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Scripture:Daniel 12:1-3

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For All the Saints

Author: William W. How Meter: 10.10.10 with refrain Appears in 567 hymnals Scripture: Daniel 12:3 First Line: For all the saints who from their labors rest Lyrics: 1 For all the saints who from their labors rest, who thee by faith before the world confessed, thy name, O Jesus, be forever blest. Alleluia! Alleluia! 2 Thou wast their rock, their fortress, and their might; thou, Lord, their captain in the well-fought fight; thou in the darkness drear, their one true light. Alleluia! Alleluia! 3 O blest communion, fellowship divine! We feebly struggle, they in glory shine. Yet all are one in thee, for all are thine. Alleluia! Alleluia! 4 And when the strife is fierce, the warfare long, steals on the ear the distant triumph song, and hearts are brave again and arms are strong. Alleluia! Alleluia! 5 But then there breaks a yet more glorious day: the saints triumphant rise in bright array; the King of glory passes on his way. Alleluia! Alleluia! 6 From earth's wide bounds and ocean's farthest coast, through gates of pearl stream in the countless host, singing to Father, Son, and Holy Ghost: Alleluia! Alleluia! Topics: Conflict, Spirtual; Funerals; All Saints' Day; Church Final Victory; Spiritual Conflict; Funerals; Heritage; Jesus Christ Presence of; Memorial Occasions Used With Tune: SINE NOMINE
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Must I Go, and Empty Handed?

Author: C. C. Luther Appears in 117 hymnals Scripture: Daniel 12:3 First Line: "Must I go and empty handed" Refrain First Line: "Must I go and empty handed Used With Tune: ["Must I go and empty handed"]
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Rescue the perishing, care for the dying

Author: Fanny J. Crosby Meter: 11.10.11.10 Appears in 772 hymnals Scripture: Daniel 12:3 Used With Tune: BEEBE

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SINE NOMINE

Meter: 10.10.10 with refrain Appears in 216 hymnals Composer and/or Arranger: Ralph Vaughan Williams Scripture: Daniel 12:3 Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For All the Saints
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["Must I go and empty handed"]

Appears in 82 hymnals Composer and/or Arranger: Geo. C. Stebbins Scripture: Daniel 12:3 Tune Key: D Major Incipit: 55543 16534 4432 Used With Text: Must I Go, and Empty Handed?
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IRBY

Meter: 8.7.8.7.7.7 Appears in 274 hymnals Composer and/or Arranger: Henry John Gauntlett, 1805-1876; Arthur Henry Mann, 1850-1929 Scripture: Daniel 12:3 Tune Key: G Major Incipit: 57111 71221 13533 Used With Text: Once in royal David's city

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Amazing Grace

Author: John Newton, 1725-1807 Hymnal: Christian Worship #576 (2021) Meter: 8.6.8.6 Scripture: Daniel 12:3 First Line: Amazing grace– how sweet the sound Lyrics: 1 Amazing grace— how sweet the sound— that saved a wretch like me! I once was lost but now am found, was blind but now I see. 2 The Lord has promised good to me, his Word my hope secures; he will my shield and portion be as long as life endures. 3 Through many dangers, toils, and snares I have already come; 'tis grace has brought me safe thus far, and grace will lead me home. 4 When we've been there ten thousand years, bright shining as the sun, we've no less days to sing God's praise than when we'd first begun. Topics: Grace Languages: English Tune Title: NEW BRITAIN
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Rescue the perishing, Care for the dying

Author: Mrs. Frances Jane Crosby Van Alstyne, 1823- Hymnal: Songs of Praise with Tunes #396 (1889) Scripture: Daniel 12:3 Topics: Christian Activity Calls to; Temperance Tune Title: RESCUE
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Rescue the perishing, care for the dying

Author: Fanny J. Crosby Hymnal: The Presbyterian Book of Praise #456a (1897) Meter: 11.10.11.10 Scripture: Daniel 12:3 Languages: English Tune Title: BEEBE

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Scripture: Daniel 12:3 Composer of "SINE NOMINE" in The Worshiping Church Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

George C. Stebbins

1846 - 1945 Person Name: Geo. C. Stebbins Scripture: Daniel 12:3 Composer of "[Must I go, and empty handed]" in Alexander's Hymns No. 3 Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)

William Walsham How

1823 - 1897 Person Name: William W. How Scripture: Daniel 12:3 Author of "For All the Saints" in The Worshiping Church William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)