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Meter:9.8.9.8 with refrain

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The Cross that He Gave May Be Heavy

Author: Ballington Booth, 1855-1940 Meter: 9.8.9.8 with refrain Appears in 171 hymnals Refrain First Line: The cross is not greater than His grace Topics: Book One: Hymns, Songs, Chorales; Commission Exhortation, Edification, Encouragement Scripture: Mark 10:21 Used With Tune: THE CROSS IS NOT GREATER
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Two Little Hands

Author: William Augustus Ogden, 1841-1897 Meter: 9.8.9.8 with refrain Appears in 8 hymnals First Line: Two little hands to work for Jesus Refrain First Line: Lord, we come, Lord, we come Lyrics: 1 Two little hands to work for Jesus, One little tongue His praise to tell, Two little ears to hear His counsel, One little voice a song to swell. Refrain: Lord, we come, Lord, we come, In our childhood’s early morning; Lord, we come, Lord, we come, Come to learn of Thee. 2 Two little feet to tread the pathway, Up to the heav’nly courts above; Two little eyes to read the Bible, Telling of Jesus’ wondrous love. [Refrain] 3 One little heart to give to Jesus, One little soul for Him to save, One little life for His dear service, One little self that He must have. [Refrain] Topics: Book Three: Children's Hymns and Songs Scripture: Psalm 63:1 Used With Tune: TWO LITTLE HANDS
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Turn Your Eyes upon Jesus

Author: Helen Howarth Lemmel Meter: 9.8.9.8 with refrain Appears in 66 hymnals First Line: O soul, are you weary and troubled? Topics: Choruses Refrains of the following:; Devotional; Inner Life

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REDEEMED

Meter: 9.8.9.8 with refrain Appears in 131 hymnals Composer and/or Arranger: William J. Kirkpatrick Tune Key: G Major Incipit: 55555 67151 22221 Used With Text: Redeemed, How I Love to Proclaim It
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HANNAH

Meter: 9.8.9.8 with refrain Appears in 84 hymnals Composer and/or Arranger: James. H. Fillmore Tune Key: C Major Incipit: 55311 76543 32342 Used With Text: I Know That My Redeemer Liveth
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LEMMEL

Meter: 9.8.9.8 with refrain Appears in 51 hymnals Composer and/or Arranger: Helen H. Lemmel Tune Key: F Major Incipit: 33235 43326 17132 Used With Text: Turn Your Eyes upon Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals

Bring We the Frankincense of Our Love

Author: H. Kenn Carmichael Hymnal: The Presbyterian Hymnal #62 (1990) Meter: 9.8.9.8 with refrain Refrain First Line: Holy the Infant and holy the mother Scripture: Matthew 2:11 Languages: English Tune Title: EPIPHANY SONG

I'll Not Be Shaken

Author: Wendell Kimbrough Hymnal: Christian Worship #62D (2021) Meter: 9.8.9.8 with refrain First Line: For God alone I wait in silence Topics: Assurance; Comfort; Encouragement; Epiphany Season; God as Fortress; God as Rest; God as Rock; God as Salvation; Hope; Humility; Lord's Prayer 4th petition (give us today our daily bread); Mercy; Prayer; Rest; Sanctification; Stewardship; Ten Commandments 7th Commandment (You shall not steal); Ten Commandments 8th Commandment (You shall not give false witness) Scripture: Psalm 62 Languages: English Tune Title: I'LL NOT BE SHAKEN
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Redeemed, redeemed

Author: Fanny Crosby Hymnal: Small Church Music #110 Meter: 9.8.9.8 with refrain First Line: Redeemed, how I love to proclaim it Tune Title: REDEEMED

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Meter: 9.8.9.8 with refrain Author of "Long for My Saviour I've Been Waiting" in The Church Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

James McGranahan

1840 - 1907 Person Name: James McGranahan, 1840-1907 Meter: 9.8.9.8 with refrain Composer of "GÅ SION" in The Covenant Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Norman E. Johnson

1928 - 1983 Person Name: Norman E. Johnson, 1928-1983 Meter: 9.8.9.8 with refrain Arranger of "GÅ SION" in The Covenant Hymnal