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Jésus, Ô Nom Qui Surpasse
Author: Charles Wesley (1707-1788); Ruben Saillens (1855-1942) Appears in 1 hymnal Tune Title: ABERYSTWYTH First Line: Jésus, ô nom qui surpasse Used With Tune: ABERYSTWYTH
Jésus, Ô Nom Qui Surpasse
Jésus, Doux Maître
Author: Adelaide Pollard (1862-1934); Joëlle Gouel Appears in 1 hymnal Tune Title: ADÉLAΪDE First Line: Jésus, doux Maître, façonne-moi Scripture: Jeremiah 18:12 Used With Tune: ADÉLAΪDE
Jésus, Doux Maître
Ô Peuple Fidèle
Author: anonyme Appears in 2 hymnals Tune Title: ADESTE FIDELES First Line: Ô peuple fidèle, Jésus vous appelle Used With Tune: ADESTE FIDELES
Ô Peuple Fidèle
ABERYSTWYTH
Appears in 254 hymnals Composer and/or Arranger: Joseph Parry (1841-1903) Tune Key: f minor Incipit: 11234 53213 21712 Used With Text: Jésus, Ô Nom Qui Surpasse
ABERYSTWYTH
ADESTE FIDELES
Appears in 1,333 hymnals Tune Sources: m. anonyme ca. 18e s. Tune Key: G Major Incipit: 11512 55323 43211 Used With Text: Ô Peuple Fidèle
ADESTE FIDELES
Jésus, Ô Nom Qui Surpasse
Author: Charles Wesley (1707-1788); Ruben Saillens (1855-1942) Hymnal: CdP2001 #14 (2001) Tune Title: ABERYSTWYTH First Line: Jésus, ô nom qui surpasse Languages: French
Jésus, Ô Nom Qui Surpasse
Jésus, Doux Maître
Author: Adelaide Pollard (1862-1934); Joëlle Gouel Hymnal: CdP2001 #77 (2001) Tune Title: ADÉLAΪDE First Line: Jésus, doux Maître, façonne-moi Scripture: Jeremiah 18:12 Languages: French
Jésus, Doux Maître
Ô Peuple Fidèle
Author: anonyme Hymnal: CdP2001 #158 (2001) Tune Title: ADESTE FIDELES First Line: Ô peuple fidèle, Jésus vous appelle Languages: French
Ô Peuple Fidèle
Joseph Parry
1841 - 1903 Person Name: Joseph Parry (1841-1903) Tune Title: ABERYSTWYTH Hymnal Number: 14 Composer of "ABERYSTWYTH" in Les Chants du Pèlerin Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes.
Bert Polman
Joseph Parry
Adelaide A. Pollard
1862 - 1934 Person Name: Adelaide Pollard (1862-1934) Tune Title: ADÉLAΪDE Hymnal Number: 77 Author of "Jésus, Doux Maître" in Les Chants du Pèlerin Not to be confused with Adelaide A. Procter
Adelaide A. Pollard
George C. Stebbins
1846 - 1945 Person Name: George C. Stebbins (1846-1945) Tune Title: ADÉLAΪDE Hymnal Number: 77 Composer of "ADÉLAΪDE" in Les Chants du Pèlerin Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey.
At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England.
(www.hymntime.com/tch)
George C. Stebbins
