My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Christ the Lord Is Risen Today
Author: Charles Wesley Meter: 7.7.7.7 with alleluias Appears in 1,174 hymnals Scripture: 1 Corinthians 15 Lyrics: 1 Christ the Lord is risen today! Alleluia!
All creation, join to say: Alleluia!
Raise your joys and triumphs high; Alleluia!
Sing, O heavens, and earth, reply: Alleluia!
2 Love's redeeming work is done, Alleluia!
Fought the fight, the battle won; Alleluia!
Death in vain forbids him rise; Alleluia!
Christ has opened paradise. Alleluia!
3 Lives again our glorious King; Alleluia!
Where, O death, is now your sting? Alleluia!
Once he died, our souls to save; Alleluia!
Where your victory, O grave? Alleluia!
4 Soar we now where Christ has led, Alleluia!
Following our exalted Head; Alleluia!
Made like him, like him we rise; Alleluia!
Ours the cross, the grave, the skies. Alleluia!
5 Hail the Lord of earth and heaven! Alleluia!
Praise to you by both be given; Alleluia!
Risen Christ, triumphant now; Alleluia!
Every knee to you shall bow. Alleluia!
Topics: Songs for Children Hymns; Easter; Alleluias; Easter; Redemption; Walk with God Used With Tune: EASTER HYMN
Christ the Lord Is Risen Today
The Strife Is O'er, the Battle Done
Author: Francis Pott Meter: 8.8.8 with refrain Appears in 495 hymnals Scripture: 1 Corinthians 15 Lyrics: 1 Alleluia, alleluia, alleluia!
The strife is o'er, the battle done;
the victory of life is won;
the song of triumph has begun.
Alleluia!
2 The powers of death have done their worst,
but Christ their legions has dispersed.
Let shouts of holy joy outburst.
Alleluia!
3 The three sad days are quickly sped;
he rises glorious from the dead.
All glory to our risen Head.
Alleluia!
4 He closed the yawning gates of hell;
the bars from heaven's high portals fell.
Let hymns of praise his triumph tell.
Alleluia!
5 Lord, by the stripes which wounded thee,
from death's dread sting thy servants free,
that we may live and sing to thee.
Alleluia!
Final Ending:
Alleluia, alleluia, alleluia!
Topics: Funerals; Easter; Alleluias; Assurance; Atonement; Easter; Funerals; Victory Used With Tune: VICTORY Text Sources: Symphonia Sirenum, Cologne, 1695
The Strife Is O'er, the Battle Done
Abide with Me
Author: Henry Francis Lyte Meter: 10.10.10.10 Appears in 1,670 hymnals Scripture: 1 Corinthians 15:55 First Line: Abide with me: fast falls the eventide Lyrics: 1 Abide with me: fast falls the eventide;
The darkness deepens; Lord with me abide!
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life’s little day;
Earth’s joys grow dim, its glories pass away;
Change and decay in all around I see.
O Thou who changest not, abide with me.
3 I need Thy presence every passing hour;
What but Thy grace can foil the tempter’s power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, Lord, abide with me.
4 I fear no foe, with Thee at hand to bless:
Ills have no weight, and tears no bitterness.
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.
5 Hold Thou Thy cross before my closing eyes;
Shine through the gloom and point me to the skies:
Heaven’s morning breaks, and earth’s vain shadows flee;
In life, in death, O Lord, abide with me.
Topics: Evening hymns Used With Tune: EVENTIDE
Abide with Me
MACCABAEUS
Meter: 10.11.11.11 with refrain Appears in 137 hymnals Composer and/or Arranger: George Frederick Handel Scripture: 1 Corinthians 15:54-57 Tune Sources: Judas Maccabaeus,1747 Tune Key: D Major Incipit: 53451 23454 32345 Used With Text: Thine Be the Glory
MACCABAEUS
Blest Be the Tie That Binds
Author: John Fawcett, 1740-1817 Hymnal: Common Praise (1998) #507 (1998) Meter: 6.6.8.6 Scripture: 1 Corinthians 15:35-58 Topics: Church; Communion of Saints; Trust Languages: English Tune Title: DENNIS
Blest Be the Tie That Binds
Love divine, all loves excelling
Author: Charles Wesley, 1707-1788 Hymnal: The Book of Praise #371 (1997) Meter: 8.7.8.7 D Scripture: 1 Corinthians 15:51-52 First Line: Love divine, all loves excelling (Isten testbe száltt szerelme) Lyrics: 1 Love divine, all loves excelling,
joy of heaven, to earth come down;
fix in us thy humble dwelling,
all thy faithful mercies crown.
Jesus, thou art all compassion,
pure, unbounded love thou art;
Visit us with thy salvation;
enter every trembling heart.
2 Breathe, oh breathe thy loving Spirit
into every troubled breast!
Let us all in thee inherit,
let us find the promised rest;
take away our love of sinning;
Alpha and Omega be;
end of faith as its beginning,
set our hearts at liberty.
3 Come, almighty to deliver,
let us all thy grace receive;
suddenly return and never,
never more thy temples leave.
Thee we would be always blessing,
serve thee as thy hosts above,
pray and praise thee, without ceasing,
glory in thy perfect love.
4 Finish then thy new creation;
pure and spotless let us be;
let us see thy great salvation
perfectly restored in thee,
changed from glory into glory,
till in heaven we take our place,
till we cast our crowns before thee,
lost in wonder, love and praise.
---
HUNGARIAN -
1 Isten testbe száltt szerelme
Mennhbôl földre jött öröm.
Téged hívuak esdekelve,
Es újjongunk jöttödön.
Jézus teljes jóság vagy Te,
Mert megszántál és szeretsz;
Szállást venni jer szívunkbe,
Megtartónk csak úgy Ichetsz.
2 Ó, leheld rám áldott Lelked,
Nyughatatlan, lásd, szivem,
Mindadig, mig esendességet
Nyervén, Benned nem pihen.
Oltsd el bennem a bún vágyát,
Kezdet légy Te és a Vég;
Add meg lelkem szabadságát,
Melyben hit van s békesség.
3 Ó, jöjj vissza, Szabaditö,
Töled nyerjúnk életet;
Jöjj sietve s immár többé
El ne hagyjad gyermeked!
Téged áldunk miden órán,
Es szolgálunk, szens Urunk,
Mindig Hossád öhajtozván,
Aldunk és magasztalunk.
4 Végesd új teremtö munkád,
Tiszták, szentek hadd legyünk,
Add, hogy vágyva vágyunk Hozzád,
Mig tart földi életúnk.
Vigy a mennybe, hol Elödbe
Mind lerakjuk koronánk,
Aldva zengi nagy szerelmed
Mindörökké szivúnk, szánk.
Topics: Compassion; God Love and Grace of; God in Christ; Holy Spirit; Jesus Christ Incarnation; Jesus Christ First and Last / Alpha and Omega; Languages other than English Hungarian; Love; Marriage / Weddings; New Day; Rest Languages: English; Hungarian Tune Title: HYFRYDOL
Love divine, all loves excelling
Love divine, all loves excelling
Author: Charles Wesley (1707-1788) Hymnal: Church Hymnary (4th ed.) #519 (2005) Meter: 8.7.8.7 D Scripture: 1 Corinthians 15:51-52 Lyrics: 1 Love divine, all loves excelling,
joy of heaven, to earth come down,
fix in us thy humble dwelling,
all thy faithful mercies crown.
Jesus, thou art all compassion,
pure, unbounded love thou art;
visit us with thy salvation,
enter every trembling heart.
2 Come, almighty to deliver;
let us all thy life receive;
suddenly return, and never,
never more thy temples leave.
Thee we would be always blessing,
serve thee as thy hosts above,
pray, and praise thee, without ceasing,
glory in thy perfect love.
3 Finish then thy new creation:
pure and spotless let us be;
let us see thy great salvation
perfectly restored in thee,
changed from glory into glory,
till in heaven we take our place,
till we cast our crowns before thee,
lost in wonder, love, and praise.
Topics: Our Response to Christ In Discipleship; God Love of; Heaven; Jesus compassion; Jesus transfiguration; Salvation and Redemption Languages: English Tune Title: HYFRYDOL
Love divine, all loves excelling
Charles Wesley
1707 - 1788 Scripture: 1 Corinthians 15 Author of "Christ the Lord Is Risen Today" in Psalter Hymnal (Gray) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
William Henry Monk
1823 - 1889 Person Name: William H. Monk Scripture: 1 Corinthians 15 Adapter and Arranger of "VICTORY" in Psalter Hymnal (Gray) William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Francis Pott
1832 - 1909 Scripture: 1 Corinthians 15 Translator of "The Strife Is O'er, the Battle Done" in Psalter Hymnal (Gray) Francis Pott studied at Brasenose College, Oxford, where he graduated B.A. in 1854, and M.A. in 1857. He was ordained Deacon in 1856, and Priest in 1857. He was Curate of Bishopsworth, Bristol, 1856; of Ardingley, Sussex, 1858; was appointed to Ticehurst in 1861; and is now incumbent of Northill, Bedfordshire. Mr. Pott has made many acceptable translations, and has edited "Hymns Fitted to the Order of Common Prayer, etc.;" a compilation of real merit.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
============
Pott, Francis, M.A., was born Dec. 29, 1832, and educated at Brasenose, College, Oxford, B.A. 1854; M.A. 1857. Taking Holy Orders in 1856 he was curate of Bishopsworth, Gloucestershire, 1856-8; Ardingly, Berks, 1858-61; Ticehurst, Sussex, 1861-66; and Rector of Norhill, Ely, 1866. His
Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local Festivals,
was published in 1861, and reprinted from time to time with a few additions. Mr. Pott contributed translations from the Latin and Syriac, and original hymns, including “Angel voices ever singing" (p. 68, ii.), and "Lift up your heads, eternal gates" (Ascension). These original hymns, together with his translations, have been received with much favour and are widely used. In several.…works, several translations from the Latin, and other hymnological work, are attributed to Archdeacon Alfred Pott. We are authorized to state that this ascription of authorship is an error.
--John Julian, Dictionary of Hymnology (1907)
Francis Pott
