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J. Grigg

1720 - 1768 Person Name: Joseph Grigg Hymnal Number: d60 Author of "Jesus, and shall it ever be" in The Garner Grigg, Joseph, was born in 1728, according to the D. Sedgwick’s Manuscript," but this date seems to be some six or eight years too late. He was the son of poor parents and was brought up to mechanical pursuits. In 1743 he forsook his trade and became assistant minister to the Rev. Thomas Bures, of the Presbyterian Church, Silver Street, London. On the death of Mr. Bures in 1747, he retired from the ministry, and, marrying a lady of property, look up his residence at St. Albans. He died at Walthamstow, Essex, Oct. 29, 1768. As a hymnwriter Grigg is chiefly known by two of his hymns, "Behold a stranger at the door"; and "Jesus, and can it ever be?" His hymnwriting began, it is said, at ten years of age. His published works of various kinds number over 40. Those in which his hymns are found are:— (1) Miscellanies on Moral and Religious Subjects, &c, London, Elizabeth Harrison, 1756. (2) The Voice of Danger, the Voice of God. A Sermon Preached at St. Albans, and at Box-Lane, Chiefly with a View to the apprehended Invasion. By J. Grigg. London, J. Buckland, 1756. To this is appended his hymn, "Shake, Britain, like an aspen shake." (3) Four Hymns on Divine Subjects wherein the Patience and Love of Our Divine Saviour is displayed, London, 1765. (4) Hymns by the late Rev. Joseph Grigg, Stourbridge, 1806. (5) During 1765 and 1766 he also contributed 12 hymns to The Christians Magazine. In 1861 D. Sedgwick collected his hymns and poems, and published them with a memoir as: Hymns on Divine Subjects, * * * * London, 1861. This volume contains 40 "Hymns," and 17 "Serious Poems." In the “S. MSS." Sedgwick notes that in 1861 he omitted three hymns by Grigg, which were then unknown to him, viz.:—l) On "The National Fast," appended to a sermon preached at Northampton, Feb. 13, 1761, by W. Warburton, and published in London, 1761. (2) "A Harvest Hymn by the late Rev. Joseph Grigg," in 6 stanzas, in the Evangelical Magazine, July, 1822; and (3) On the Parable of Dives and Lazarus, dated "Feb. 15, 1767." -- John Julian, Dictionary of Hymnology (1907)

J. E. Hall

Person Name: Jane E. Hall Hymnal Number: d129 Author of "New name" in The Garner Hall, Jane E., of Battleborough, Vermont, has in I. D. Sankey's Sacred Songs and Solos, 18S1, under the initials "J. E. H.," (1) "The love that Jesus had for me" (Love of Jesus); (2) "We shall have a new name in that land" (The New Name). The music in Sankey to these hymns is also by the same person. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

A. Cleveland Coxe

1818 - 1896 Hymnal Number: d57 Author of "In the silent midnight watches, list thy bosom's door" in The Garner Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain. 1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary. 2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883. 3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883. 4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844. 5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840. 6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869. 7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring." 8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873. 9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer. 10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840. 11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above. 12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer. 13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834. 14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections. 15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc. 16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory." 17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872. Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird] -- John Julian, Dictionary of Hymnology (1907)

Samuel O'Malley Cluff

1837 - 1910 Person Name: Samuel O. Clouph Hymnal Number: d44 Author of "For you I am praying" in The Garner Rv Samuel O'Malley Gore Cluff (Clough) United Kingdom 1837-1910. Born in Dublin, Ireland, he attended Trinity College and became a minister in the (Anglican) Church of Ireland. He pastored at various locations in Ireland. In 1884 he became leader of the Plymouth Brethren. He married Anne Blake Edge. They had four children. He wrote hymn poems and about 1000 songs. He composed many melodies and oratories. He died in Abbeyleix, Ireland. While holding crusades in Scotland with D. L. Moody, Ira Sankey came across Cluff's poem about prayer and composed the music for it, used in subsequent crusades. John Perry

J. H. Kurzenknabe

1840 - 1927 Hymnal Number: d4 Author of "They pass to the throne" in The Garner Kurzenknabe, John Henry. (Muenchhof, Kurhessen, Germany, June 18, 1840--April 13, 1927, Harrisburg, Pennsylvania). German Reformed layman. His parents died of cholera when he was five, and he was placed in a boarding school. When 14, he came to the United States with his violin and his share ($500) of his parents' estate. During the 48-day voyage, he attended an elderly sick woman, a Mrs. Ziegler from Wilkes-Barre, Penn., whose family helped him settled in the States. He attended Wyoming Seminary nearby, where he studied music and perfected his English. Even before graduation, he taught violin and began teaching singing classes in the area. In 1856, William B. Bradbury came to Wilkes-Barre for a six-week musical institute. He was so impressed with Kurzenknabe's talent that he offered him, still only 16 years old, $50 a month and board to accompany him to other institutes as an assistant teacher. Two years later, Kurzenknabe was teaching a class in Hagerstown, Maryland. At the final concert, one of the soloists became ill and a 14-year-old girl, Susan Shaffer, filled the role so well they eloped to Greencastle, Penn., and were married on November 13, 1859. They had 15 children, moving every few years until 1869 when they settled permanently in Harrisburg. J.H. (as he preferred to be called) tried to enlist in the Union Army during the Civil War, but was rejected because of his flat feet. He became a U.S. citizen on November 2, 1866. He opened the first piano story in Harrisburg. He continued to teach singing classes, published his many song-books under the imprint J.H. Kurzenknabe & Sons, organized a band and an orchestra, and was an early and active member of the Board of Trade. Long active in the local German Reformed Church, as the city expanded he organized St. John's Sunday School in 1893 which became St. John's Chapel in 1899 at Fourth and Maclay Streets. This has kept growing so that the present church buildings include Kurzenknabe Auditorium. As president of the Pennsylvania State Music Teachers' Association, he presided over their convention in Harrisburg, December 26-28, 1894. For the occasion, he prepared a concert with 300 voices and orchestra which was conducted by W.W. Gilchrist of Philadelphia. From this grew the Harrisburg Choral Society. That same year, he became the local examiner for the London (England) College of Music. He wrote the words and/or the music to over 650 hymns. His song-books went through several editions, selling a total of over 300,000 copies. In 1904, with his daughter Lily he made an extended trip back to his native Germany. On his 50th wedding anniversary, the wedding march was played by six sons and a daughter. His wife died on March 24, 1920, at the age of 75. He followed her at the age of 86. --Information furnished by great-grandson, John G. Kurzenknabe. Additional essays are available in the DNAH Archives. =============================== Born: June 18, 1840, Mönchdorf, Kurhessen, Germany. Buried: East Harrisburg Cemetery, Harrisburg, Pennsylvania. Kurzenknabe, J. H., music teacher and author, was born in Moenchehof, near Cassel, Curhessen, Germany, Jun 18, 1840. He is a son of John George and Anna Kurzenknabe. He was left an orphan in childhood. He attended the Industrial School at Cassel. When he was fourteen years old he bade farewell to friends and home, September 15, 1854, and set out to seek his fortune in the New World, sailing from Bremerhaven for America on the following day. By mistake he was transferred to a ship on which all were strangers to him, but he was buoyant with hope and free as a bird. During the voyage of forty-nine days, being a very clever violinist, he made friends among the officers and crew and became also a general favorite with the passengers, so that he was the pet of the ship. His especial attention was attracted to an old lady who was sick during the whole voyage. Her children in America had sent money to bring over their old mother. To this helpless woman he ministered in his boyish way as best he could. The forty-nine days' voyage was tempestuous, and minus mast, and storm-beaten, the ship hove in sight of the eagerly looked-for land. On her arrival at New York, the children of the old lady were there to meet her, to whom she told the story of the boy's kindness. In this family he found a temporary home, and in years to come he was not forgotten by them. Arrangements were made for him to go to a seminary in Pennsylvania, where under Christian training he found a safe shelter and valuable instruction. Having a talent for music he followed this bent, and in that institution of learning he prosecuted his musical studies and made for himself a name as a teacher of the violin and vocal music. He was afterwards placed under the care and instruction of William B. Bradbury, then the most prominent teacher of music in the country. After a thorough course under this master, Mr. Kurzenknabe started on his own responsibility. His first and only attempt to teach singing and a day-school together in a Maryland town was a total failure, but the very next engagement, which was at Sag Harbor, L. I., proved a complete success. After teaching successfully in Baltimore and other Maryland towns, he visited the New England States and taught conventions in a number of important cities. He then returned to Hagerstown, Md., where his lot fell in pleasant places, and here, too, he found the wife to cheer him through his busy life. He taught successfully in Baltimore, York, Pa., Harrisburg, Philadelphia and New York, and last in Camden, N. J., where the first child, a boy, greeted the parents and cheered their hearts. His next place of residence and teaching was Moorestown, N. J., and the next Philadelphia, where a daughter was born. The war coming on, the New England States seemed safer than Pennsylvania, hence Dedham, Mass., became the next home. Fine classes in Yankee land, war songs and teaching in most of the prominent town brought money to the purse, but sickness claimed the boy for a victim. Repeated and urgent invitations from Maryland friends to make a change, for the boy's sake, induced the Kurzenknabes to disregard the threatening perils of war and journey southward. Antietam and Gettysburg brought the armies of both sides, and the great invasion left the family destitute and helpless, with but five dollars in money and a railroad ticket to Sunbury, Pa., whence the floods drove them back. Mercersburg and study for the ministry were quickly decided upon. But exciting debates of the church involved theological gladiators and their followers, and too free a tongue was not the wisest thing to have in those days of trial. Fairy visions vanished. The advent of twin boys made an increase of income imperative and teaching was the only resource. A house was purchased at McConnelsburg, but sold after an occupancy of two years. Mechanicsburg was home for a short time, and finally Harrisburg became the permanent residence, and a house was purchased which is still home. Teaching for twenty-seven years in many different States, sometimes hundreds of miles from home, always joyous, looking at the bright side of life, active, with plenty of grit, yet with his heart centered where the loved ones stay, earnest, enthusiastic, this is J. H. Kurzenknabe as his friends and scholars know him. Professor Kurzenknabe is the author and compiler of the following books: "Sweet Silver Echoes," "Music at Sight," "Gospel Trio," "Songs and Glees," "Wreath of Gems," "Song Treasury," "Peerless Praise," "Gates Ajar," "Sowing and Reaping," " Theory of Music," "Fair as the Morning," and "Kindly Light." The sale of "Sowing and Reaping" has rached over 280,000 copies, and over 190,000 copies of "Fair as the Morning" have been sold. "Kindly Light" starts in with 20,000 copies engaged in advance of publication. All of htese books are published by his well-known house of J. H. Kurzenknabe & Sons, Harrisburg, Pa. Mr. Kurzenknabe was married in Greencastle, Pa., November 13, 1859, to Susan Shafer, daughter of George and Frederica Shafer, residents of Hagerstown, Md. Professor Kurzenknabe is at present a member of Salem Reformed church, which, as elder, he represented for many years at Classis and in the Synod. He belongs to Peace and Plenty Lodge, No. 69, I. O. O. F., Harrisburg Encampment, No. 301, the I. O. of H., and several other organizations. He is often for weeks from home, attending conventions, gospel services and children's gatherings. He eats and sleeps well, is in perfect health, is five feet nine inches in height, turning the scale at two hundred pounds, and knowing nothing by experience of sickness. You will find him a hale-fellow-well-met. May his days of usefulness be many and his talent ever be active in the Master's cause, till the welcome summons, "Well done, thou good and faithful servant," calls him to the rest that awaits the people of God. This sketch is prepared by one of his loyal friends and ardent admirers. http://maley.net/transcription/sketches/kurzenknabe_j_h

Mary G. Brainard

1837 - 1905 Person Name: Mary G. Brainerd Hymnal Number: d48 Author of "Not knowing, not knowing, I'll follow Jesus" in The Garner Brainard, Mary G. The hymn "I know not what awaits me" (Confidence and Joy) in the Methodist Sunday School Hymn Book 1879; given sometimes as "I know not what shall befall me," is attributed to "Mary G. Brainerd." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Brainard, Mary G., p. 1554, ii. Concerning the hymn which bears this signature in I. D. Sankey's Sacred Songs and Solos, "I know not what awaits me," Mr. Sankey says, in his My Life and Sacred Songs, 1906, p. 102: "When Mr. Bliss [the composer of the tune] lost his life.in the terrible railroad wreck at Ashtabula, Ohio [Dec. 30, 1876], his trunk reached Chicago safely, as it had gone before by another train. In his trunk was discovered this hymn. Mr. Bliss had rearranged the words of the poem to some extent, and had composed the tune. Sentence by sentence the words are full of pathetic interest in connexion with the author's [Bliss's] tragic death so soon afterwards." The original hymn we have failed to trace. The form in the Sacred Songs and Solos is that found, together with the tune, in Mr. Bliss's trunk. --John Julian, Dictionary of Hymnology, New Supplement (1907)

David Nelson

1793 - 1844 Hymnal Number: d76 Author of "Shining shore" in The Garner Nelson, David, M.D., son of Henry Nelson, was born near Jonesborough, East Tennessee, Sept. 24, 1793. He graduated at Washington College, Virginia, in 1810, and took his M.D. degree at Philadelphia in 1812. He acted for some time as a surgeon in the war against Great Britain. During that time he became an infidel, but returning to the faith, he, in 1823, resigned medicine and took up theology, and subsequently became a Presbyterian Minister. He held several appointments, and founded two manual-labour colleges, one at Greenfields, and the second near Quincy, Illinois. He died Oct. 17, 1844. His hymn, "My days are gliding swiftly by" (Death Anticipated), was written in 1835, to be sung to the tune of "Lord Ullin's Daughter." It is exceedingly popular. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

John Parker

1825 - 1911 Hymnal Number: d96 Author of "The golden key" in The Garner John Parker, born in England, immigrated to the United States about 1847 at the age of 22. He was a Methodist pastor, serving churches in New York and Vermont. He was a chaplain in the U.S. Army during the Civil War. He died in Asbury Park, New York in 1911. Dianne Shapiro, from "The Christian Advocate," Vol. 86, September 28, 1911, P. 1298 (6)

John J. Hood

b. 1847 Hymnal Number: d95 Author of "Freedom's flag" in The Garner Born: 1847, Scotland. Died: After 1929 (he was in the 1930 census). Hood ran a Gospel music publishing business in Philadelphia, Pennsylvania, from as early as 1875 to at least 1913. --www.hymntime.com/tch

William Mason

1725 - 1797 Hymnal Number: d131 Author of "Welcome, welcome, dear Redeemer" in The Garner Mason, William, M.A., was born at Kingston-upon-Hull, 1725, and educated at St. John's College, Cambridge. He was some time a Fellow of Pembroke Hall. On taking Holy Orders he became Rector of Aston, and Precentor of York Minster. He died April 5, 1797. His poetical writings, including Poems, Tragedies, Odes, and Hymns, published at intervals, were collected and issued in 4 vols. in 1811 as The Works of William Mason, M.A., Precentor of York, and Rector of Aston. His hymns, few in number, include, "Again the day returns of holy rest”; "Soon shall the evening star with silver [silent] ray", &c. These are in vol. i. of his Works. -- John Julian, Dictionary of Hymnology (1907) ======================= Born: February 12, 1725, Kingston-upon-Hull, England. Died: April 7, 1797, Aston, England. There is a plaque to his memory in Poet’s Corner, Westminster Abbey (next to Milton), with a bas relief image of him. Pseudonym: Malcolm MacGregor. Mason was educated at St. John’s College, Cambridge, and became fellow of Pembroke College in 1749. After taking Holy Orders, he became Rector of Aston (near Rotherham), Yorkshire, in 1754. He was appointed Prebend of Holme in York Minster in 1756, Canon Residentiary in 1762, became Precentor and Prebendary of Driffield in 1763. He also served as literary executor for poet Thomas Gray. His works include: Musaeus, 1744 (a lament for Alexander Pope, in the style of Lycidas) Isis, 1748 Elfrida, 1752 Odes, 1756 Caractacus, 1759 The English Garden, 1772, 1777, 1779 and 1782 An Heroic Epistle to Sir William Chambers, 1774 Ode to Mr. Pinchbeck, 1776 Epistle to Dr. Shebbeare, 1777 Essay, Historical and Critical, of Church Music, 1795 Sappho, 1797 Sources: Julian, p. 717 Robinson, p. 35 http://www.hymntime.com/tch/bio/m/a/s/mason_w2.htm ======================== http://en.wikipedia.org/wiki/William_Mason_%28poet%29