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The God of Abraham Praise
Author: Thomas Olivers Meter: 6.6.8.4 D Appears in 455 hymnals Scripture: Daniel 7:7-22 Lyrics: 1 The God of Abraham praise,
who reigns enthroned above,
the Ancient of eternal days,
the God of love!
The Lord, the great I AM,
by earth and heaven confessed
we bow before his holy name
forever blest.
2 He by his name has sworn,
on this we shall depend,
and as on eagles' wings upborne
to heaven ascend.
There we shall see his face,
his power we shall adore
and sing the wonders of his grace
forevermore.
3 The goodly land I see,
with peace and plenty blest,
a land of sacred liberty
and endless rest.
There milk and honey flow,
and oil and wine abound;
the tree of life forever grows
with mercy crowned.
4 There rules the Lord our King,
the Lord our Righteousness,
victorious over death and sin,
the Prince of Peace.
On Zion's sacred height
his kingdom he maintains,
and glorious with his saints in light
forever reigns.
5 Triumphant hosts on high
give thanks to God and sing,
and "Holy, holy, holy" cry,
"Almighty King!"
Hail, Abraham's God and ours!
One mighty hymn we raise.
All power and majesty be yours
and endless praise!
Topics: Doxologies; Biblical Names & Places Abraham; King, God/Christ as; The New Creation; Angels; Biblical Names & Places Abraham; Doxologies; King, God/Christ as; New Creation Used With Tune: LEONI Text Sources: Hebrew doxology (based on a )
The God of Abraham Praise
Lo, he comes with clouds descending
Author: Charles Wesley (1707-1788); John Cennick (1718-1755) Meter: 8.7.8.7.12.7 Appears in 768 hymnals Scripture: Daniel 7:13-14 Lyrics: 1 Lo, he comes with clouds descending,
Christ, the Lamb, for sinners slain;
thousand thousand saints attending
join the sing the glad refrain:
Alleluia! Alleluia! Alleluia!
God appears on earth to reign.
2 Every eye shall now behold him,
robed in dreadful majesty;
those who set at naught and sold him,
pierced, and nailed him to the tree,
deeply wailing, deeply wailing, deeply wailing,
shall the true Messiah see.
3 Those deep wounds of cross and passion
still his glorious body bears:
cause of endless exultation
to his ransomed worshipers:
Alleluia! Alleluia! Alleluia!
See! the day of God appears.
4 Yea, amen, let all adore you,
high on your eternal throne:
Saviour, take the power and glory,
claim the kingdom for your own:
oh, come quickly, oh, come quickly, oh, come quickly,
Alleluia! come, Lord, come! Topics: Christ Risen Coming Again; Christ Incarnate Promise of the Messiah Used With Tune: HELMSLEY
Lo, he comes with clouds descending
O worship the King, all glorious above
Author: Robert Grant (1779-1838) Meter: 10.10.11.11 Appears in 1,143 hymnals Scripture: Daniel 7:13 Lyrics: 1 O worship the King, all glorious above;
O gratefully sing his power and his love;
our shield and defender, the Ancient of Days,
pavilioned in splendour and girded with praise.
2 O tell of his might, O sing of his grace,
whose robe is the light, whose canopy space;
his chariots of wrath the deep thunder-clouds form,
and dark is his path on the wings of the storm.
3 The earth with its store of wonders untold,
Almighty, thy power hath founded of old;
hath stablished it fast by a changeless decree,
and round it hath cast, like a mantle, the sea.
4 Thy bountiful care what tongue can recite?
It breathes in the air, it shines in the light;
it streams from the hills; it descends to the plain,
and sweetly distils in the dew and the rain.
5 Frail children of dust, and feeble as frail,
in thee do we trust, nor find thee to fail;
thy mercies how tender, how firm to the end,
our maker, defender, redeemer, and friend!
6 O measureless might, ineffable love!
While angels delight to hymn thee above,
the humbler creation, in lowlier ways,
with true adoration shall sing to thy praise. Topics: God in majesty; Providence Used With Tune: HANOVER
O worship the King, all glorious above
ITALIAN HYMN
Meter: 6.6.4.6.6.6.4 Appears in 1,307 hymnals Composer and/or Arranger: Felice de Giardini, 1716-1796 Scripture: Daniel 7:9-22 Tune Key: F Major Incipit: 53121 71123 45432 Used With Text: Come Now Almighty King
ITALIAN HYMN
Day of Judgment
Hymnal: Seventh-day Adventist Hymnal #779 (1985) Scripture: Daniel 7 First Line: "Thrones were set in place and one of great age took his seat. Topics: Scripture Readings
Day of Judgment
Jesus Shall Reign
Author: Isaac Watts, 1674-1748 Hymnal: One Lord, One Faith, One Baptism #362 (2018) Meter: 8.8.8.8 Scripture: Daniel 7:14 First Line: Jesus shall reign where'er the sun Lyrics: 1 Jesus shall reign where'er the sun
Does His successive journeys run;
His kingdom stretch from shore to shore,
Till moons shall wax and wane no more.
2 To Him shall endless prayer be made,
And praises throng to crown His head;
His Name like sweet perfume shall rise
With ev'ry morning sacrifice.
3 People and realms of ev'ry tongue
Dwell on His love with sweetest song;
And infant voices shall proclaim
Their early blessings on His Name.
4 Blessings abound where'er He reigns;
The pris'ner leaps to lose his chains;
The weary find eternal rest,
And all who suffer want are blest.
5 Let ev'ry creature rise and bring
Blessing and honor to our King;
Angels descend with songs again,
And earth repeat the loud Amen. Topics: The Celebration of the Gospel Story Christ the King; Example of Jesus Christ Languages: English Tune Title: DUKE STREET
Jesus Shall Reign
Jesus Shall Reign
Author: Isaac Watts Hymnal: Praise for the Lord (Expanded Edition) #370 (1997) Meter: 8.8.8.8 Scripture: Daniel 7:13-14 First Line: Jesus shall reign where'er the sun Topics: Jesus Kingship & Reign Languages: English Tune Title: DUKE STREET
Jesus Shall Reign
Charles Wesley
1707 - 1788 Person Name: Charles Wesley (1707-1788) Scripture: Daniel 7:13-14 Alterer of "Lo, he comes with clouds descending" in Church Hymnary (4th ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Thomas Olivers
1725 - 1799 Scripture: Daniel 7:7-22 Author of "The God of Abraham Praise" in Psalter Hymnal (Gray) Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
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Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868.
--John Julian, Dictionary of Hymnology (1907)
Thomas Olivers
Robert Grant
1779 - 1838 Person Name: Robert Grant (1779-1838) Scripture: Daniel 7:13 Author of "O worship the King, all glorious above" in Church Hymnary (4th ed.) Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts).
Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839).
Bert Polman
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Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868.
This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839."
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Grant, Sir R., p. 450, i. Other hymns are:—
1. From Olivet's sequester'd scats. Palm Sunday.
2. How deep the joy, Almighty Lord. Ps. lxxxiv.
3. Wherefore do the nations wage. Ps. ii.
These are all from his posthumous sacred Poems, 1839.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Robert Grant
