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Hymnal, Number:cpr1881

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Texts

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A gentle and a holy child

Appears in 13 hymnals Used With Tune: ST. MARK
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A little ship was on the sea

Appears in 30 hymnals Used With Tune: EVAN
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Abide with me; fast falls the eventide

Appears in 1,669 hymnals Used With Tune: EVENTIDE

Tunes

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ST. MARK

Appears in 2 hymnals First Line: A gentle and a holy child Incipit: 11765 54356 71554 Used With Text: A gentle and a holy child
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EVAN

Appears in 646 hymnals First Line: A little ship was on the sea Incipit: 55132 16555 13124 Used With Text: A little ship was on the sea
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EVENTIDE

Appears in 966 hymnals Composer and/or Arranger: W. H. Monk First Line: Abide with me; fast falls the eventide Incipit: 33215 65543 34565 Used With Text: Abide with me; fast falls the eventide

Instances

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Published text-tune combinations (hymns) from specific hymnals
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A gentle and a holy child

Hymnal: CPR1881 #135 (1899) Languages: English Tune Title: ST. MARK
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A little ship was on the sea

Hymnal: CPR1881 #136 (1899) Languages: English Tune Title: EVAN
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Abide with me; fast falls the eventide

Hymnal: CPR1881 #22 (1899) Languages: English Tune Title: EVENTIDE

People

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Authors, composers, editors, etc.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk First Line: Abide with me; fast falls the eventide Hymnal Number: 22 Composer of "EVENTIDE" in The Church Porch William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Melchior Teschner

1584 - 1635 Person Name: M. Teschner First Line: All glory, laud, and honor Hymnal Number: 70 Composer of "ST. THEODULPH" in The Church Porch Melchior Teschner (b. Fraustadt [now Wschowa, Poland], Silesia, 1584; d. Oberpritschen, near Fraustadt, 1635) studied philosophy, theology, and music at the University of Frankfurt an-der-Oder and later studied at the universities of Helmstedt and Wittenberg, Germany. From 1609 until 1614 he served as cantor in the Lutheran church in Fraustadt, and from 1614 until his death he was pastor of the church in Oberpritschen. Bert Polman

Richard Redhead

1820 - 1901 Person Name: R. Redhead First Line: Awake, my soul, and with the sun Hymnal Number: 7 Composer of "REDHEAD NO. 4" in The Church Porch Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman