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Hymnal, Number:cpsb1893

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Texts

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A gentle and a holy child

Appears in 13 hymnals Used With Tune: ST. MARK
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A little ship was on the sea

Appears in 30 hymnals Used With Tune: EVAN
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Abide with me; fast falls the eventide

Appears in 1,672 hymnals Used With Tune: EVENTIDE

Tunes

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ST. MARK

Appears in 2 hymnals First Line: A gentle and a holy child Incipit: 11765 54356 71554 Used With Text: A gentle and a holy child
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EVAN

Appears in 648 hymnals First Line: A little ship was on the sea Incipit: 55132 16555 13124 Used With Text: A little ship was on the sea
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EVENTIDE

Appears in 976 hymnals Composer and/or Arranger: W. H. Monk First Line: Abide with me; fast falls the eventide Incipit: 33215 65543 34565 Used With Text: Abide with me; fast falls the eventide

Instances

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Published text-tune combinations (hymns) from specific hymnals
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A gentle and a holy child

Hymnal: CPSB1893 #135 (1893) Languages: English Tune Title: ST. MARK
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A little ship was on the sea

Hymnal: CPSB1893 #136 (1893) Languages: English Tune Title: EVAN
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Abide with me; fast falls the eventide

Hymnal: CPSB1893 #22 (1893) Languages: English Tune Title: EVENTIDE

People

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Authors, composers, editors, etc.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk First Line: Abide with me; fast falls the eventide Hymnal Number: 22 Composer of "EVENTIDE" in The Church Porch William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Melchior Teschner

1584 - 1635 Person Name: M. Teschner First Line: All glory, laud, and honor Hymnal Number: 70 Composer of "ST. THEODULPH" in The Church Porch Melchior Teschner (b. Fraustadt [now Wschowa, Poland], Silesia, 1584; d. Oberpritschen, near Fraustadt, 1635) studied philosophy, theology, and music at the University of Frankfurt an-der-Oder and later studied at the universities of Helmstedt and Wittenberg, Germany. From 1609 until 1614 he served as cantor in the Lutheran church in Fraustadt, and from 1614 until his death he was pastor of the church in Oberpritschen. Bert Polman

Thomas Tallis

1505 - 1585 Person Name: Tallis First Line: All praise to thee, my God, this night Hymnal Number: 14 Composer of "EVENING HYMN" in The Church Porch Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman