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Richard Redhead
1820 - 1901 Person Name: R. Redhead Composer of "[Resting from His work today]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
Henry J. Gauntlett
1805 - 1876 Person Name: Henry John Gauntlett Composer of "" in Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Thomas Whytehead
1815 - 1843 Person Name: Rev. F. Whytehead Author of "Resting from His work today" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Thomas Whytehead was born at Thormanby, York, in 1815. He studied at Beverly Grammar School, and S. John's College, Cambridge; graduated B.A. in 1837, and M.A. in 1840. He received various honours at the University, among them the Chancellor's medal for English verse. In 1839, he was appointed Curate of Freshwater, Isle of Wight. In 1841, he was appointed chaplain to the Bishop of New Zealand, but died the next year after reaching Sidney. One of his last works was to translate Bishop Ken's "Evening Hymn" into Maori. The few works which he published give a favorable impression of the piety and learning of their author.
-Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Whytehead, Thomas, M.A., son of H. R. Whytehead, Rector of Crayke, and Prebendary of Lincoln, was born at Thormanby, Nov. 30, 1815. He was educated at Beverley Grammar School, and St. John's College, Cambridge. He was Bell University Scholar; he also won the Chancellor's medal for English Verse twice; the Hulsean prize of 1835; and other distinctions. He was also twenty-second senior optirae in the Mathematical Tripos, and second in the first class in the Classical Tripos; B.A. in 1837, and Foundation Fellow of his college the same year. In 1838 he was classical lecturer at Clare College, but left the University for the Curacy of Freshwater, Isle of Wight, on taking Holy Orders in 1839.
In 1841 he was appointed Chaplain to Dr. Selwyn, Bishop elect of New Zealand, and sailed for that country in 1842. He was appointed the first Principal of the College which the Bishop established in New Zealand; but owing to the rupture of a blood vessel shortly after landing in New South Wales, he never took any duty in New Zealand. The little time and strength which remained to him he spent in correcting the Maori translation of the Bible and Prayer Book. The end came, however, only too soon, and he died at Waimate, New Zealand, March 19, 1843. The esteem in which he was held is emphasised by the fact that
"When the new chapel of his college [St. John's Cambridge] was erected and the vaulted roof was enriched with a series of figures, beautifully executed, according to the several successive centuries of the Christian era, the five which received the distinguished honour of being selected to represent the nineteenth century, all members of his college, were Henry Martyn, William Wilberforce, William Wordsworth, James Wood, and Thomas Whytehead."—( Mission Life, July 1873, p. 390.)
Whytehead's Poems were published by Rivingtons in 1842, and his College Life, posthumously in 1845. In the former there are seven "Hymns towards a Holy Week." Of these "Last of creation's days" (Sixth day) and the widely known "Sabbath of the saints of old" (q.v.). Five days before he died he wrote to a friend:—
"I took up the translation of the Evening Hymn (four verses for service) into Maori rhyming verse, the first of the kind of the same metre and rhythm as the English. Two hundred and fifty copies have been printed, and sung in church and school by the natives, and several of them came and sang under my window. They call it the 'new hymn of the sick minister.' Bishop Ken's lines ['Glory to Thee, my God, this night'] it is very hard for one to compress within the same bounds in a rude language. However it is done, and people seem pleased with it; and it is a comfort to think one has introduced Bishop Ken's beautiful hymn into the Maori's evening worship, and left them this legacy when I could do no more for them."
A life so short and holy could have had no more beautiful ending.
-- John Julian, Dictionary of Hymnology (1907)
Thomas Whytehead
F. A. Gore Ouseley
1825 - 1889 Person Name: Rev. Sir F. A. G. Ouseley, Mus. Doc Composer of "[Resting from His work today]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: August 12, 1825, London, England.
Died: April 6, 1889, Hereford, England.
Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England.
Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time.
Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s.
His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years.
Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises:
Harmony (London: 1868)
Counterpoint (London: 1869)
Canon and Fugue (London: 1869)
Form and General Composition (London: 1875)
--www.hymntime.com/tch/
F. A. Gore Ouseley
