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Scripture:Mark 6:1-13
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Hubert J. Richards

1921 - 2010 Person Name: Hubert Richards, b. 1921 Scripture: Mark 6:7-12 Author (vv. 2-4) of "He sent me to give the good news to the poor" in Singing the Faith

Natalie Sleeth

1930 - 1992 Person Name: Natalie Sleeth, 1930-1992 Scripture: Mark 6:6-13 Author of "Who's goin' to tell the story" in The Book of Praise

Vincent Novello

1781 - 1861 Person Name: Francis Vincent Novello (1781-1861) Scripture: Mark 6:1-13 Composer of "ALBANO" in Common Praise (1998)

William Billings

1746 - 1800 Scripture: Mark 6:1-6 Composer of "LEWIS-TOWN" in Glory to God William Billings (b. 1746; d. 1800) was an American choral composer, thought by some to be the father of American choral music. His father died when William was 14, and he was forced to drop all formal education and take up tanning to get by. With no formal musical training he began to compose, and his songs were well-loved and traveled quickly. However, due to unsubstantial copyright laws, Billings received hardly a penny from the publication of his music. After a period of fame and prosperity, his music was forgotten, and his last decade was one of decline. Married with six children, he died in poverty, though his music would be resurrected after his death and sung to this day. Laura de Jong

Betty Pulkingham

1928 - 2019 Person Name: Betty Pulkingham, b. 1928 Scripture: Mark 6:7-12 Arranger of "GO TELL EVERYONE" in Singing the Faith Betty Carr Pulkingham was born in 1928 in Burlington, North Carolina. She received a B.S. in Music in 1949 from the University of North Carolina, Greensboro and she did graduate studies at the Eastman School of Music. She was Instructor of Music Theory at the University of Texas. In 1951, she married a seminarian Graham Pulkingham. They ministered together in various places in the U.S., England and Scotland; they were founding members of the Community of Celebration, an Anglican religious order. She travelled widely with "The Fisherfolk," an outreach music ministry connected with the Community of Celebration. Betty Pulkingham was a well known composer and arranger. She co-edited and published a number of songbooks and books on worship; and served on the Episcopal Church's Standing Commission on Church Music from 1988-1994. She and her husband returned to Burlington and then she later moved to Austin, Texas to live with family. She died in Austin, May 9, 2019 at the age of 90. Dianne Shapiro, from Obituary (https://www.richandthompson.com/tributes/Betty-Pulkingham) (accessed 6-21-2019)

James E. Clemens

b. 1966 Scripture: Mark 6:3 Composer of "CARPENTER" in Voices Together

Anna Briggs

b. 1947 Person Name: Anna Briggs, 1947- Scripture: Mark 6:1-13 Author of "You Call Us Out to Praise You" in Common Praise (1998)

John A. Dalles

b. 1954 Scripture: Mark 6:1-13 Author of "Bless All Those Who Nurture Children" in Moravian Book of Worship Born: Sep­tem­ber 13, 1954, Pitts­burgh, Penn­syl­van­ia. A lifelong Pres­by­ter­i­an, John Dalles has lived in Pitts­burgh, Coates­ville, Lan­cas­ter, and State Coll­ege, Penn­syl­van­ia; and South Bend, In­di­a­na. He re­ceived the Ba­che­lor of Sci­ence in Ar­chi­tect­ure from Penn­syl­van­ia State in 1976. While en­gaged in a se­mes­ter abroad in Pet­worth, Eng­land, he sensed a call to the min­is­try. An ar­chi­tect­ur­al de­sign­er be­fore di­vin­i­ty stu­dies, he re­ceived the Mas­ter of Di­vin­ity from Lan­cas­ter The­o­lo­gic­al Sem­in­a­ry in 1982. Dur­ing sem­in­a­ry, he served as a re­source con­sult­ant for the orig­in­al Par­ish Re­source Cen­ter in Lan­cas­ter. Ordained in High­land Pres­by­ter­i­an Church, Lan­cas­ter, on Au­gust 1, 1982, John’s first call was to serve the First Pres­by­ter­i­an Church of South Bend, In­di­a­na, as as­so­ci­ate pas­tor. Re­spons­i­bil­i­ties there in­clud­ed wor­ship lead­er­ship and preach­ing, ad­min­is­tra­tion of mis­sion and me­mor­i­al en­dow­ment dis­burse­ment for mis­sion (over $130,000 an­nu­al­ly), min­is­ter for ed­u­ca­tion and pas­tor­al care (Di­a­con­ate), co­ord­in­at­or of new mem­ber out­reach and staff li­ai­son to the church owned res­i­dent camp. He served the area coun­cil of re­li­gious or­gan­iz­a­tions, was a mem­ber of the Wor­ship Task Force and Di­sci­ple­ship/Church Life Com­mit­tee of Wa­bash Val­ley Pres­by­te­ry, mem­ber and awards chair­man of the St. Jo­seph Coun­ty Schol­ar­ship Foun­da­tion, and found­ing mem­ber of Notre Dame Ci­vi­tan and the South Bend, In­di­a­na, Hab­i­tat for Hu­man­i­ty. In De­cem­ber 1986, Dalles was called to Fox Cha­pel Pres­by­ter­i­an Church, Pitts­burgh, Penn­syl­van­ia, where his du­ties in­clud­ed wor­ship lead­er­ship and preach­ing, pro­gram­ming for spir­it­u­al growth, con­gre­ga­tion­al life, ad­min­is­tra­tion of pas­tor­al care, adult ed­u­ca­tion, Ste­phen Min­is­try, and new mem­ber out­reach (with an­nu­al mem­ber­ship in­creas­es of 100 or more). In May 1994, Dalles received the Doc­tor of Min­is­try de­gree from Pitt­sburgh The­o­lo­gic­al Sem­in­a­ry for his work in the ar­ea of pas­tor­al lead­er­ship in the mul­ti­-staff church. While at Fox Cha­pel, he in­sti­tut­ed an an­nu­al com­mun­i­ty pray­er break­fast, served on the Pres­by­te­ry’s Prepa­ra­tion for Min­is­try Com­mit­tee, and as li­ai­son to an ar­ea re­hab­ilita­tion cen­ter. He wrote and edited In Life and Death We Be­long to God, the Pres­by­ter­i­an Church (U.S.A.) stu­dy re­source on end-of-life is­sues. Since May 1997, Dalles has served as pas­tor and head of staff of We­ki­va Pres­by­ter­i­an Church, Or­lan­do, Flor­i­da, an ac­tive and grow­ing con­gre­ga­tion in its 26th year. Ac­comp­lish­ments dur­ing his pas­tor­ate have in­clud­ed a ma­jor cap­it­al and fa­cil­i­ties ex­pansion, growth in new mem­bers, and the im­ple­ment­a­tion of new staff­ing and pro­grams at ev­ery le­vel of the con­gre­ga­tion’s life. He has chaired the The­ol­o­gy and Wor­ship Com­mit­tee of Cen­tral Flor­i­da Pres­by­te­ry for the past three years. Dalles has writ­ten num­er­ous ar­ti­cles and ma­ny pub­lished hymn texts. His hymns "Come, O Spir­it" and "God Bless Your Church with Strength!" are in the 1990 Pres­by­ter­i­an Hym­nal. His lyr­ics are al­so in: The New Cen­tu­ry Hym­nal, The Mo­rav­i­an Book of Wor­ship, Wor­ship To­ge­ther (Men­non­ite Breth­ren), The Co­ve­nant Hym­nal (Evan­gel­ica­l Co­ven­ant Church), The Book of Praise (Pres­by­ter­i­an Church in Ca­na­da) and The Aus­tral­ian Book of Praise II. He has written anniversary hymn texts, in­clud­ing: Pres­by­ter­i­an Heritage Sun­day, Augsburg, Goshen, Maryville, Tusculum, Wilson and Knox Coll­eges, Amer­i­can Un­i­ver­si­ty, Pittsburgh and Lancaster Seminaries, Peachtree Pres­by­ter­i­an Church, the Lu­ther­an World Federa­tion and the Pres­by­ter­i­an Associa­tion of Mu­sicians. A mem­ber of the Hymn Society, he has been listed in na­tional and world editions of Who’s Who since 1997. Two of his an­thems are on a CD by com­pos­er Bob Moore en­ti­tled "Like a Whis­per in the Heart." His other works in­clude: Swift Cur­rents and Still Wa­ters (Chi­ca­go, Il­li­nois: GIA Pub­li­ca­tions, 2000) Lyrics-- As Christ the Lit­tle Child­ren Blessed Bless the Ones Who Nur­ture Child­ren Change Your Church, O God, to Be Come, O Spir­it God Bless the Work Your Peo­ple Do God, Bless Your Church with Strength! God Is the One Who Calls God, Re­new Us by Your Spir­it! May God’s Love Be Fixed Above You O God of Love, Grant Us Your Peace O Seek the Lord in Pray­er © The Cyber Hymnal™ (www.hymntime.com/tch)

Jean-Baptiste de Santeul

1630 - 1697 Person Name: Jean de Santeul, 1630-1697 Scripture: Mark 6:3 Author of "The Son of God his glory hides" in Common Praise Santeüil, Jean-Baptiste de, was born in Paris of a good family on May 12, 1630. He was one of the regular Canons of St. Victor, at Paris, and, under the name of Santolius Victorinus, was distinguished as a writer of Latin poetry. Many of his hymns appeared in the Cluniac Breviary 1686, and the Paris Breviaries 1680 and 1736, and several have been translated into English, and are in common use in Great Britain and America. He was very jocose in disposition and singular in his habits. When on a journey he died at Dijon, Aug. 5, 1697. His Hymni Sacri et Novi were published at Paris in 1689, and again, enlarged, in 1698. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)

John Chandler

1806 - 1876 Person Name: John Chandler, 1806-1876 Scripture: Mark 6:3 Translator of "The Son of God his glory hides" in Common Praise John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

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