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Rejoice, the Lord is King!
Author: Charles Wesley Meter: 6.6.6.6.8.8 Appears in 738 hymnals First Line: Rejoice, the Lord is King: Your Lord and King adore Refrain First Line: Lift up your heart, lift up your voice Lyrics: 1 Rejoice, the Lord is King:
Your Lord and King adore!
Rejoice, give thanks and sing,
And triumph evermore.
Lift up your heart,
Lift up your voice!
Rejoice, again I say, rejoice!
2 Jesus, the Savior, reigns,
The God of truth and love;
When He has purged our stains,
He took his seat above;
Lift up your heart,
Lift up your voice!
Rejoice, again I say, rejoice!
3 His kingdom cannot fail,
He rules o'er earth and heav'n;
The keys of death and hell
Are to our Jesus giv'n:
Lift up your heart,
Lift up your voice!
Rejoice, again I say, rejoice!
4 Rejoice in glorious hope!
Our Lord and judge shall come
And take His servants up
To their eternal home:
Lift up your heart,
Lift up your voice!
Rejoice, again I say, rejoice!
Baptist Hymnal, 1991 Topics: Ascension and Reign; Christ Ascension; Worship
Rejoice, the Lord is King!
I Gave My Life for Thee
Author: Frances Ridley Havergal Meter: 6.6.6.6.8.8 Appears in 532 hymnals Lyrics: 1 I gave My life for thee,
My precious blood I shed,
That thou might'st ransomed be,
And quickened from the dead;
I gave, I gave My life for thee,
What hast thou given for Me?
I gave, I gave My life for thee,
What hast thou given for Me?
2 My Father's house of light,
My glory-circled throne,
I left, for earthly night,
For wand'rings sad and lone;
I left, I left it all for thee,
Hast thou left aught for Me?
I left, I left it all for thee,
Hast thou left aught for Me?
3 I suffered much for thee,
More than thy tongue can tell,
Of bitt'rest agony,
To rescue thee from hell;
I've borne, I've borne it all for thee,
What hast thou borne for Me?
I've borne, I've borne it all for thee,
What hast thou borne for Me?
4 And I have brought to thee,
Down from My home above,
Salvation full and free,
My pardon and My love;
I bring, I bring rich gifts to thee,
What hast thou brought to Me?
I bring, I bring rich gifts to thee,
What hast thou brought to Me? Topics: Discipleship; Stewardship and Service Used With Tune: KENOSIS
I Gave My Life for Thee
Arise, my soul, arise
Meter: 6.6.6.6.8.8 Appears in 884 hymnals Lyrics: 1 Arise, my soul, arise,
Shake off thy guilty fears;
The bleeding Sacrifice
In my behalf appears;
Before the throne my Surety stands,
My name is written on His hands.
2 He ever lives above
For me to intercede;
His all-redeeming love,
His precious blood to plead;
His blood atoned for all our race,
And sprinkles now the throne of grace.
3 Five bleeding wounds He bears,
Received on Calvary;
They pour effectual prayers,
They strongly speak for me;
Forgive him, O forgive, they cry,
Nor let that ransomed sinner die!
4 The Father hears Him pray,
His dear Anointed One;
He cannot turn away
The presence of His Son;
His Spirit answers to the blood,
And tells me I am born of God.
5 My God is reconciled,
His pardoning voice I hear;
He owns me for His child,
I can no longer fear;
With confidence I now draw nigh,
And Father, Abba Father! cry. Topics: Adoption; Christ Intercession of Used With Tune: HANDEL'S 148TH PSALM
Arise, my soul, arise
DARWALL'S 148TH
Meter: 6.6.6.6.8.8 Appears in 478 hymnals Composer and/or Arranger: John Darwall Tune Sources: Harm. from Hymns Ancient and Modern, 1875, alt. Tune Key: D Major Incipit: 13153 17654 32231 Used With Text: Rejoice, the Lord Is King
DARWALL'S 148TH
RHOSYMEDRE
Meter: 6.6.6.6.8.8 Appears in 86 hymnals Composer and/or Arranger: John D. Edwards Tune Key: F Major Incipit: 51122 31443 21511 Used With Text: I Call to You, My Rock
RHOSYMEDRE
Con cánticos, Señor
Author: James John Cummings; M. N. Hutchinson Hymnal: El Himnario #28 (1998) Meter: 6.6.6.6.8.8 Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza; God His Praise Scripture: Psalm 33:1-12 Languages: Spanish Tune Title: DARWALL
Con cánticos, Señor
Con cánticos, Señor
Author: James John Cummings; M. N. Hutchinson Hymnal: El Himnario Presbiteriano #28 (1999) Meter: 6.6.6.6.8.8 Lyrics: 1 Con cánticos, Señor,
mi corazón y voz
te adoran con fervor
¡oh trino, Santo Dios!
En tu creación te serviré,
y paz y amor proclamaré.
2 Tu mano divinal
trazó mi senda aquí;
mis pasos cada cual
guiados son por ti.
En tu creación te serviré,
y paz y amor proclamaré.
3 Innumerables son
los bienes, y sin par,
que por tu compasión
recibo sin cesar.
En tu creación te serviré,
y paz y amor proclamaré.
4 Tú eres, oh buen Dios,
mi sumo, todo bien;
por eso aclamaré
tu nombre por doquier.
En tu creación te serviré,
y paz y amor proclamaré. Topics: Dios Su Alabanza Scripture: Psalm 33:1-12 Languages: Spanish Tune Title: DARWALL
Con cánticos, Señor
Will You Fulfill the Vow
Author: F. Richard Garland Hymnal: Discipleship Ministries Collection #142 Meter: 6.6.6.6.8.8 Refrain First Line: Then stand with Christ, trust in his grace Topics: Baptism; Covenant Renewal Languages: English Tune Title: DARWALL'S 148TH
Will You Fulfill the Vow
P. P. Bliss
1838 - 1876 Person Name: Philip P. Bliss Meter: 6.6.6.6.8.8 Composer of "KENOSIS" in The Hymnal for Worship and Celebration Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives.
Bert Polman
=================
Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:—
i. The Prize, 1870.
1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds.
2. Through the valley of the shadow I must go. Death anticipated.
3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16.
ii. The Charm, 1871.
4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost."
5. Ho! my comrades! see the signal. Faithfulness.
6. O! Jerusalem, the golden city, bright, &c. Heaven.
7. On what Foundation do [did] you build? Christ the Foundation.
iii. The Song Tree, 1872.
8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c.
iv. The Joy, 1873.
9. In me ye may have peace. Peace.
10. To die is gain. Death anticipated.
v. Sunshine, 1873.
11. Down life's dark vale we wander. Death anticipated.
12. More holiness give me. For Holiness.
13. Only an armour-bearer. Soldiers of the Cross.
14. Standing by a purpose true. Faithfulness.
15. This loving Saviour stands patiently. Invitation.
vi. Gospel Songs, 1874.
16. A long time I wandered. Peace and Joy.
17. Brightly beams our Father's mercy. Mercy.
18. Come, brethren, as we march along. Praise.
19. Free from the law, O happy condition. Redemption.
20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known."
21. How much owest thou? Divine Claims.
22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar.
23. See the gentle Shepherd standing. The Good Shepherd.
24. Though the way be sometimes dreary. Divine Leading.
25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'"
vii. Gospel Hymns, No. 1, 1875.
26. One offer of salvation. The Name of Jesus.
27. Wandering afar from the dwellings of men. The Lepers.
viii. The International Lesson Monthly, 1875.
28. Weary gleaner, whence comest thou? Duty.
29. The whole world was lost in the darkness of Sin. Light of the world.
30. Man of sorrows! what a name. Redemption.
31. The Spirit, O sinner, in mercy doth move. Holy Spirit.
ix. Gospel Hymns, No. 2, 1876.
32. At the feet of Jesus. The good choice.
33. Come, sing the Gospel's joyful sound. Salvation.
34. Cut it down, cut it down. Justice and Mercy.
35. Do you see the Hebrew captive? Prayer.
36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people.
37. In Zion's rock abiding. Safety.
38. Repeat the story o'er and o'er. Grace and Peace.
39. Tenderly the Shepherd. The Good Shepherd.
x. Gospel Hymns, No. 3, 1878.
40. Hear ye the glad good news from heaven. Faith and Salvation.
41. I will sing of my Redeemer. Praise.
xi. Gospel Hymns, No. 4, 1881.
42. 'Tis known on earth and heaven too. More about Jesus.
xii. Various.
43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:—
44. March to the battle-field. Duty and Victory.
45. There is sin in the camp. Hinderances.
46. 'Tis the promise of God. Praise.
47. While the silvery moon-beams, fall, New Birth.
48. God is always near me. Omnipresence.
Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877.
Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.)
-John Julian, Dictionary of Hymnology (1907)
========================
Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=====================
Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:—
1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877.
2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906.
These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:—
“Do you see the Hebrew captive kneeling?" p. 294.
"Down life's dark vale we wander." p. 285.
"Ho! my comrades, see the signal." p. 105.
"'Tis the promise of God full salvation to give." p. 99.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
P. P. Bliss
John Kent
1766 - 1843 Meter: 6.6.6.6.8.8 Author of "Indulgent God! How Kind" in The Cyber Hymnal Kent, John, was born at Bideford, Devonshire, Dec. 1766, and died Nov. 15, 1843. As a working shipwright his opportunities for acquiring the education and polish necessary for the production of refined verse were naturally limited. His hymns are strongly worded, very earnest and simple, and intensely Calvinistic. A few were published in Samuel Reece's Collection, 1799. The first edition of his Collection of Original Gospel Hymns, was published in 1803, and the 10th edition, with "The Author's Experience," in verse, 264 hymns, 15 longer pieces, and a Life by his Son in 1861. The Calvinistic teaching so prominent in his hymns has restricted their use to a limited number of collections. The greatest use made of them in modern hymnbooks has been by Mr. Spurgeon (Our Own Hymn Book, 1866) and Mr. Snepp (Songs of Grace & Glory, 1872). In the following list the dates in brackets indicate the dates of publication:—
1. Before the Almighty began (1841). Election.
2. Betroth'd in love, ere time began (1803). Election.
3. Christ exalted is our song (1803). Christ the sin tier's Surety.
4. Come saints, and sing in sweet accord (1803). Stability of the Covenant.
5. Hark, how the blood-bought host above (1803). Election.
6. How sweet the notes of yonder choir (1841). Christmas.
7. In types and shadows we are told (1803). Pardon.
8. Indulgent God, how kind (1803). Electing Love.
9. Let Zion in her songs record (1803). Pardon--Grace exalted.
10. Love was the great self-moving cause (1803). Free Grace.
11. Precious is the Name of Jesus (1841). The Precious Name.
12. Salvation by grace, how charming the song (1803). Free Grace.
13. Saved from the damning power of sin (1803). Eternal Love.
14. Sons of God, in tribulation (1803). Affliction.
15. Sons of peace, redeemed by blood (1803). Good Friday.
16. Sovereign grace o'er sin abounding (1827). Perseverance of the faint.
17. 'Tis the Church triumphant singing (1803). Praise.
18. 'Twas not to make Jehovah's love (1803). Election.
19. 'Twas with an everlasting love (1803). Election.
20. What cheering words are these (1803). Safety in God.
21. With David's Lord, and ours (1803). The Divine Covenant.
-- John Julian, Dictionary of Hymnology (1907)
John Kent
William Hiley Bathurst
1796 - 1877 Person Name: William H. Bathurst Meter: 6.6.6.6.8.8 Author of "Hail Brightest, Happiest Morn" in The Cyber Hymnal Bathurst, William Hiley , M.A., son of the Rt. Hon. Charles Bragge (afterwards Bathurst) some time M.P. for Bristol, born at Clevedale, near Bristol, Aug. 28, 1796, and educated at Winchester, and Christ Church, Oxford, graduating B.A. in 1818. From 1820 to 1852 he held the Rectory of Barwick-in-Elmet, near Leeds. Resigning the Rectory in the latter year, through his inability to reconcile his doctrinal views with the Book of Common Prayer, he retired into private life, and died at Lydney Park, Gloucestershire, Nov. 25, 1877. His works include, The Georgics of Virgil: Translated by W. H. B., 1849; Metrical Musings; or, Thoughts on Sacred Subjects in Verse, 1849; and Psalms and Hymns for Public and Private Use, 1831 (2nd ed. 1842). This last contains 141 versions of Psalms, and 206 hymns. All the latter, and many of the former are original. Of his hymns, those in most extensive use are, "Hark! the distant isles proclaim," "Holy Spirit from on high,” "Jesus, Thy Church with longing eyes,” "Eternal Spirit, by whose power," "O for a faith that will not shrink” and “O Saviour, may we never rest." In addition to these and a few others (all of which are annotated under their first lines), the following are in common use, but mainly in America:—
1. Before Thy cross, my dying Lord. Faith.
2. Before Thy mercy-seat, O Lord. Holy Scriptures.
3. Behold what unspeakable love. Heaven.
4. Does the Lord of Glory speak? Holy Scripture.
5. Ere the world with light invested. Holy Spirit.
6. Except the Lord our labours bless. Ps. cxxvii.
1. Full of weakness and of sin. The Creator Spirit desired.
8. Glory to the Almighty Father. Praise.
9. Holy Lord, our hearts prepare. Preparation for Prayer.
10. Holy Spirit from on high. Holy Spirit's direction implored.
11. How blest are they who feel the weight. Repentance.
12. How strange that souls whom Jesus feeds. Conflict.
13. How sweet it is in early youth. Youthful Piety.
14. How sweet the hour of closing day. Death.
15. Led by a Father's gentle hand. Communion of Saints
16. Lord, a better heart bestow. Lent.
17. Lord, bid the light arise. To the Holy Spirit.
18. Lord, shed Thy glory as of old. Whitsuntide.
19. Lord, what blessed consolation. Safety of the Church.
20. Lord, when our offerings we present. Offertory.
21. 0 for a beam of heavenly light. Lent.
22. 0 for that flame of living tire. Holy Spirit.
23. 0 give thanks unto the Lord. Ps. cv.
24. Shepherd of Israel, from above. On behalf of Children.
25. This day the Lord hath called His own. Sunday.
26. When the world my heart is rending. Heaven.
27. Why search ye in the narrow tomb? Ascension.
28. Ye servants of the living God. Praise.
All these hymns were given in his Psalms & Hymns , &c, 1831 (Preface dated November 15th, 1830), and repeated, without alteration, in the 2nd ed., 1842. They are characterized by simplicity of language, and directness of aim; but do not in any instance rise above the ordinary level of passable hymn-writing. In some American collections Bathurst's name is contracted to "Bath," and this is regarded either as a complete surname or as a Bath Collection. The contraction was given by Bickersteth in his Christian Psalmody, 1833.
--John Julian, Dictionary of Hymnology (1907)
===================
Bathurst, William H., p. 117, ii. Additional hymns from his Psalms & Hymns, 1831, are in common use as follows:—
1. Great God, when I approach Thy throne. Redemption.
2. How bright a day was that which saw. The First Sabbath.
3. How frail and fallible I am. Jesus Unchangeable.
4. In Jesus' name with one accord. Divine Worship.
5. Lord, I claim Thee for my own. Ps. lxiii.
6. Lord shew Thy glory as of old. This is not "Lord shed Thy glory, &c," as stated at p. 118, i., 18.
7. Lord, when I lift my voice to Thee. Ps. ci.
8. O Lord, defend us as of old. Ps. lxxiv.
9. O Lord, how long shall heathens hold. Ps. lxxix.
10. 0 Lord, look down with pitying eye. Intercession for the Jews. Begins with st. iv. of “0 how is Zion's glory gone."
11. Praise God, O my soul. Ps. cxlvi.
12. Saviour, at Thy feet we bow. United Prayer.
13. 'Tis past, that agonizing hour. Ascension.
14. The Lord look'd all around. Universal Corruption.
15. To the Source of every blessing. Praise to the Father.
16. What can relieve the troubled soul? Christ the Comforter.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
William Hiley Bathurst
The Methodist Hymn-Book with Tunes
Publication Date: 1933 Publisher: Methodist Conference Office Meter: 6.6.6.6.8.8 Publication Place: London
The Methodist Hymn-Book with Tunes
Small Church Music
Meter: 6.6.6.6.8.8 Editors: Charles E. Oakley Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.6.6.6.8.8
Christian Classics Ethereal Hymnary
