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Hymnal, Number:dgel1902

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Deutsche Gesangbuch fuer die Evangelisch-Lutherische Kirche in den Vereinigten Staaten Herausgegeben mit kirchlicher Genehmigung

Publication Date: 1902 Publisher: J. E. Stohlmann / John G. Maier Person Name: J. E. Stohlmann Publication Place: New York / Philadelphia Editors: J. E. Stohlmann; John G. Maier

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Ach Gott, gedemke mein, gedenke mein zum

Author: A. Adam Appears in 5 hymnals Person Name: A. Adam

Gott des Himmels und der Erden

Author: Heinrich Alberti Appears in 153 hymnals Person Name: Heinrich Alberti

Jesus ist kommen, Grund ewiger Freude

Author: Johann Ludwig Konrad Allendorf Appears in 25 hymnals Person Name: Johann Ludwig Konrad Allendorf

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Published text-tune combinations (hymns) from specific hymnals

Ach Gott, gedemke mein, gedenke mein zum

Author: A. Adam Hymnal: DGEL1902 #d6 (1902) Person Name: A. Adam Languages: German

Gott des Himmels und der Erden

Author: Heinrich Alberti Hymnal: DGEL1902 #d182 (1902) Person Name: Heinrich Alberti Languages: German

Jesus ist kommen, Grund ewiger Freude

Author: Johann Ludwig Konrad Allendorf Hymnal: DGEL1902 #d340 (1902) Person Name: Johann Ludwig Konrad Allendorf Languages: German

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Authors, composers, editors, etc.

A. Adam

Hymnal Number: d6 Author of "Ach Gott, gedemke mein, gedenke mein zum" in Deutsche Gesangbuch fuer die Evangelisch-Lutherische Kirche in den Vereinigten Staaten Herausgegeben mit kirchlicher Genehmigung

Heinrich Albert

1604 - 1651 Person Name: Heinrich Alberti Hymnal Number: d182 Author of "Gott des Himmels und der Erden" in Deutsche Gesangbuch fuer die Evangelisch-Lutherische Kirche in den Vereinigten Staaten Herausgegeben mit kirchlicher Genehmigung Alberti, or Albert, Heinrich, son of Johann Albert, tax collector at Lobenstein, in Voigtland (Reuss), born at Lobenstein, June 28, 1604. After some time spent in the study of law at Leipzig, lie went to Dresden and studied music under his uncle Heinrich Schutz, the Court Capellmeister. He went to Konigsberg in 1626, and was, in 1631, appointed organist of the Cathedral. In 1636 he was enrolled a member of the Poetical Union of Konigsberg, along with Dach, Roberthin, and nine others. He died at Konigsberg, Oct. 6, 1651. His hymns, which exhibit him as of a pious, loving, true, and artistic nature, appeared, with those of the other members of the Union, in his Arien etliche theils geistliche, theils iceltliche zur Andacht, guten Sitten, Keuscher Liebe und Ehrenlust dienende Lieder, pub. separately in 8 pts., 1638-1650, and in a collected form, Konigsberg, 1652, including in all, 118 secular, and 74 sacred pieces. Of the 78 sacred melodies which he composed and published in these 8 pts., 7 came into German common use (Koch, iii. 191-197; Allg. Deutsche Biog., i. 210-212, the latter dating his death, 1655 or 1656). Two of his hymns have been translated into English, viz.: i. Der rauhe Herbst kommt wieder. [Autumn.] 1st pub. as above in pt. viii., 1650, No. 9, in 9 stanzas of 6 lines, entitled "On the happy departure, Sep. 2, 1048, of Anna Katherine, beloved little daughter of Herr Andreas Hollander," of Kneiphof. Included, as No. 731, in the Unverfalschter Leidersegen, 1851, omitting st. iii., viii., ix. The translations are:— (1) "The Autumn is returning," by Miss Manington, 1863, p. 175. (2) "Sad Autumn's moan returneth," in E. Massie's Sacred Odes, vol. ii. 1867, p. 1. ii. Gott des Himmels und der Erden. [Morning.] First pub. as above in pt. v. 1643, No. 4, in 7 stanzas of 6 lines, included as No. 459 in the Unv. L. S., 1851. Of this hymn Dr. Cosack, of Konigsberg (quoted in Koch,viii. 186), says:— "For two hundred years it is hardly likely that a single day has greeted the earth that has not, here and there, in German lands, been met with Alberti's hymn. Hardly another morning hymn can be compared with it, as far as popularity and intrinsic value are concerned, if simplicity and devotion, purity of doctrine and adaptation to all the circumstances of life are to decide." Sts. ii., iii., v. have been special favorites in Germany, st. v. being adopted by children, by brides, by old and young, as a morning prayer. The fine melody (in the Irish Church Hymnal called "Godesberg") is also by Alberti. Translations in common use:— 1. God, the Lord of what's created, in full in J. C. Jacobi's Div. Hymns 1720. p. 35. In his 2nd ed. 1732, p. 169, altered to—" God, the Lord of the Creation " ; and thence slightly altered as No. 478 in part i. of the Moravian Hymn Book, 1754, with a doxology as in the Magdeburg G. B., 1696. In 1789, No. 743, altered to—"God, omnipotent Creator"; with st. ii., iv., vii., omitted; st. iii., viii. being also omitted in the 1801 and later ed. In 1868, st. iii.—v. were included as No. 511 in the Pennsylvania Lutheran Ch. Bk., with st. ii., vi., vii. from A. T. Russell. 2. God, Thou Lord of Earth and Heaven, in full, by H. J. Buckoll in his H. from the German, 1842, p. 22. His translations of st. iv.-vi. beginning—" Now the morn new light is pouring," were included as No. 3 in the Rugby School Hymn Book, 1843 (ed. 1876, No. 4), and of st. v., vi., altered to "Jesus! Lord! our steps be guiding," as No. 130 in Dr. Pagenstecher's Collection, 1864. 3. God, who heaven and earth upholdest. A good tr. omitting st. iv. and based on Jacobi, by A. T. Russell, as No. 64 in the Dalston Hospital Collection, 1848. In his own Psalms & Hymns, 1851, No. 3, the translations of st. vi., vii. were omitted, and this was repeated as No. 218, in the New Zealand Hymnal, 1872. The Pennsylvania Lutheran Church Book takes st. i. partly from Miss Winkworth. 4. God who madest earth and heaven, Father, Son, and Holy Ghost. A good and full tr. by Miss Winkworth in her Lyra Germanica, 1st ser., 1855, p. 213 (later ed., p. 215, slightly altered). In full in R. M. Taylor's Par. Church Hymnal 1872, No. 27. A cento from st. i., 11.1-4; v., 11. 1-4; vi., 11. 1-4; with v., 11. 5, 6; and vii., 11. 5, 6, was included as No. 23 in the Irish Church Hymnal 1873. In 1868, included in L. Rehfuess' Church at Sea, p. 79, altered to—"Creator of earth and heaven." In 1863 it was altered in metre and given as No. 160 in the Chorale Book for England. From this Porter's Church Hymnal 1876, No. 54, omits st. iii. Also in the Ohio Lutheran Hymnal, 1880, No. 293. 5. God who madest earth and heaven. A good translation omitting st. vii., and with st. i., 11. 1-4, from Miss Winkworth, contributed by R. Massie, as No. 501, to the 1857 ed. of Mercer's Church Psalms & Hymns (Ox. ed. 1864, No. 7, omitting st. v.). 6. God of mercy and of might. A good translation (omitting st. v., vi,) by Dr. Kennedy, as No. 811, in his Hymnologia Christiana, 1863, repeated in Dr. Thomas's Aug. Hymn Book 1866, No. 510; and, omitting the translations of st. vii., as No. 31, in Holy Song, 1809. --John Julian, Dictionary of Hymnology (1907)

J. L. K. Allendorf

1693 - 1773 Person Name: Johann Ludwig Konrad Allendorf Hymnal Number: d340 Author of "Jesus ist kommen, Grund ewiger Freude" in Deutsche Gesangbuch fuer die Evangelisch-Lutherische Kirche in den Vereinigten Staaten Herausgegeben mit kirchlicher Genehmigung Allendorf, Johann Ludwig Konrad, b. Feb. 9, 1693, at Josbach, near Marburg, Hesse, where his father was pastor. He entered the University of Giessen in 1711, but in 1713 passed on to Halle to study under Francke, and then, in 1717, became tutor in the family of Count Henkel of Odersberg. In 1723 he became tutor to the family of Count Erdmann v. Promnitz at Sorau, and in 1724 was appointed Lutheran Court preacher at Cothen, when one of the Count's daughters was married to the Prince of Anhalt-Cothen. After the death of his first wife the Prince married her younger sister, but the latter, dying in 1750, the need for a Lutheran Court preacher ceased, he being of the Reformed Confession. Allendorf was then summoned by Count Christian Ernst v. Stolberg to Wernigerode, where a sister of his former patronesses was the wife of the Count's eldest son. There he was assistant in two churches till 1755, when he was appointed pastor of the Liebfrau Church, and a member of the Consistory. In 1760 he became pastor of St. Ulrich's Church in Halle, and successfully laboured there till, on June 3,1773, "As a Simeon of eighty years he received his peaceful summons home to rest in the arms of Jesus" (Koch, iv. 441-446; Allgemeine Deutsche Biographie., i. 349, &c). His hymns, which are "hymns of love to Christ, the Lamb of God, and the Bridegroom of the believing soul," appeared principally in the Einige gantz neue auserlesene Lieder, Halle, N.D. (c. 1733), and the Einige gantz neue Lieder zum Lobe des Dreijeinigen Gottes und zur gewunschteh reichen Erbauung vieler Menschen. The latter, known as the Cothnische Lieder, contains hymns of the Pietists of the younger Halle School, such as Lehr, Allendorf, Woltersdorf, Kunth, &c.; and to its first ed., 1736, Allendorf contributed 45 hymns, while the 4th edition, 1744, contains in its second pt. 46, and the 5th ed., 1768, in its third pt. 41 additional hymns by him-—in all 132. Four of his hymns have been translated, viz.:— 1. Das Brunnlein quillt,das Lebenswasser fiiesset. [Holy Communion] Founded on Ps. lxv. first published in 1733, p. 14, and included, in 1736, as above, in 9 stanzas of 8 lines, as a "Brunnenlied." Repeated as No. 1570 in the Berlin G. L. S. ed. 1863. The only translation in common use is:— The Fountain flows!—its waters—all are needing, omitting st. iv., vi., ix., by H. Mills in his Horac Germanicae, 1845 (ed. 1856, p. 43). The tr. of st. i.-iii., viii., altered to " The Fountain flows! waters of life bestowing," were included, as No. 819, in the Lutheran General Synod's Colletion 1850. 2. Die Seele ruht in Jesu Armen. [Eternal Life.] Founded on an anonymous hymn in 5 stanzas beginning, "Ich ruhe nun in Gottes Armen," included as No. 655, in pt. ii., 1714, of Freylinghausen's Gesang-Buch; but not in the Einhundert . . . Lieder, Dresden, 1694 [Leipzig Town Library]. According to Lauxmann in Koch, viii. 689, Allendorf's hymn was first printed separately. In pt. ii. of the 4th ed., 1744, of the Cothnische Lieder, as above, p. 264, in 13 st. of 101. entitled, "Of a soul blessed there with the beatific vision," Rev. xxii. 4. Written in the spirit of Canticles, it is included in full in the Neue Sammlung, Wernigerode, 1752, No. 92, but is generally abridged, Knapp, in his Evangelischer LiederSchatz., 1850, No. 3059.(ed. 1865, No. 3123) altering it and omitting stanzas vi., ix., x. Lauxmann relates that Diaconus Schlipalius, of the Holy Cross Church in Dresden, told his wife on Jan. 1,1764, while he was yet in perfect health, that he would die during the year. He comforted her apprehensions with stanzas vi.-xi. of this hymn, which consoled himself shortly before his death on April 6 of that year. The only translation in common use is:- Now rests her soul in Jesus' arms. A good translation of stanzas i., ii., viii., xii., xiii., in the 1st Ser., 1855, of Miss Winkworth's Lyra Germanica, p. 250 (later eds. p. 252). Thence, omitting st. xii., as No. 362 in E. H. Bickersteth's Psalms & Hymns, 1858. Another translation is, "In Jesus' arms her soul doth rest," by Mrs. Bevan, 1858, p. 42. 3. Jesus ist kommen, Grand ewiger Freude.[Advent] First pub. in 1736 as above (ed. 1738, p. 102), in 23 st. of 6 1., as a hymn of triumph on the Coming of the Saviour to our world, St. John iii. 31. In the Speier Gesang-Buch, 1859, 11 st. are selected, and in the Wurttemberg Gesang-Buch., 1842, 6 st. are given as No. 84. The only translation is, "Jesus is come, O joy heaven-lighted,” by Miss Warner, in her Hymns of the Church Militant, 1858 (ed. 1861, p. 433). 4. Unter Lilien jener Freuden. [Longing for Heaven.] A beautiful hymn on the Joys of Heaven, more suited for private than for Church use. It appeared as, "In den Auen jener Freuden," in the Sammlung Geist-und licblicher Lieder, Herrnhut, 1731, No. 1004, in 8 stanzas of 6 1ines. When repeated in 1733, p. 67, and in 1736, in the Cothnische Lieder, as above, Ps. lxxxiv. 3, was given as a motto, and the first line as Unter Lilien. Included in this form as No. 721 in the Berlin Geistliche Lieder ed. 1863. Lauxmann, in Koch, viii. 687-689, relates that it was repeated on her death-bed by the first wife of Jung-Stilling, and that it was a favourite hymn of Wilhelm Hofacker, a well-known Wurttemberg clergyman. The only translation is, "Glorious are the fields of heaven," by Mrs. Bevan, 1859, p. 131. -- John Julian, Dictionary of Hymnology (1907)