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The King Shall Come When Morning Dawns
Author: John Brownlie Meter: 8.6.8.6 Appears in 93 hymnals Scripture: Luke 21:28 Lyrics: 1 The King shall come when morning dawns
and light triumphant breaks,
when beauty gilds the eastern hills
and life to joy awakes
2 not, as of old, a little child,
to bear and fight and die,
but crowned with glory like the sun
that lights the morning sky.
3 Oh, brighter than the rising morn
when Christ, victorious, rose
and left the lonesome place of death,
despite the rage of foes
4 oh, brighter than that glorious morn
shall dawn upon our race
the day when Christ in splendor comes
and we shall see his face.
5 The King shall come when morning dawns
and light and beauty brings.
Hail, Christ the Lord! Your people pray:
come quickly, King of kings.
Topics: King, God/Christ as; Return of Christ; The New Creation; Advent; King, God/Christ as; Majesty of God; New Creation; Return of Christ Used With Tune: MORNING SONG Text Sources: Greek
The King Shall Come When Morning Dawns
Mine Eyes have Seen the Glory
Author: Julia Ward Howe Meter: 15.15.15.6 ith refrain Appears in 551 hymnals Scripture: Luke 21:27 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah Lyrics: 1 Mine eyes have seen the glory
of the coming of the Lord;
he is trampling out the vintage
where the grapes of wrath are stored;
he hath loosed the fateful lightning
of his terrible swift sword;
his truth is marching on.
Refrain:
Glory! glory, hallelujah!
Glory! glory, hallelujah!
Glory! glory, hallelujah!
Our God is marching on.
2 I have seen him in the watchfires
of a hundred circling camps;
they have builded him an altar
in the evening dews and damps;
I can read his righteous sentence
by the dim and flaring lamps;
his day is marching on. [Refrain]
3 He has sounded forth the trumpet
that shall never call retreat;
he is sifting out the hearts of men
before his judgment seat;
O be swift, my soul, to answer him!
Be jubilant, my feet!
Our God is marching on. [Refrain]
4 In the beauty of the lilies
Christ was born across the sea,
with a glory in his bosom
that transfigures you and me;
as he died to make men holy,
let us live to make men free,
while God is marching on. [Refrain]
Topics: God in Society National Life; Worship (About); War; God Final Victory; National Life; Resolve; War Used With Tune: BATTLE HYMN
Mine Eyes have Seen the Glory
How Firm a Foundation
Appears in 2,125 hymnals Scripture: Luke 21:33 Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
You who for refuge to Jesus have fled?
2 "Fear not, I am with thee, O be not dismayed;
I, I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
Upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.
4 "When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.
5 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I'll never, no, never, no, never forsake!"
Amen. Used With Tune: [How firm a foundation] Text Sources: Rippon's Selection of Hymns, 1787
How Firm a Foundation
MORNING SONG
Meter: 8.6.8.6 Appears in 168 hymnals Composer and/or Arranger: Jack Grotenhuis Scripture: Luke 21:28 Tune Sources: J. Wyeth's Repository of Sacred Music, Part II, 1813 Tune Key: f minor Incipit: 51234 32175 51234 Used With Text: The King Shall Come When Morning Dawns
MORNING SONG
BATTLE HYMN
Meter: 15.15.15.6 ith refrain Appears in 441 hymnals Scripture: Luke 21:27 Tune Sources: Traditional American melody, 19th C. Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Mine Eyes have Seen the Glory
BATTLE HYMN
ST. GEORGE'S, WINDSOR
Meter: 7.7.7.7 D Appears in 645 hymnals Composer and/or Arranger: George J. Elvey, 1816-1893 Scripture: Luke 21:25-28 Tune Key: F Major Incipit: 33531 23335 31233 Used With Text: Songs of Thankfulness and Praise
ST. GEORGE'S, WINDSOR
How Firm a Foundation
Hymnal: Hymns of Faith #111 (1980) Scripture: Luke 21:33 Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
You who for refuge to Jesus have fled?
2 "Fear not, I am with thee, O be not dismayed;
I, I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
Upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.
4 "When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.
5 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I'll never, no, never, no, never forsake!"
Amen. Languages: English Tune Title: [How firm a foundation]
How Firm a Foundation
How Firm a Foundation
Hymnal: Hymns for the Living Church #224 (1974) Meter: 11.11.11.11 Scripture: Luke 21:33 First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2 "Fear not, I am with thee; O be not dismayed,
For I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
Upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.
4 "When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.
5 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I'll never, no, never, no, never forsake!"
Amen. Topics: Scriptures Languages: English Tune Title: FOUNDATION
How Firm a Foundation
How Firm a Foundation (Cuán firme cimiento)
Author: Vicente Mendoza, 1875-1955 Hymnal: Santo, Santo, Santo #291 (2019) Meter: 11.11.11.11 Scripture: Luke 21:33 First Line: How firm a foundation, ye saints of the Lord (Cuán firme cimiento se ha dado a la fe) Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in God's excellent Word!
What more can be said than to you God hath said,
To you who for refuge to Jesus have fled?
2 "Fear not, I am with thee, O be not dismayed,
For I am thy God, and will still give thee aid;
I'll strengthen thee, help thee, and cause thee to stand,
Upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be near thee, thy troubles to bless,
And sanctify to thee thy deepest distress.
4 "The soul that on Jesus hath leaned for repose,
I will not, I will not desert to its foes;
That soul, though all hell should endeavor to shake,
I'll never, no never, no never forsake!"
---
1 ¡Cuán firme cimiento se ha dado a la fe,
de Dios en su eterna Palabra de amor!
¿Qué más él pudiera en su libro añadir
si todo a sus fieles lo ha dicho el Señor?
2 "No temas por nada, contigo estoy;
tu Dios yo soy solo, tu ayuda seré.
Tu fuerza y firmeza en mi diestra estarán,
y en ella sostén y poder te daré.
3 "No habrán de anegarte las ondas del mar,
si en aguas profundas te ordeno salir.
Pues siempre contigo en angustia estaré,
y todas tus penas podré bendecir.
4 "Al alma que anhele la paz que hay en mí,
jamás en sus luchas la habré de dejar.
Si todo el infierno la quiere perder,
¡yo nunca, no, nunca la puedo olvidar!" Topics: Dificultades; Trouble; Dios Protección y Refugio; God Protection and Refuge; Palabra de Dios; Word of God; Providence; Providencia; Victory; Victoria Languages: English; Spanish Tune Title: FOUNDATION
How Firm a Foundation (Cuán firme cimiento)
Charles Wesley
1707 - 1788 Scripture: Luke 21:36 Author of "A Charge to Keep I Have" in The Worshiping Church Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
John Brownlie
1857 - 1925 Scripture: Luke 21:28 Translator of "The King Shall Come When Morning Dawns" in Psalter Hymnal (Gray) Brownlie, John, was born at Glasgow, Aug. 6, 1857, and was educated at Glasgow University, and at the Free Church College in the same city. In 1884 he was licensed by the Presbytery of Glasgow; in 1885 he became Assistant Minister of the Free Church, Portpatrick, and on the death of the Senior Minister in 1890 he entered upon the full charge of the Church there. He has interested himself in educational matters, became a Member of the local School Board in 1888, a governor of Stranraer High School in 1897, and Chairman of the governors in 1901. His hymnological works are:—
1. The Hymns and Hymnwriters of the [Scottish] Church Hymnary, 1899. This is a biographical, historical, and critical companion to that hymnal, and is well done and accurate.
2. Hymns of Our Pilgrimage, 1889; Zionward; Hymns of the Pilgrim Life, 1890; and Pilgrim Songs, 1892. These are original hymns. The Rest of God, 1894, a poem in three parts.
3. Hymns of the Early Church, Being Translations from the Poetry of the Latin Church, arranged in the Order of the Christian Year . . . 1896.
4. Hymns from East and West, Being Translations from the Poetry of the Latin and Greek Churches . . . 1898.
5. Hymns of the Greek Church, Translated with Introduction and Notes, 1900. Second Series: Hymns of the Holy Eastern Church, Translated from the Service Books, with Introductory Chapters on the History, Doctrine and Worship of the Church, 1902. Third Series: Hymns from the Greek Office Books, Together with Centos and Suggestions, 1904. Fourth Series: Hymns from the East, Being Centos and Suggestions from the Office Books of the Holy Eastern Church, 1906.
Of Mr. Brownlie's original hymns the following have come into common use:—
1. Ever onward, ever upward. Aspiration. From Pilgrim Songs, 3rd Series, 1892, p. 11.
2. Girt with heavenly armour. The Armour of God. Pilgrim Songs, 3rd Series, 1892, p. 49.
3. Hark! the voice of angels. Praise. Pilgrim Songs, 3rd Series, 1892, p. 57.
4. O bind me with Thy bonds, my Lord. The Divine Yoke. From Hymns of our Pilgrimage, 1889, p. 27.
5. O God, Thy glory gilds the sun. Adoration. From Zionward, &c, 1890, p. 33.
6. Spake my heart by sorrow smitten. Seeking God. From Pilgrim Songs, 3rd series, 1892, p. 25.
7. The flowers have closed their eyes. Evening Pilgrim Songs, 3rd series, 1892, p. 6tf.
8. There is a song which the angels sing. The Angels' Song. A cento from the poem The Best of God, 1894, p. 36.
9. Thou art my Portion, saith my soul. God, the Portion of His People. From Pilgrim Songs, 1892, p. 45.
10. Close beside the heart that loves me. Resting in God. This is one of the author's "Suggestions " based upon the spirit rather than the words of portions of the Greek Offices. It was given in Hymns of the Holy Eastern Church, 1902, p. 128.
Mr. Brownlie's translations from the Latin have been adopted in the hymnals to a limited extent only, mainly because the ground had been so extensively and successfully covered by former translators. With the translations from the Greek the case was different, as for popular use few translations were available in addition to the well known and widely used renderings by Dr. Neale. Mr. Brownlie's translations have all the beauty, simplicity, earnestness, and elevation of thought and feeling which characterise the originals. Their suitability for general use is evidenced in the fact that the number found in the most recently published hymn-books, including Church Hymns, 1903, The New Office Hymn Book, 1905, and The English Hymnal, 1906, almost equal in number those by Dr. Neale.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
John Brownlie
H. C. Ball
1896 - 1989 Scripture: Luke 21:25-36 Translator of "Un día Cristo volverá" in Celebremos Su Gloria
H. C. Ball
