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A Cristo Doy Mi Canto
Appears in 18 hymnals Tune Title: [A Cristo doy my canto] First Line: A Cristo doy my canto Refrain First Line: Ensalce nuestro canto Tu sacrosanta historia Used With Tune: [A Cristo doy my canto]
A Cristo Doy Mi Canto
A Dios, El Padre Celestial
Appears in 39 hymnals Tune Title: [A Dios el Padre celestial] First Line: A Dios el Padre celestial Used With Tune: [A Dios el Padre celestial]
A Dios, El Padre Celestial
A Jesucristo Ven Sin Tardar
Author: J. B. Cabrera; George Frederick Root Appears in 29 hymnals Tune Title: [A Jesucristo ven sin tardar] Used With Tune: [A Jesucristo ven sin tardar]
A Jesucristo Ven Sin Tardar
[A Cristo doy my canto]
Appears in 28 hymnals Composer and/or Arranger: P. Phillips Tune Key: F Major or modal Incipit: 55321 21112 32125 Used With Text: A Cristo Doy Mi Canto
[A Cristo doy my canto]
[A Dios el Padre celestial]
Appears in 1,867 hymnals Composer and/or Arranger: G. Franc Tune Key: G Major or modal Incipit: 11765 12333 32143 Used With Text: A Dios, El Padre Celestial
[A Dios el Padre celestial]
[A Jesucristo ven sin tardar]
Appears in 126 hymnals Composer and/or Arranger: George Frederick Root Tune Key: B Flat Major Incipit: 56535 12167 71231 Used With Text: A Jesucristo Ven Sin Tardar
[A Jesucristo ven sin tardar]
A Cristo Doy Mi Canto
Hymnal: NHP1955 #11 (1955) Tune Title: [A Cristo doy my canto] First Line: A Cristo doy my canto Refrain First Line: Ensalce nuestro canto Tu sacrosanta historia Languages: Spanish
A Cristo Doy Mi Canto
A Dios, El Padre Celestial
Hymnal: NHP1955 #389 (1955) Tune Title: [A Dios el Padre celestial] First Line: A Dios el Padre celestial Languages: Spanish
A Dios, El Padre Celestial
A Jesucristo Ven Sin Tardar
Author: J. B. Cabrera; George Frederick Root Hymnal: NHP1955 #65 (1955) Tune Title: [A Jesucristo ven sin tardar] Languages: Spanish
A Jesucristo Ven Sin Tardar
Philip Phillips
1834 - 1895 Person Name: P. Phillips Tune Title: [A Cristo doy my canto] Hymnal Number: 11 Composer of "[A Cristo doy my canto]" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Phillips, Philip, commonly known as the "Singing Pilgrim," was born in Chautauqua County, N. York, Aug. 13, 1834. Although engaged in farming for a time, from an early age he devoted himself to music, and ultimately devoted himself to the work of a "Singing Evangelist," in which capacity he has visited most English-speaking countries. His popular hymnals are: (1) Early Blossoms, 1860; (2) Musical Leaves, 1862; and (3) The Singing Pilgrim, 1866. In these works he published one or two hymns, including "I have heard of a Saviour's love" (The love of Christ), as in I. D. Sankey's Sacred Songs and Solos, 1878.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Philip Phillips
Guillaume Franc
1500 - 1570 Person Name: G. Franc Tune Title: [A Dios el Padre celestial] Hymnal Number: 389 Composer of "[A Dios el Padre celestial]" in El Nuevo Himnario Popular (Edicion Revisada y Corregida)
Guillaume Franc
Edmund H. Sears
1810 - 1876 Tune Title: [A media noche en Bethlehem] Hymnal Number: 363 Author of "A Media Noche en Bethlehen" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Edmund Hamilton Sears was born in Berkshire [County], Massachusetts, in 1810; graduated at Union College, Schenectady, in 1834, and at the Theological School of Harvard University, in 1837. He became pastor of the Unitarian Society in Wayland, Mass., in 1838; removed to Lancaster in 1840; but on account of ill health was obliged to retire from the active duties of the ministry in 1847; since then, residing in Wayland, he devoted himself to literature. He has published several works.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
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Sears, Edmund Hamilton, D.D., son of Joseph Sears, was born at Sandisfield, Berkshire County, Massachusetts, April 6, 1810, and educated at Union College, Schenectady, N.Y., where he graduated in 1834; and at the Theological School at Cambridge. In 1838 he became pastor of the First Church (Unitarian) at Wayland, Massachusetts; then at Lancaster in the same State, in 1840; again at Wayland, in 1847; and finally at Weston, Massachusetts, in 1865. He died at Weston, Jan. 14, 1876. He published:—
(1) Regeneration, 1854; (2) Pictures of the Olden Time, 1857; (3) Athanasia, or Foregleams of Immortality, 1858, enlarged ed., 1872; (4) The Fourth Gospel the Heart of Christ; (5) Sermons and Songs of the Christian Life, 1875, in which his hymns are collected. Also co-editor of the Monthly Religious Magazine.
Of his hymns the following are in common use:—
1. Calm on the listening ear of night. Christmas. This hymn was first published in its original form, in the Boston Observer, 1834; afterwards, in the Christian Register, in 1835; subsequently it was emended by the author, and, as thus emended, was reprinted entire in the Monthly Magazine, vol. xxxv. Its use is extensive.
2. It came upon the midnight clear. Christmas.
"Rev. Dr. Morison writes to us, Sears's second Christmas hymn was sent to me as editor of the Christian Register, I think, in December, 1849. I was very much delighted with it, and before it came out in the Register, read it at a Christmas celebration of Dr. Lunt's Sunday School in Quincy. I always feel that, however poor my Christmas sermon may be, the reading and singing of this hymn are enough to make up for all deficiences.'"
3. Ho, ye that rest beneath the rock. Charitable Meetings on behalf of Children. Appeared in Longfellow and Johnson's Hymns of the Spirit, Boston, 1864, in 2 stanzas of 8 lines.
Dr. Sears's two Christmas hymns rank with the best on that holy season in the English language. Although a member of the Unitarian body, his views were rather Swedenborgian than Unitarian. He held always to the absolute Divinity of Christ. [Rev. F. M. Bird, M.A.]
--Excerpts from John Julian, Dictionary of Hymnology (1907)
Edmund H. Sears
