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Singing the Faith
Publication Date: 2011 Publisher: Hymns Ancient & Modern for the Methodist Church Person Name: Peter Brophy Publication Place: London Editors: Peter Brophy
Singing the Faith
Here are my thoughts, Lord, here is my mind
Author: David Adam, b. 1936 Appears in 1 hymnal Person Name: David Adam, b. 1936 Topics: Morning and Evening Used With Tune: [Here are my thoughts, Lord, here is my mind]
Here are my thoughts, Lord, here is my mind
Calm me, Lord, as you calmed the storm
Author: David Adam, b. 1936 Appears in 5 hymnals Person Name: David Adam, b. 1936 Topics: Gathering in God's Presence; Conflict, Suffering and Doubt; Liturgical Settings Scripture: John 14:27 Used With Tune: [Calm me, Lord, as you calmed the storm]
Calm me, Lord, as you calmed the storm
When all your mercies, O my God
Author: Joseph Addison, 1672-1719 Meter: 8.6.8.6 Appears in 998 hymnals Person Name: Joseph Addison, 1672-1719 Topics: Praise and Thanksgiving Scripture: 1 Thessalonians 5:18 Used With Tune: HARINGTON (RETIREMENT)
When all your mercies, O my God
[Here are my thoughts, Lord, here is my mind]
Appears in 1 hymnal Composer and/or Arranger: Keith Duke; Paul Leddington Wright, b. 1951 Person Name: David Adam, b. 1936 Tune Key: D Major Incipit: 11121 12232 33343 Used With Text: Here are my thoughts, Lord, here is my mind
[Here are my thoughts, Lord, here is my mind]
[Calm me, Lord, as you calmed the storm]
Appears in 5 hymnals Composer and/or Arranger: Margaret Rizza, b. 1929 Person Name: David Adam, b. 1936 Tune Key: C Major Incipit: 33555 32111 14432 Used With Text: Calm me, Lord, as you calmed the storm
[Calm me, Lord, as you calmed the storm]
CONTEMPLATION (Ouseley)
Meter: 8.6.8.6 Appears in 20 hymnals Composer and/or Arranger: Frederick Arthur Gore Ouseley, 1825-1889 Person Name: Joseph Addison, 1672-1719 Tune Key: E Flat Major Incipit: 35235 43213 65342 Used With Text: When all your mercies, O my God
CONTEMPLATION (Ouseley)
Here are my thoughts, Lord, here is my mind
Author: David Adam, b. 1936 Hymnal: STF2011 #144 (2011) Person Name: David Adam, b. 1936 Topics: Morning and Evening Languages: English Tune Title: [Here are my thoughts, Lord, here is my mind]
Here are my thoughts, Lord, here is my mind
Calm me, Lord, as you calmed the storm
Author: David Adam, b. 1936 Hymnal: STF2011 #624 (2011) Person Name: David Adam, b. 1936 Topics: Gathering in God's Presence; Conflict, Suffering and Doubt; Liturgical Settings Scripture: John 14:27 Languages: English Tune Title: [Calm me, Lord, as you calmed the storm]
Calm me, Lord, as you calmed the storm
When all your mercies, O my God
Author: Joseph Addison, 1672-1719 Hymnal: STF2011 #97a (2011) Meter: 8.6.8.6 Person Name: Joseph Addison, 1672-1719 Topics: Praise and Thanksgiving Scripture: 1 Thessalonians 5:18 Languages: English Tune Title: CONTEMPLATION (Ouseley)
When all your mercies, O my God
Evelyn F. Abbott
b. 1927 Person Name: Evelyn F. Abbott, b. 1927 Hymnal Number: 610 Composer of "CHAPEL BRAE" in Singing the Faith
Evelyn F. Abbott
David Adam
b. 1936 Person Name: David Adam, b. 1936 Hymnal Number: 624 Author of "Calm me, Lord, as you calmed the storm" in Singing the Faith
David Adam
Joseph Addison
1672 - 1719 Person Name: Joseph Addison, 1672-1719 Hymnal Number: 97a Author of "When all your mercies, O my God" in Singing the Faith Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time.
i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :—
1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:—
"David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.)
2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:—
“I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum)
Then follows the hymn:—"When all Thy mercies, 0 my God."
3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:—
“For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum
Joseph Addison
