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Ahasuer Fritsch

1629 - 1701 Person Name: Ahasv. Fritsch Hymnal Number: 400 Author of "Allevegne, hvor jeg vanker" in Salmebog for Lutherske Kristne i Amerika Born: December 16, 1629, Mücheln, Saxony. Died: August 24, 1701, Rudolstadt, Germany. With help from the family of a young noble he tutored, Fritsch received a good education, earning his law degree from the University of Jena in 1661. He later became chancellor of the university and president of the Consistory of Rudolstadt. He wrote on numerous subjects, including antiquities, law, and religion, and collected hymns. Hymns-- "Liebster Immanuel, Herzog der Frommen" "Dearest Immanuel, Prince of the Lowly" Music-- WAS FRAG' ICH NACH DER WELT --www.cyberhymnal.org/bio

Heinrich Müller

1500 - 1600 Person Name: Henrik Müller Hymnal Number: 378 Author of "Hjælp Gud, at jeg nu kunde" in Salmebog for Lutherske Kristne i Amerika Müller (Mueller), Heinrich , was a native of Nürnberg. About 1526 or 1527 he was imprisoned as a Lutheran by Duke Georg of Saxony, but was released after the Duke died on April 17, 1539. Thereafter, till about 1580, he kept a school for writing and arithmetic at Annaberg in Saxony. Bartholom äus Muller, sometime schoolmaster at Zwickau in Saxony, in a petition presented to the Elector Christian I. in 1587, and in another petition presented to the Elector Christian II. in 1601, described himself as the son of this Heinrich Müller, and declared that the hymn noted below was written by his father during his imprisonment (see Koch i. 417; Wetzel's Analecta Hymnica ii. 720, &c). The hymn in question is:— Hilf Gott, dass mir gelinge. History of the Passion. In his Bibliographie, 1855, p. 100, Wackernagel cites two broadsheets as of 15.27. In his D. Kirchenlied iii. p. 85, the earliest source from which he prints the text, is however the Bergkreyen, Nürnberg, 1536, though he says it had appeared in print in 1524 (apparently a mis¬print for 1527). He speaks of the Magdeburg Gesang-Buch, 1534, as the earliest hymnbook in which it is included, This is however an oversight, as it is found in the Rostock Gesang-Buch1531, where it is entitled “A new hymn on the Word of God and His bitter sufferings," and begins "Help God mi mach gelingen." It is in 13 st. of 7 1., the initial letters of the stanzas giving the name Heinrich Müler, and the two concluding lines being "Hat Hein rich Müller gesungen In dem Gefängniss sein." From the above note it is clear that the hymn was written by a Heinrich Müller, during an imprisonment, and was in print at least as early as 1531. The ascription to Heinrich Müller, professor at Wittenberg, is therefore impossible, seeing he was only born in 1530. The ascription to Heinrich von Zütphen [born at Zütphen in Gelderlaud, c. 1488, became an Augustinian monk, and in 1515 prior of the Augustinian monastery at Dordrecht; began to preach as a Reformer in Bremen, Nov. 9, 1522; murdered at Heide near Meldorf, in Holstein, Dec. 10, 1524] is also untenable, for neither by himself nor by his contemporaries was he ever styled Heinrich Müller, and there was during his life no period of imprisonment during which he might have written this hymn. The history of the Nürnberg Müller noted above is not indeed very clear, but his claim has at least much more appearance of truth than that of any other. The hymn was a great favourite during the Reformation period, was included by Luther in V. Babst's Gesang-Buch 1545, and passed into many later books. It is a ballad rather than a hymn properly so called, and has now fallen out of use in Germany. The only translation is: “Help, God, the formar of all thing." In the Gude and Godlie Ballates, ed. 1568, f. 22 (1868, p. 37). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johannes Tauler

1300 - 1361 Person Name: Tauler Hymnal Number: 48 Author of "Jeg arme Synder træde maa" in Salmebog for Lutherske Kristne i Amerika Tauler, Johannes, was born at Strassburg about 1300, and seems to have been the son of Nikolus Tauler or Taweler, of Finkweiler, who in 1304 was a member of the Strassburg Town Council (Mitglied des Raths). About the year 1318 he entered the Dominican convent at Strassburg. He studied for eight years at Strassburg, where the famous Meister Eckhart (d. 1327) was Dominican Professor of Theology from 1312 to 1320. He then went to Cologne to undergo a further training, in theory and practical work, extending over four years. Thereafter he returned to Strassburg where he soon came into note as an eloquent and practical preacher. When much of Germany was laid under interdict by Pope John XXII., because of resenting his interference with the election of the German Emperor in 1324, the Dominicans at Strassburg still continued to preach, to celebrate mass, and to administer to the people the consolations of the Church, even though Strassburg was under the Papal bann. After the Diet of Frankfurt in 1338 the strife between Emperor and Pope (now Benedict XII., Pope since 1334) became more pronounced. Up to 1339 the Dominicans at Strassburg still continued to sing mass, but were then compiled to cease doing so by command of the superiors of their Order. As the Strassburg magistracy still remained faithful to the Emperor, they resented this submission, and accordingly closed the Dominican convent in 1339, and it stood empty lor three years and a half. About the beginning of 1339 we find Tauler in Basel, where he remained for some years, in close connection with Heinrich of Nördlingen and others of the so-called "Friends of God" in that city and neighbourhood. About 1346 he was again in Strassburg, aud he spent most of the remainder of his life there and at Cologne. He died at Strassburg on June 16, 1361.

Electress Luise Henriette

1627 - 1667 Person Name: Louise Henriette Hymnal Number: 565 Author of "Jesus er mit Haab og Trøst" in Salmebog for Lutherske Kristne i Amerika Luise Henriette, Electress of Brandenburg, daughter of Friedrich Heinrich, Prince of Nassau-Orange and Stadtholder of the United Netherlands, was born at 'S Gravenhage (The Hague), Nov. 27, 1627. She received a careful Christian training, not only in literature, but also in domestic economy and feminine handicrafts. On Dec. 7, 1646, she was married, at the Hague, to the Elector Friedrich Wilhelm of Brandenburg, who was then residing at Cleve, but remained at the Hague to nurse her father, who died March 14, 1647. She then, in June, 1647, joined her husband at Cleve, where her first child, Wilhelm Heinrich, was born in May 1648. In the autumn of 1619 she set out with her husband and child on the way to Berlin, but in the inclement weather the child sickened and died at Wesel, Oct. 24,1649, and it was not till April 10, 1650, that she entered Berlin. On the birth of her second son, Carl Emil (who died 1674), at Oranienburg, near Berlin, on Feb. 16, 1655, she founded an orphanage there as a thank-offering (now the Oranienburg Orphanage at Berlin). On July 11, 1657, her third son, afterwards King Friedrich I. of Prussia, was born at Königsberg. After the birth of her youngest son, Ludwig, at Cleve, in 1666, she never entirely recovered. In the spring of 1667 she was conveyed to Berlin in a litter, and died there June 18, 1667. (Koch, iv. 158; Allgemeine Deutsche Biographie, xix. 623; Goedeke's Grundrias, vol. iii., 1887, p. 319, &c.) Luise Henriette was a woman of noble character; a devoted wife who accompanied her husband in many of his expeditions, and was his right-hand counsellor in matters of state; and a true mother of her people, introducing the culture of the potato, founding model farms, establishing elementary schools, and in many ways interesting herself in restoring their welfare after the ravages of the Thirty Years' War. She was, like the Elector, a member of the Reformed Church, but earnestly desired to promote peace between the Lutheran and Reformed communions, and exerted herself especially on behalf of P. Gerhardt. Another of her efforts in this direction was by means of the Union Hymn Book, which Christoph Runge edited at her direction, and published in 1653. To this book she herself contributed four hymns. In his dedication to the Electress, Runge says she had "augmented and adorned it with your own hymns, viz.: ‘Ein ander stelle sein Vertrauen'; ‘Gott der Reichthumb deiner Güter'; 'Jesus meine Zuversicht'; 'Ich wil von meiner Missethat.' Your Electoral Highness has not only in those your now mentioned hymns (itzt gemeldten geistreichen Ihren eigenen Liedern) made known to all the world your Christian spirit; how your confidence is directed to God alone; how you ascribe to him with thankful heart all the benefits you enjoy; and how you rest the hope of your future everlasting life in Heaven on Christ alone as on a steadfast rock, but have also," &c. &c. The question however remains. Did Runge here mean more than that she had sent for insertion certain hymns which were favourites of her own, perhaps written for her, but not necessarily written by her? Such cases were common enough at an earlier period. It is certainly strange that her name should not be given in any of the many hymn-books in which the third of these ("Jesus meine Zuversicht") was included during the next century. It was not till 1769 that Runge's dedication suggested to D. G. Schöber, and, after him, to other compilers, the idea of the Electress's authorship; but once suggested it was soon generally accepted. Fischer, i. 390-396, gives various additional reasons that make this theory unlikely; such as that while in Runge's dedication they are mentioned as above, yet her name is not affixed to the individual hymns in the body of the book; that in the funeral oration by her private chaplain, no mention is made of her poetical gifts; that Crüger gave them in his Praxis pietatis melica without her name (in the 1664 and later editions the first was omitted), and that in particular the third is too classic and correct in style to have been written by so poor a German scholar as the Electress. This last objection would of course be met if we could suppose with Koch (iv. p. 169) that the hymn was originally written in Dutch, or with Dutch idioms, and was revised and corrected by her minister, Otto von Schwerin, or by Runge. In view of the present evidence we can only say that if the Electress were not the author of these hymns there is at least no proof of any kind to show that they were composed by any of those whose names have sometimes been attached to them; such as Otto von Schwerin (b. 1616, d. 1679), Caspar Ziegler (b. 1621, d. 1690), Hans von Assig (b. 1650, d. 1694), and others. In this state of uncertainty the case must be left till definite proof be forthcoming. Two of these hymns have passed into English, viz.:— i. Ich will von meiner Missethat. Lent. This beautiful hymn first appeared in the Crüger-Runge Gesang-Buch, 1653, No. 45, in 16 st. of 7 1., entitled, "Hymn of Penitence," and without signature. Koch, iv. 160, conjectures that it may have been written at Cleve in 1648. In the Unverfälschter Liedersegen 1851, No. 380. The translations are :— (1) "With sorrow now for past misdeeds," by Miss Cox, 1864, p, 204. (2) "I will return unto the Lord," by Miss Winkworth, 1869, p. 221. ii. Jesus meine Zuversicht. Easter. This beautiful hymn, founded on Job xix. 25-27 and 1 Cor. xv. 35 ff., appeared in the Crüger-Runge Gesang-Buch, 1653, No. 140, in 10 st. of 6 l., and without signature. Its origin is thus given by Lauxmann, in Koch, viii. 69:— "It dates from the early years of her married life. In the autumn of 1649 she lost her first child, the Crown Prince Wilhelm Heinrich, at Wesel, while on her journey [to Berlin], by which death for a long time the hope of succession in the Electoral House and in the Hohenzollern family line seemed to be lost. At Tangermünde, in the Altmark [on the Elbe], she had to spend some quiet winter months, and here probably the princess of twenty-two years poured out her heart before the Lord in this hymn." This, however, is conjecture rather than history; for, as stated above, it is not yet clearly proved that the Electress wrote any hymns. The hymn itself is of the first rank; and A. J. Rambach calls it "an acknowledged masterpiece of Christian poetry;" while C. von Winterfeld says, "it will ever remain a treasure among the hallowed songs of the Evangelical Church." It bears a certain resemblance to the concluding section of the Apotheosis of A. C. Prudentius (lines 1063-1085, with the subtitle "De resurrectione carnis humanae," and beginning, "Nosco meum in Christo corpus consurgere. Quid me"); but can hardly be called a translation of it. It was included in Crüger's Praxis, 1656, No. 182, passed into almost all later hymn-books, and is No. 866 in the Unverfälschter Liedersegen, 1851. The beautiful chorale (as in the Chorale Book for England) appeared in its first form in 1653, along with the hymn. C. von Winterfeld conjectured that it may have been by the Electress. The form now in use is modified from that given by Crüger in his Praxis, 1656. Translated as:— 1. Christ, my Rock, my sure Defence. Omitting st. ix., as No. 51 in the Moravian Hymn Book 1769. In the edition of 1789. No. 833, st. viii. was omitted, and a translation from Christian Gregor’s "Nein, ach nein, er lasst mich nicht," was added as st. iii. (ed. 1886, No. 1241). Abridged forms are in J. A. Latrobe's Collection, 1841, and Dr. Hook's Church School Hymn Book, 1850. 2. Jesus, on Whose name I rest. A good translation of st. i.-iv., vi., by A. T. Russell, as No. 264, in his Psalms & Hymns, 1851. 3. Jesus, my Redeemer, lives. A good translation, omitting st. iv., v., by Miss Winkworth, in her Lyra Germanica 1st Ser., 1855, p. 93. Repeated, in full, in the Ohio Evangelical Lutheran Hymnal

Johann Christian Lange

1669 - 1756 Person Name: Joh. Lange Hymnal Number: 538 Author of "Min Hjertens Jesus, søde Lyst" in Salmebog for Lutherske Kristne i Amerika Lange, Johann Christian, D.D., was born at Leipzig, Dec. 25, 1669, and studied at the University of Leipzig (M.A. 1689). In 1697 he was appointed extraordinary professor of Philosophy, in 1698 professor of Morals, and in 1707 professor of Logic and Metaphysics at the University of Giessen. He then became, in 1716, superintendent and first court preacher at Idstein, near Wiesbaden, graduating D.D. in the same year; the districts of Saarbruck and Usingen being also put under his care respectively in 1722 and 1728. He died at Idstein, Dec. 16, 1756 (Koch, iv. 398, &c). His hymns, distinguished by fervent love to Christ, were written mostly during his residence at Lüneburg, 1691-94, as tutor in the house of J. W. Petersen (q.v.). Only one has passed into English, viz:— Mein Herzens-Jesu, meine Lust. Love to Christ. On the Names and Offices of Christ. This is found, without his name, in J. H. Hävecker's Kirchen Echo, 1695, No. 64, in 18 stanzas of 7 lines, repeated in the Geistreiches Gesang-Buch, Halle, 1697, p. 140, Porst's Gesang-Buch,edition 1855, No. 64, &c. With this hymn Lange comforted himself on his death-bed. Translated as: (1) "Sweet Jesus who my Wish fulfills." In Lyra Davidica, 1708, p. 44. (2) "Jesu! my Heart's most joyful Rest." In the Supplement to German Psalmody, edition 1765, p. 7, and Select Hymns from the German Psalter, Tranquebar, 1754, p. 9. (3) "Jesu, Thou my Heart's pleasing Feast." As No. 675 in the Moravian Hymn Book, 1754. (4) "Jesus Thou art my heart's delight." As No. 274 in the Moravian Hymn Book, 1789 (1886, No. 358). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Heinrich Georg Neuss

1654 - 1716 Person Name: Henrik Neusz Hymnal Number: 532 Author of "O Jesus, du er min!" in Salmebog for Lutherske Kristne i Amerika Neuss, Heinrich Georg, son of Andreas Neuss, surgeon at Elbingerode in the Harz, was born at Elbingerode, March 11, 1654, and entered the University of Erfurt in 1677 as a student of theology. In 1680 he became a private tutor at Heimburg, near Blankenburg, and then in 1683 conrector, and in 1684 rector of the school at Blankenburg in the Harz. In 1690 he was appointed assistant preacher at Wolfenbüttel, and soon afterwards diaconus of the Heinrichstadt church there. For holding prayer meetings, &c, he was denounced as a Pietist, and chose to resign rather than desist. In the same year, 1692, he became preacher at Hedwigsburg, and travelling Chaplain to Duke Rudolph August of Brunswick, who, at Easter, 1695, appointed him superintendent at Remlingen for the district of Asseburg. In 1696 he received the degree of D.D. from the University of Giessen, and became superintendent, consistorialrath, and chief pastor of the Church of Saints Sylvester and George at Wernigerode, being instituted on Feb. 6. His appointment there was at first unpopular, for he was suspected of Separatist tendencies, but he soon gained the love of the people by his earnest and loving practical Christianity, and by the interest he took in the development of Church music, for which under his care Wernigerode became famous in all the district. He died at Wernigerode, Sept. 30, 1716 (Koch, iv. 425; Allgemeine Deutsche Biographie xxiii. 556; Heinrich Georg Neuss. By Ed. Jacobs. In the Zeitschrift des Harz-Vereins, vol. xxi. 1888, p. 159, &c). The hymns of Neuss appeared principally in his Heb-Opfer zum Bau der Hütten Gottes, das ist, Geistliche Lieder, &c.; of this the first edition with 100 hymns was published at Lüneburg, 1692; and the 2nd edition, with 34 additional, at Wernigerode, 1703 [both in Berlin], most of the pieces bearing the dates of their composition. They were re ceived with great favour in Pietist circles, and Freylinghausen in his Geistreiches Gesang-Buch included no less than 38 (5 in pt. i., 1704; 33 in pt. ii., 1714). In the Werni¬gerode Gesang-Buch, 1712, edited by Neuss, 5 are included, and 5 more in the ed. of 1735. Only a few are found, in recent German collections. The 1703 edition of the Heb-Opfer had also 86 melodies, of which some 15 were by Neuss, and of these 15 passed into Freylinghausen's Gesang-Buch. In 1706 Neuss also published a collection of Brunnen-lieder at Pyrmont, for the frequenters of the Baths there. Only one of his hymns has passed into English, viz.:— Ein reines Herz, Herr, schaff in mir. Sanctification. A simple and beautiful hymn, first published in the 2nd edition, 1703, of his Heb-Opfer, p. 217, in 5 st. of 4 1. In the Berlin Geistliche Lieder, edition 1863, No. 380. Translated as:— A new and contrite heart create. A good and full translation by Miss Cox, in her Sacred Hymns from the German, 1841, p. 153 (1864, p. 177), repeated in the Baptist Hymnal, 1879. Another translation is:—- "Lord! grant a newborn heart to me," by Lady E. Fortescue, 1843, p. 58. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johann Scheffler

1624 - 1677 Person Name: Johan Scheffler Hymnal Number: 117 Author of "Jesus, kom dog selv til mig" in Salmebog for Lutherske Kristne i Amerika Used Angelus Silesius as a pen name. See also Angelus Silesius, 1624-1677

Friedrich Gottlieb Klopstock

1724 - 1803 Person Name: Fred. Klopstock Hymnal Number: 632 Author of "Salig er de Døde, hine " in Salmebog for Lutherske Kristne i Amerika Klopstock, Friedrich Gottlieb, the eldest of the 17 children of Gottlob Heinrich Klopstock (then advocate and commissionsrath at Quedlinburg, and after 1735 amtmann at Friedeburg, on the Saale, near Halle), was born at Quedlinburg, July 2, 1724. From 1739 to 1745 he attended the famous school at Schulpforte, near Naumburg (where he conceived the first idea of his Messias); then he entered the University of Jena, in the autumn of 1745, as a student of theology, and the University of Leipzig at Easter, 1746. At Leipzig he made acquaintance with J. A. Cramer (q.v.); and became one of the contributors to the Bremer Beiträge, in which the first three books of his Messias appeared. In 1748 he became tutor in the house of a merchant named Weiss at Langensalza; and in 1750 accepted an invitation to visit Zurich (the literary capital of Switzerland), where his Messias had been received with great enthusiasm. He was then, in the spring of 1751, invited by the Danish prime minister, Count von Bernstorff, to take up his residence at the Court of King Frederick V., at Copenhagen, in order to be able to finish his Messias free from the cares of a profession; and was, in 1763, appointed Legationsrath. After the Count ceased, in the end of 1770, to be prime minister, Klopstock retired to Hamburg, in 1771, on a pension. The rest of his life was passed mainly at Hamburg, except about a year spent at Carlsruhe, at the Court of the Margave Carl Friedrich of Baden, who appointed him Hofrath. He d. at Hamburg, March 14, 1803, and was buried with civic honours on the 22nd, under a lime-tree in the churchyard at Ottensen (Koch, vi. 322; Allg. Deuteche Biog., xvi, 291, &c). Klopstock ranks among the classic poets of Germany. In his Oden (collected at Hamburg, 1771; enlarged, Leipzig, 1798; finally enlarged, Leipzig, 1804) he is seen at his best; his earlier compositions of this class being the finest modern examples for perfection of form, lyric grace, majesty, and purity of rhythm. His most famous work is his Messias, which on its first appearance created an enthusiasm such as had not been awakened by any German work for centuries. It was suggested by Milton's Paradise Lost, but Milton's calm majesty, firmness of touch, and unity of action were all foreign to Klopstock's nature—his genius was lyric rather than epic. With all its defects of style and construction, it is still a noble work, and could only have been written by a true poet and a sincere Christian; though to us its interest perhaps consists as much in its historical importance and results as in its intrinsic merits. (Books 1-3 written in prose at Jena, and then in hexameter verse at Leipzig, and first pub. in the Neue Beyträge, Bremen, 1748. Books 1-3 revised, and 4, 5 added at Halle, 1751; 6-10 added in the Copenhagen ed., 1755; 11-15, Copenhagen, 1768; 16-20, Halle, 1773. Finally revised ed. in 4 vols., Leipzig, 1800.) In his hymns Klopstock is not seen at his best. He seems to have had little apprecia¬tion of the requirements which the writer of hymns for use in public worship has to meet. His hymns are emotional and subjective, little suited to congregational tunes, and not sufficiently simple in style. In his first collection (1) Geistliche Lieder, Copenhagen, 1758, he included a number of indifferent recasts of earlier German hymns; his second collection (2) Geistliche Lieder, Copenhagen, 1769, consists entirely of original compositions. The only one of his hymns which is still much used in Germany is "Auferstehn, ja auferstehn, wirst du" (q.v.). The others which have passed into English common use are:— i. Deine heilige Geburt. Supplication. In his Geistliche Lieder, 1758, p. 44, in 141, repeated in Knapp's Evangelischer Lieder-Schatz, 1837, No. 468. Translated as "Saviour! by Thy holy birth," by Dr. W. L. Alexander, in 2 stanzas of 8 lines. It was written about 1830, but 1st published in the 2nd ed., 1858, of his Selection of Hymns, No. 339, entitled "Christ's aid invoked." ii. Herr, du wollst sie vollbereiten. Holy Communion. In his Geistliche Lieder, 1758, p. 135, arranged for antiphonal singing by choir and congregation. The form translated into English is "Herr, du wollst uns vorbereiten," being the first two stanzas for choir altered as No. 246 in the Württemberg Gesang-Buch, 1842, in 2 stanzas of 12 lines. Translated as "Grant us, Lord! due preparation," by L. Heyl, in the Ohio Lutheran Hymnal, 1880. Another tr. is, "O God, do Thou Thy folk prepare," by Dr. G. Walker, 1860, p. 64. iii. Nicht nur streiten, überwinden. Christian Warfare. 1st pub. in the G. B. für St. Petri Kopenhagen, 1760, No, 639; repeated in his Geistliche Lieder, 1769, p. 23, in 5 stanzas of 8 lines, entitled "The Victory of the Faithful." In the Berlin Geistliche Leidersegen, ed. 1863. Translated as “Labour ever, late and early," a full but rather free tr. by Dr. Kennedy, in his Hymnologia Christiana, 1863. iv, Zeige dich uns ohne Hülle. Sunday. In his Geistliche Lieder, 1769, p. 88, in 4 stanzas of 8 lines, entitled “Preparation for Divine Service." Included in the Berlin Geistliche Leidersegen, ed. 1863. It is the only hymn by Klopstock much used in English. Translated as "Lord, remove the veil away," a good and full tr. by Miss Borthwick,in Hymns from the Land of Luther, 3rd Ser., 1858, p. 47 (1884, p. 168). Included in full in Kennedy, 1863; Eng. Presbyterian Psalms & Hymns, 1867; Temple Hymn Book, 1867; Dale's English Hymn Book, 1875, and others. It is abridged in W. F. Stevenson's Hymns for Church & Home, 1873, Laudes Domini, N. Y., 1884, and others. Hymns not in English common use:-- v. Ach wie hat mein Herz gerungen. Strength in Weakness. 1769, p. 101, in 10 stanzas, Translated as “Ah me, what woes this heart have wrung," by J. Sheppard, in his Foreign Sacred Lyre , 1857, p. 68. vi. Du wollst erhoren Gott, ihr Flehn. For the Dying . 1758, p. 73, in 11 stanzas. The form translation is the recast (probably by J. S. Diterich), as No. 120, in the Berlin Gesang-Buch 1765, beginning "Dein sind wir Gott! in Ewigkeit." Translated as "We're Thine, O God, for evermore," by Dr. H. Mills, 1845 (1856, p. 241). vii. Selig sind des Himmels Erben. For the Dying; or, At Funerals. 1758, p. 15, in 4 pts., arranged for choir and congregation, in all 10 stanzas. Founded on Rev. xiv. 13. Sung at the funeral of J. C. Lavater, January 4, 1801. Translated as "Blessed are the heirs of heaven," by G. Moultrie, in his Hymns & Lyrics, 1867, p. 337. viii. Starke, die zu dieser Zeit. For the Dying , 1758, p. 1, in 3 stanzas. Translated as "Strengthen, Lord, the weary soul," by G. Moultrie, in his Hymns & Lyrics , 1867, p. 355, marked as an "orison for the departing spirit." ix. Um Erden wandeln Monde. The Lord's Prayer. In his Oden, vol. ii., Leipzig, 1798, p. 119, marked as written in 1789, and entitled "Psalm." It is an ode of 58 lines, embodying and amplifying the Lord's Prayer. Sung at his own funeral. Translated as, (1) "Moons round their planets roll," by J. Sheppard, 1857, p. 46. (2) "Round their planets roll the moons," by Miss Winkworth, 1869, p. 332. x. Wenn ich einst von jenem Schlummer. Morning. 1769, p. 57, in 3 stanzas. In the Württemberg Gesang-Buch, 1842, No. 562. The translations are, (1) "When I rise again to life," by W. Nind, in his Odes of Klopstock, 1848, p. 307. (2) "When I wake from out that slumber," in A. Baskerville's Poetry of Germany, 1854, p. 39, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p. 282. (3) "Father, let no day to come" (the text used begins with stanza ii. altered to "Gieb dass keiner meiner Tage"), by J. Sheppard, 1857, p. 88. (4) "Since I one day from yonder sleeping," by Miss Warner, 1869, p. 40. xi. Zitternd freu ich mich. The Vision of God. First published in the Nordische Aufselier ed. by J. A. Cramer, vol. ii. (Kopenhagen, 1760). In his Oden, Hamburg, 1771, p. 25, in 90 lines, and marked as written in 1759. Translated as, (1) "With trembling I rejoice," by W. Nind, 1848, p. 130. (2) "I joy, but tremblingly," by J. Sheppard, 1857, p. 24. (3) "Trembling I rejoice," by Miss Winkworth, 1869, p. 329. Besides the above a considerable number of Klopstock's Oden are translated by J. Sheppard in his Foreign Sacred Lyre, 1857. A full selection from the Oden appeared as Odes of Klopstock from 1747 to 1780. Translated from the German by William Nind , London, W. Pickering, 1848. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Salomo Franck

1659 - 1725 Person Name: Salomon Franck Hymnal Number: 59 Author of "Dyre Bord, som Jesus dækker" in Salmebog for Lutherske Kristne i Amerika Franck, Salomo, son of Jakob Franck, financial secretary at Weimar, was born at Weimar, March 6, 1659. Little is known of his early history. He probably studied at Jena, and seems thereafter to have held some appointment at Zwickau. In 1689 he became secretary of the Schwarzburg ducal administration at Arnstadt; and in 1697 of the Saxon administration and of the consistory at Jena. He was then, in 1702, appointed secretary of the consistory, librarian, and curator of the ducal collection of coins and medals at Weimar. He died at Weimar July 11, 1725 (Koch, v. 420-426; Allgemeine Deutsche Biographie, vii. 213-214; Schauer's introduction, &c.) He was a member of the Fruitbearing Society, and the author of a considerable number of secular poems, which are almost all "occasional" pieces and now forgotten. A diligent worker and a man of true piety, he had severe family afflictions to bear, and an undercurrent of meditation on death is present in many of his hymns. As a hymnwriter he is distinguished for ease and correctness of style; for adaptation to popular understanding and to congregational singing; for his love of adding refrains to his hymns; and for his happiness in word-painting and in setting forth contrasts. Of his hymns (about 330 in all) which still continue in use in Germany, the most important appeared in his (1) Geistliche Poesie, Weimar, 1685, and in his (2) Geist und Weltliche Poesien, vol. i., Jena, 1711; vol. ii., Jena, 1716. A selection of 46 of his Geistliche Lieder with a biographical and critical intro¬duction by Dr. J. K. Schauer appeared at Halle, 1855. Eight of his hymns have passed into English, as follows:— i. Hymns in English common use: - i. Ach Gott verlass mich nicht. Supplication. A beautiful hymn of supplication for God's help founded on Ps. xxxviii. 22. It is No. 1 in the Appendix to the Anderer Theil des Naumburgischen Gesang Buchs, Naumburg, 1714, p. 106, in 5 st. of 8 1., marked "Salomon Francke" (ed. 1717, p. 487, marked "Gottgelassen Unverlassen, Salomon Francke.") The editor of this collection, J. M. Sehamelius, who was one of the best hymnologists of the time, evidently thus believed that it was by Franck, but it has not yet been found in any work published by Franck himself. Each stanza begins and ends with "Ach Gott verlass mich nicht." It is included in Schauer's introduction, and in many recent hymnals, as in the Berlin Gesang-Buch, 1829, the Württemberg Gesang-Buch, 1842, Hannover Gesang-Buch , 1883, &c. The translations in common use are:— 1. Forsake me not, my God . A full and good but rather free translation in the Family Treasury (Edinburgh: Nelson), 1859, pt. ii. p.168, and thence, in Boardman's Selection, Philadelphia, U.S., 1861, and in the Pennsylvania Lutheran Church Book, 1868. 2. 0 God, forsake me not! Thine hand, by M. W. Stryker, in his Hymns and Verses, 1883, p. 32, and repeated in his Christian Chorals, 1885. ii. Ich weiss es wird mein Ende kommen. For the Dying. 1711, as above, p. 91, in 7 st. of 6 l., entitled "The author's daily dying thoughts” Included by Schauer, 1855, p. 79; in Burg's Gesang-Buch, Breslau, 1746, &c. The translations in common use are :— 1. I know my end must surely come. A translation of stanza i., vii., in 2 st. of 6-8's, by Miss Winkworth, in the second series of her Lyra Germanica, 1858, p. 203. Thence in the Psalms & Hymns, Bedford, 1859, and in America in the Pennsylvania Lutheran Church Book , 1868. 2. I know the doom that must befall me. This is the above translation, rewritten by Miss Winkworth to the original metre, and given in her Chorale Book for England, 1863, No. 185. To this translation of stanzas iii., iv., vi., were added, and the others altered and beginning, "I know full well death must befall me," included in the Ohio Lutheran Hymnal, 1880. iii. So ruhest du, o meine Run. Easter Eve. 1685, as above, p. 29, in 7 st. of 4 1., entitled "On the burial of Jesus." It is a beautiful hymn on the entombment of Christ, founded on Rist's "0 Traurigkeit" (q. v.). Included in Schauer, 1855, p. 44, and in many German collections, as the Unv. L. S., 1851, No. 118. Frequently it appears in altered forms. Thus J. A. Schlegel, 1766, p. 86, altered it to "So schlummerst du in stiller Ruh," and the Berlin Gesang-Buch, 1780, No. 102, further alters it to "Zur Grabesruh entschliefest du." The translations in common use, all from the original, are:— 1. Thou who hast blest my soul with rest, a good translation, omitting st. ii., v., by A. T. Russell, as No. 103 in his Psalms & Hymns 1851. 2. Thou restest in the tomb beneath, a good translation, omitting stanza ii., v., as No. 83 in J. F. Thrupp's Psalms & Hymns, 1853. 3. Rest of the weary Thou! a somewhat expanded version, omitting stanza iii. by Miss Winkworth in her Lyra Germanica, 1st series, 1855, p. 85, repeated in the Pennsylvania Lutheran Church Book, 1868. 4. So rest, my Rest! a very good translation, omitting stanza iii., by R. Massie, as No. 93 in the edition, 1857, of Mercer's Chorale Psalms & Hymn Book (Ox. edition, 1864, No. 184). This has been included in Chope's Hymnal, 1862; Kennedy, 1863; the Hymnary, 1872; Thring's Collection, 1880-82, &c; and in America in the Evangelical Hymnal, N. Y., 1880, and Laudes Domini, 1884. The form in Allon's Supplemental Hymns, No. 324, is a recast partly taken from Miss Winkworth's translation of "Nun gingst auch du" (see Strauss, V. F.). Other translations are : (1) "Now to the tomb Thyself art come," from Schlegel, by Dr. H. Mills, 1845 (1856, p. 316). (2) "So dost Thou rest," in the British Herald, Dec., 1866, p. 376, repeated as No. 421 in Reid's Praise Book, 1872. (3) "So thou art resting, O my Rest," in the British Herald, April, 1869, p. 52. ii. Hymns not in English common use: iv. Ach was ist dooh unsre Zeit. For the Dying. 1685, as above, p. 64, in 6 st., and Schauer, p. 31, each stanza ending "Mensch, bedenke doch, das Ende." Translated as "Oh! what is human life below," by Miss Cox in Lyra Messianica, 1864, p. 47, repeated in her Hymns from the German, 1864, p. 135, in the original metre, beginning, “What is human life below." Also translated by Miss Dunn, 1857, p. 52; and by E. Massie, 1867, p. 3. v. Gott, du Licht, das ewig bleibet. Morning. 1716, as above, p. 160, in 5 st., entitled "Morning Devotion," and in Schauer, p. 4. Translated by H. J. Buckoll, 1842, p. 12; and by Miss Manington, 1863, p. 120. vi. Heil'ger Tisch! Den Jesus decket. Holy Communion. 1711, as above, p. 69, in 6 st., entitled “Another Communion Meditation." In Schauer, p. 67. Translated as, "This holy feast, by Jesus spread," by Miss Cox, in Lyra Eucharistica, 1863, p. 173. vii. Ich weiss, es kann mir nichts geschehen. God's Guidance. 1711, as above, p. 221, in 5 st. (1 l. 5, 6 of each st. being a refrain), entitled “On the words of Psalm lxxiii. 23, 24." In Schauer, p. 21. Translated by Miss Manington, 1863, p. 22. viii. Mein Gott, wie bist du so verborgen. Providence, 1711, as above, p. 76, in 6 st. (1 l. 5, 6 of each st. being a refrain), entitled "The wonderfully blessed leadings of God. In Schauer, p. 16. Translated by Miss Manington, 1863, p. 7. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology