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George C. Stebbins

1846 - 1945 Person Name: George C. Stebbins, 1846-1945 Meter: 5.4.5.4 D Composer of "ADELAIDE" in Santo, Santo, Santo Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)

Adelaide A. Pollard

1862 - 1934 Person Name: Adelaide A. Pollard, 1862-1934 Meter: 5.4.5.4 D Author of "Have Thine Own Way, Lord (Haz lo que quieras)" in Santo, Santo, Santo Not to be confused with Adelaide A. Procter

Eleanor Farjeon

1881 - 1965 Meter: 5.4.5.4 D Author of "첫 아 침 처 (Morning Has Broken)" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship Eleanor Farjeon, (born Feb. 13, 1881, London--died June 5, 1965, Hampstead, London), English writer for children whose magical but unsentimental tales, which often mock the behaviour of adults, earned her a revered place in many British nurseries. The daughter of a British novelist and granddaughter of a U.S. actor, Eleanor Farjeon grew up in the bohemian literary and dramatic circles of London. Attending opera and theatre at 4 and writing on her father’s typewriter at 7, Farjeon came to public attention at 16 as the librettist of an opera, with music by her brother Harry, which was produced by the Royal Academy of Music. Her success with Nursery Rhymes of London Town (1916), simple tunes originally for adults but adapted and sung in junior schools throughout England, spurred her writing. In addition to such favourites as Martin Pippin in the Apple Orchard (1921) and The Little Bookroom (1955), which won the Carnegie Medal and the first Hans Christian Anderson Award, Farjeon’s prolific writings include children’s educational books, among them Kings and Queens (1932; with Herbert Farjeon); adult books; and memoirs, notably A Nursery in the Nineties (1935; rev. ed. 1960). --www.britannica.com/EBchecked/topic/201881/Eleanor-Farjeon

Henry Parker

Meter: 5.4.5.4 D Composer of "REST" in The Book of Common Praise

Alfred Legge

1843 - 1906 Meter: 5.4.5.4 D Composer of "THEODORA" in Redemption Songs Rv Alfred A K Legge United Kingdom 1843-1919. It is presumed that he was born in Cambridge, England, the son of printer/compositor, William Legge (mother was Mary Legge). Alfred, at age nine, was a chorister in church. He presumably became a minister in Germans, Norfolk. His wife was Theodora Susan Palmer (1848-1908), and it is presumed he named his tune after her. They had a daughter, Theodora Constance Mary, born in 1875, and a son, Alfred Reginald, born in 1878. Alfred A K died at Ashford, Kent, England. John Perry

Jack Schrader

b. 1942 Meter: 5.4.5.4 D Composer of "KINDDRED" in Sing the Faith JACK SCHRADER (b. 1942), arranger, composer, conductor, vocalist, and organist/pianist, is past editor with Hope Publishing Company, retiring in January of 2009. His association with Hope began in 1978. A 1964 graduate of Moody Bible Institute of Chicago, where he majored in Voice and Organ, he also received the Bachelor of Music Education degree from the University of Nebraska (1966). Further studies in theology culminated in Jack's ordination by the Evangelical Free Church of America (1975). Born in St. Louis, Missouri, he now resides in Wheaton, Illinois, with his wife, Karen. They have three children, Beth, Jonathan and Joel, and currently three grandchildren. Jack is the best selling choral composer in the Hope catalog. In addition to choral music Jack has published collections for keyboardists, instrumentalists and vocal soloists. He was a member of the editorial committee for Hope's most recent hymnal, WORSHIP & REJOICE (2001), in which he has 24 hymn credits. His music is heard in hundreds of churches across the country each Sunday, and he can be seen throughout the year as a guest clinician at choral reading sessions and workshops. --www.hopepublishing.com

Mutya Lopez Solis

b. 1930 Meter: 5.4.5.4 D Composer of "MALATE" in Together in Song

Carlton R. Young

b. 1926 Meter: 5.4.5.4 D Harmonizer of "BUNESSAN" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship

Samuel P. Warren

1841 - 1915 Person Name: S. P. Warren Meter: 5.4.5.4 D Composer of "MONICA" in The Presbyterian Book of Praise b. 2-18-1841, Montreal, Que., d. 10-7-15, New York; organist and composer

George Duffield

1818 - 1888 Meter: 5.4.5.4 D Author of "Stand up, stand up for Jesus" in The English Hymnal Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church