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Hymnal, Number:ch1962

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If with All Your Hearts

Appears in 5 hymnals Scripture: Deuteronomy 4:29 First Line: If with all your hearts ye truly seek Me Lyrics: If with all your hearts ye truly seek Me, Ye shall ever surely find Me. Thus saith our God. Topics: God's Word Used With Tune: [If with all your hearts ye truly seek Me]
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Blest is he who loves God's precepts

Appears in 13 hymnals Scripture: Psalm 1 Lyrics: 1 Blest is he who loves God's precepts, Who from sin restrains his feet, He who will not stand with sinners, He who shuns the scorners' seat. 2 Blest is he who makes the statutes Of the Lord his chief delight, In the law of God rejoicing, Meditating day and night. 3 He is like a tree well planted By the flowing river's side, Ever green of leaf and fruitful – Thus shall all his works abide. 4 Like the driven chaff the wicked Shall be swept from off the land; With the just they shall not gather, Nor shall in the judgement stand. 5 Well the Lord will guard the righteous, For their way to Him is known; But the way of evildoers Shall by Him be overthrown. Topics: God's Word Used With Tune: REDEEMER
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The Lord's My Shepherd

Appears in 566 hymnals Scripture: Psalm 23 First Line: The Lord's my Shepherd, I'll not want Lyrics: 1 The Lord's my Shepherd, I'll not want; He makes me down to lie In pastures green; He leadeth me The quiet waters by. 2 My soul He doth restore again, And me to walk doth make Within the paths of righteousness, E'en for His own name's sake. 3 Yea, though I walk through death's dark vale, Yet will I fear no ill, For Thou art with me, and Thy rod And staff me comfort still. 4 A table Thou hast furnished me In presence of my foes; My head Thou dost with oil anoint, And my cup overflows. 5 Goodness and mercy all my life Shall surely follow me, And in God's house forevermore My dwelling place shall be. Topics: God's Love and Care Used With Tune: EVAN Text Sources: Scottish Psalter, 1650

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[If with all your hearts ye truly seek Me]

Appears in 33 hymnals Composer and/or Arranger: Felix Mendelssohn, 1809-47; Derek Ferris Scripture: Deuteronomy 4:29 Tune Sources: Elijah Tune Key: C Major Incipit: 53217 71653 56712 Used With Text: If with All Your Hearts
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REDEEMER

Appears in 11 hymnals Composer and/or Arranger: Luther O. Emerson Scripture: Psalm 1 Tune Key: A Flat Major Incipit: 51321 66555 65112 Used With Text: Blest is he who loves God's precepts
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EVAN

Appears in 645 hymnals Composer and/or Arranger: William H. Havergal Scripture: Psalm 23 Tune Key: A Flat Major Incipit: 55132 16555 1312 Used With Text: The Lord's My Shepherd

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Published text-tune combinations (hymns) from specific hymnals
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If with All Your Hearts

Hymnal: CH1962 #73 (1962) Scripture: Deuteronomy 4:29 First Line: If with all your hearts ye truly seek Me Lyrics: If with all your hearts ye truly seek Me, Ye shall ever surely find Me. Thus saith our God. Topics: God's Word Languages: English Tune Title: [If with all your hearts ye truly seek Me]
Text

Blest is he who loves God's precepts

Hymnal: CH1962 #72 (1962) Scripture: Psalm 1 Lyrics: 1 Blest is he who loves God's precepts, Who from sin restrains his feet, He who will not stand with sinners, He who shuns the scorners' seat. 2 Blest is he who makes the statutes Of the Lord his chief delight, In the law of God rejoicing, Meditating day and night. 3 He is like a tree well planted By the flowing river's side, Ever green of leaf and fruitful – Thus shall all his works abide. 4 Like the driven chaff the wicked Shall be swept from off the land; With the just they shall not gather, Nor shall in the judgement stand. 5 Well the Lord will guard the righteous, For their way to Him is known; But the way of evildoers Shall by Him be overthrown. Topics: God's Word Languages: English Tune Title: REDEEMER
Text

The Lord's My Shepherd

Hymnal: CH1962 #19 (1962) Scripture: Psalm 23 First Line: The Lord's my Shepherd, I'll not want Lyrics: 1 The Lord's my Shepherd, I'll not want; He makes me down to lie In pastures green; He leadeth me The quiet waters by. 2 My soul He doth restore again, And me to walk doth make Within the paths of righteousness, E'en for His own name's sake. 3 Yea, though I walk through death's dark vale, Yet will I fear no ill, For Thou art with me, and Thy rod And staff me comfort still. 4 A table Thou hast furnished me In presence of my foes; My head Thou dost with oil anoint, And my cup overflows. 5 Goodness and mercy all my life Shall surely follow me, And in God's house forevermore My dwelling place shall be. Topics: God's Love and Care Languages: English Tune Title: EVAN

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L. O. Emerson

1820 - 1915 Person Name: Luther O. Emerson Scripture: Psalm 1 Hymnal Number: 72 Composer of "REDEEMER" in The Children's Hymnbook Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

W. H. Havergal

1793 - 1870 Person Name: William H. Havergal Scripture: Psalm 23 Hymnal Number: 19 Composer of "EVAN" in The Children's Hymnbook Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Jeremiah Clarke

1669 - 1707 Person Name: Jeremiah Clark, c. 1669-1707 Scripture: Psalm 24 Hymnal Number: 74 Composer of "BISHOPTHORPE" in The Children's Hymnbook