenly Dove
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr. Scripture: Matthew 3 Author of "Wild and Lone the Prophet's Voice" in The Faith We Sing Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
Jakob Hintze
1622 - 1702 Person Name: Jakob Hintze, 1622-1702 Scripture: Matthew 3:13-17 Composer of "SALZBURG " in Gather Comprehensive Partly as a result of the Thirty Years' War and partly to further his musical education, Jakob Hintze (b. Bernau, Germany, 1622; d. Berlin, Germany, 1702) traveled widely as a youth, including trips to Sweden and Lithuania. In 1659 he settled in Berlin, where he served as court musician to the Elector of Brandenburg from 1666 to 1695. Hintze is known mainly for his editing of the later editions of Johann Crüger's Praxis Pietatis Melica, to which he contributed some sixty-five of his original tunes.
Bert Polman
Jakob Hintze
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach, 1685-1750 Scripture: Matthew 3:13-17 Harmonizer of "SALZBURG " in Gather Comprehensive Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
