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William Gardiner

1770 - 1853 Hymnal Number: 704 Composer of "BELMONT" in The Cyber Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

John Greenleaf Whittier

1807 - 1892 Person Name: John G. Whittier Hymnal Number: 116 Author of "All Things Are Thine" in The Cyber Hymnal Whittier, John Greenleaf, the American Quaker poet, was born at Haverhill, Massachusetts, Dec. 17, 1807. He began life as a farm-boy and shoemaker, and subsequently became a successful journalist, editor and poet. In 1828 he became editor of the American Manufacturer (Boston), in 1830 of the New England Review, and an 1836 (on becoming Secretary to the American Anti-Slavery Society) of the Pennsylvania Freeman. He was also for some time, beginning with 1847, the corresponding editor of the National Era. In 1840 he removed to Amesbury, Massachusetts, where most of his later works have been written. At the present time [1890] he lives alternately at Amesbury and Boston. His first poetical piece was printed in the Newburyport Free Press in 1824. Since then his publications have been numerous, including:— Voices of Freedom, 1833; Songs of Labour, and other Poems, 1850; Ballads and other Poems, London, 1844; The Panorama, and other Poems, 1856; In War Time, 1863; Occasional Poems, 1865; Poetical Works, 1869; Complete Poetical Works, 1876; The Bay of the Seven Islands, and other Poems, 1883, &c. From his numerous poems the following hymns have been compiled, and have come into common use, more especially amongst the American Unitarians:— 1. All as God wills, Who wisely heeds. Trust. This begins with stanza xi. of Whittier's poem, "My Psalm." in his workThe Panorama, and other Poems, 1856 (Complete Poetical Works, Boston, 1876, p. 179), and is given in Lyra Sacra Americana , 1868; Border's Congregational Hymns, 1884, &c. 2. All things are Thine: no gift have we. Opening of a Place of Worship. Written for the Opening of Plymouth Church, Minnesota, 1872 ( Complete Poetical Works , p. 281). In Horder's Congregational Hymns, 1884. 3. Another hand is beckoning us. Bereavement. From his poem " Gone," written in 1845 (Complete Poetical Works, p. 106). In Horder's Congregational Hymns, 1884. 4. Dear Lord and Father of mankind. Calmness in God desired. From his poem “The Brewing of Soma," beginning with stanza xii. (Complete Poetical Works p. 266). In Horder's Congregational Hymns, 1884. 5. God giveth quietness at last. Death and Burial. This begins with stanza xvii. of his poem, “The Singer," written in 1871 (Author's MS.), and included in the Complete Poetical Works, 1876, p. 265. In Martineau's Hymns, 1875. 6. Hast thou, 'midst life's empty noises. The Purpose of Life. Written in 1842. It is in Longfellow and Johnson's Unitarian Book of Hymns, Boston, 1846, and several other later American collections. Also in Lyra Sacra Americana, 1864. 7. I ask not now for gold to gild. Resignation. From his poem "The Wish of To-Day." Written in 1848 (Author's MS.). In Hedge and Huntingdon's Unitarian Hymns for the Church of Christ, Boston, 1853; the Laudes Domini, 1884, and other collections. 8. Immortal love, for ever full. The Love of Jesus. This poem, entitled “Our Master," appeared in Whittier's work, The Panorama, and other Poems, 1856, in 35 stanzas of 4 lines; in Schaff’s Christ in Song, 1869-70, p. 117; and in the Complete Poetical Works, 1876, p. 231, and others. From this poem the following centos have come into common use:— (1) Immortal love for ever full. In the 1890 edition of the Hymnal Companion and others. (2) 0 Lord and Master of us all. Begins with stanza xvi. (3) 0 Love! O Life! our faith and sight. Begins with stanza xxiv. In several American hymnals, including the Unitarian Hymn [and Tune Book ], Boston, 1868, and others. (4) Our Friend, our Brother, and our Lord. Begins with stanza xxxiv. In Horder's Congregational Hymns, 1884, &c. (5) We faintly hear, we dimly see. Begins with stanza xxvi. In Barrett's Congregational Church Hymnal, 1887. (6) We may not climb the heavenly steeps. Begins with stanza v. In Laudes Domini, 1884; the Primitive Methodist Hymnal, 1887, &c. The use of these centos shows that the hymnic element in the original poem is of a high and enduring order. 9. It may not be our lot to wield. Duty and its Reward. This begins with stanza iv. of his poem "Seedtime and Harvest." Written circa 1850 (Author's MS.). Given in his Complete Poetical Works, p. 114. The hymn is in Laudes Domini, 1884, and other American collections. 10. May freedom speed onward, wherever the blood. Freedom. In the 1848 Supplement to the Boston Book of Hymns, Boston, No. 582, Hymns of the Spirit, 1864, and other collections. In Whittier's Poetical Works, Boston, 1869, p. 68, it is given as, “Right onward, O speed it! Wherever the blood”. 11. Now is the seed-time; God alone. Self-Sacrifice. In the Boston Hymns of the Spirit, 1864, No. 683. 12. 0 backward-looking son of time. New and Old. This begins with stanza xix. of his poem "The Reformer," and is given in this form in the Boston Hymns for the Church of Christ, Boston, 1853, No. 835, and again in later collections. In full in the Complete Poetical Works, p. 78. 13. 0 beauty, old yet ever new. The Law of Love. This in the Boston Hymns of the Spirit, 1864, begins with stanza xxi. of his poem on “The Shadow and the Light,” given in full in the Complete Poetical Works , p. 173. 14. 0 fairest-born of love and light. American National Hymn. This is from his poem "Democracy," which is dated "Election Day, 1843," and is in his Ballads and other Poems, London, 1844, p. 214, and his Complete Poetical Works, p. 82. 15. 0, he whom Jesus loves has truly spoken. True Worship. This in the 1848 Supplement to the Boston Book of Hymns, 1848, No. 578, begins with stanza xi. of his poem on “Worship," given in full in his Complete Poetical Works, p. 96. The poem is dated by the Author, 1848 (Author's MS.). 16. 0 holy Father, just and true. Freedom. "Lines written for the Celebration of the third Anniversary of British Emancipation at the Broadway Tabernacle, N. Y., First of August, 1837." (Complete Poetical Works, p. 47.) It was included in the Unitarian Christian Hymns, Boston, 1844, and has been repeated in later collections. 17. 0 Maker of the Fruits and Flowers. Flower Services. This begins with stanza iv. of his "Lines for the Agricultural and Horticultural Exhibition at Amesbury and Salisbury, Sep. 28, 1858," as given in his Complete Poetical Works , p. 183. It is in the Boston Hymns of the Spirit, 1864, and as "O Painter of the fruits and flowers," in Horder's Congregational Hymns, 1884. 18. O not alone with outward sign. Divine Invitation. This begins with stanza ii. of his poem, "The Call of the Christian," given in his Ballads and other Poems, London, 1844, p. 185, and his Complete Poetical Works, p. 73. The hymn appeared in the Boston Book of Hymns, 1846, and again in later collections. 19. O pure Reformers, not in vain. Freedom. This begins with stanza xii. of his poem "To the Reformers of England," as given in his Complete Poetical Works, p. 77. The hymn was included in the Boston Book of Hymns, 1846, and has been repeated in later collections. 20. O sometimes gleams upon our sight. Old and New. This is taken from his poem "The Chapel of the Hermits," 1852 (in 94 stanzas of 4 lines), and begins with stanza xi. (Comp. Poetical Works, p. 115.) The cento was given in the Boston Hymns of the Spirit, 1864, and repeated in later collections. 21. O Thou, at Whose rebuke the grave. Mercy. This was given in the Boston Book of Hymns, 1848, No. 44l. 22. O [God] Thou, Whose presence went before. National Hymn. This hymn is dated by the author 1834 (Author's MS.), and was written for the Anti-slavery Meeting at Chatham Street Chapel, New York, "on the 4th of the 7th month, 1831." It is No. 750 in the Unitarian Christian Hymns, 1844. It is sometimes given as “0 God, whose presence went before." 23. 0, what though our feet may not tread where Christ trod. Presence of Christ's Spirit. The author dates this 1837 (Author's MS.). It is No. 150 in the Boston Book of Hymns, 1846. In their Hymns of the Spirit, 1864, No. 652, it begins: "0, wherefore the dream of the earthly abode." Both centos are from his poem “Poledom." 24. Shall we grow weary in our watch? Patience, or Resignation. This begins with stanza x. of his poem "The Cypress-Tree of Ceylon." (Complete Poetical Works, p. 84.) This form of the text was given in the Boston Book of Hymns, 1846, No. 278, in 7 stanzas of 4 lines, and again in Horder's Congregational Hymns, 1884, in 3 stanzas. 25. Sport of the changeful multitude. Persecution. This begins with line 6 of stanza x. of his poem "Ezekiel," and was given in the Boston Hymns of the Spirit, 1864, No. 65lines In full in Complete Poetical Works, p. 67. 26. The green earth sends its incense up. Worship of Nature. The author dates this 1845 (Author's MS.). It is from his poem “The Worship of Nature," and was given in this form in the Boston Hymns for the Church of Christ, 1853, No. 193. The cento "The harp at Nature's advent strung," in the Unitarian Hymn [and Tune] Book, Boston, 1868, No. 195, is from the same poem. The cento No. 321 in the Boston Hymns of the Spirit, 1864, is also (altered) from this poem. 27. The path of life we walk today. The Shadowing Rock. This in the Boston Hys. of the Spirit, 1864, begins with stanza i. of his poem on "The Rock in El Gh'or," which the author dates 1859 (Author's MS.). In full in Complete Poetical Works, p. 180. 28. Thine are all the gifts, 0 God. Children's Missions, or Ragged Schools. Written for the Anniversary of the Children's Mission, Boston, 1878. It is given in Horder's Congregational Hymns, 1884. 29. Thou hast fallen in thine armour. Death. From his poem "To the memory of Charles B. Storrs, late President of Western Reserve College," published in his Ballads and other Poems, London, 1844, p. 84. Dated by the author 1835 (Author's MS.). Abridged form in the Hymns of the Spirit, 1864. 30. To-day, beneath Thy chastening eye. Seeking Rest. This begins with stanza iv. of his poem, "The Wish of To-Day," dated by the author 1847 (Author's MS.), and given in full in his Complete Poetical Works, p. 114. The cento is in Martineau's Hymns, 1873, and others. 31. We see not, know not; all our way. Resignation. "Written at the opening of the Civil War, 1861" (Author's MS.), and included in his In War Time, 1863, and his Complete Poetical Works, p. 190. In full in the Prim. Methodist Hymnal, 1887. 32. When on my day of life the night is falling. Old Age. Written in 1882 (Author's MS.), and included in his work The Bay of the Seven Islands, and other Poems, 1883. In Horder's Congregational Hymns, 1884. 33. With silence only as their benediction. Death. 1845. "Written on the death of Sophia Sturge, sister of Joseph Sturge, of Birmingham, England" (Author's MS.). It is in several collections, including Martineau's Hymns, &c, 1873; Horder's Congregational Hymns, 1884, and others. Notwithstanding this extensive use of portions of Mr. Whittier's poems as hymns for congregational use, he modestly says concerning himself: "I am really not a hymn-writer, for the good reason that I know nothing of music. Only a very few of my pieces were written for singing. A good hymn is the best use to which poetry can be devoted, but I do not claim that I have succeeded in composing one." (Author's MS.) We must add, however, that these pieces are characterized by rich poetic beauty, sweet tenderness, and deep sympathy with human kind. -- John Julian, Dictionary of Hymnology (1907) ======================== Whittier, J. G, p. 1277, i. In addition to the large number of this author's hymns already annotated from his own manuscript, the following have also come into use, mainly in the form of centos from his poems, during the past ten years:— i. From Poems, 1850:— 1. O brother man! Fold to thy heart thy brother. [Brotherly Love.] From his poem, “Worship." Written in 1848, and published in Poems, 1850. ii. From Songs of Labour, and Other Poems, 1850;— 2. Bowed down in lowliness of min. [Resignation.] From the poem “The Wish of To-day." iii. From The Chapel of the Hermits, and Other Poems, 1853:— 3. O, sometimes glimpses on our sight. [Light in Darkness.] First published in The National Era, 1851, and again as above, 1853. In The Pilgrim Hymnal, N.Y. 1904, it begins " 0 sometimes gleams upon our sight," and in Hymns of the Ages, 1904, "Yet sometimes glimpses on my sight"; see p. 1277, ii. 20. iv. From The Panorama, and Other Poems, 1856:— 4. Thou, 0 most compassionate. [Divine Compassion.] This cento is from the poem "My Dream," and is dated 1855. v. From Home Ballads and Poems, 1860:— 5. I mourn no more my vanished years. [Life's Review.] A cento from "My Psalm," dated 1859, opening with st. i. 6. No longer forward nor behind. This begins with st. iii. of "My Psalm." 7. O hearts of love, O souls that turn. [Life from, Christ.] A cento from the poem, "The Overheart." 8. O Love Divine, Whose constant beam. [Divine Love Universal.] From the poem, "The Shadow and the Light." The form in which it is given in The Pilgrim Hymnal, 1904, first appeared in The Independent, Nov. 1860. 9. Once more the liberal year laughs out. [Autumn.] From his "For an Autumn Festival," 1859. vi. From In War Time, and Other Poems, 1864:— 10. I can only urge the plea. [Cry for Mercy.] A cento from “Andrew Rykman’s Prayer,” dated 1863. 11. What Thou wilt, O Father, give. Also from “Andrew Kykman's Prayer." vii. From The Tent on the Beach, and Other Poems, 1867:— 12. I bow my forehead to [in] the dust. St. ix., &c. 13. I know not what the future hath. St. xvi., &c. 14. I long for household voices gone. St. xv., &c. 15. I see the wrong that round me lies. St. x., &c. 16. Who fathoms the Eternal Thought. St. iv., &c. 17. Yet, in the maddening maze of things. St. xi., &c. These centos are taken from the poem, "The Eternal Goodness," which is dated 1865. viii. From Among the Hills, and Other Poems, 1869:— 18. For ever round the mercy-seat. [God's Love and Man's Unfaithfulness.] From the poem, “The Answer." ix. From The Pennsylvania Pilgrim, and Other Poems, 1873:— 19. Best for the weary hands is good. [Daily Renewal.] This is from "My Birthday," which appeared in the Atlantic Monthly, 1871, and again as above, 1873. x. From Hazel Blossoms, 1875:— 20. All things [gifts] are Thine, p. 1277, i. 2. The church for which this was written, in 1873, was Plymouth Church, St. Paul, Minn. The hymn was included in Hazel Blossoms, 1875. 21. We need love's tender lessons taught. [Love.] From Child-Songs," in Hazel Blossoms, opening with st. ix. xi. From The Bay of the Seven Islands, 1883:— 22. As from the lighted hearths behind me. [Anticipation of the Future.] This begins with st. iii. of the poem, "What the Traveller said at Sunset." xii. Additional Notes:— 23. Lord, for the things we see. [Public Gatherings.] This hymn is from "Poledom," 1837. 24. Not always as the whirlwind's rush. [Call to the Ministry.] Published in The Poetical Writings, 1857, Vol. i., p. 254, and again in the Oxford edition of his Poetical Works, 1904, p. 455. It is dated 1833. 25. Sound over all waters, [The Coming Kingdom.) This, in Horder's Worship Song, 1905, is from Whittier's Complete Poetical Works, Boston, 1876, p. 280, where it is dated 1873. 26. Take courage, Temperance workers. [Temperance.] Mr. Pickard, Whittier's literary executor, cannot trace this hymn in any of the author's writings, and we also are at fault. 27. The harp at Nature's advent strung. [Nature's acknowledgement of God.] Dr. Charles L. Noyes, one of the editors of The Pilgrim Hymnal, 1904, writes us concerning this hymn: "It was first published in its present form [as in the American hymn-books] in 1867 in The Tent on the Beach." But a hymn almost identical was written when Whittier was in his teens, and published in the Haverhill Gazette, October 5, 1827. The same poem appeared in The Palladium, 1829. It was revised for The Tent on the Beach, 1867 (p. 1278, i. 26). 28. We see not, know not; all our way, p. 1278, i. 31. This hymn, written in 1861, first appeared in the Atlantic Monthly, 1862, vol. 10, p. 235. 29. Wherever through the ages rise. [Love is universal.] Opens with line 1 of a section in the poem "Miriam," in Miriam, and Other Poems, 1871, p. 13. 30. Who calls Thy glorious service hard? [Duty.] This begins with st. iii. of his poem "Seedtime and Harvest," noted on p. 1277, ii. 9. 31. O Lord and Father of mankind. This is a slightly altered form of "Dear Lord and Father of mankind." p. 1277, i. 4. The poem, “Our Master," stated on p. 1277, i., No. 8, as having appeared in The Panorama, 1856, in error, was given in The Tent on the Beach, and Other Poems, Boston, 1867, pp. 143-152. In compiling the foregoing, we have been materially assisted by Mr. Pickard, the poet's literary executor, and the Rev. Dr. Charles L. Noyes, of Somerville, Mass. Whittier died at Hampton Falls, New Hampshire, Sep. 7, 1892. --John Julian, Dictionary of Hymnology, New Supplement (1907) ======================= See also in: Hymn Writers of the Church

Nikolaus Herman

1500 - 1561 Hymnal Number: 6007 Composer of "LOBT GOTT IHR CHRISTEN" in The Cyber Hymnal Herman, Nicolaus, is always associated with Joachimsthal in Bohemia, just over the mountains from Saxony. The town was not of importance till the mines began to be extensively worked about 1516. Whether Herman was a native of this place is not known, but he was apparently there in 1518, and was certainly in office there in 1524. For many years he held the post of Master in the Latin School, and Cantor or Organist and Choirmaster in the church. Towards the end of his life he suffered greatly from gout, and had to resign even his post as Cantor a number of years before his death. He died at Joachimsthal, May 3, 1561. (Koch, i. 390-398; Allgemeine Deutsche Biographie, xii. 186-188, &c.) He was a great friend and helper of J. Mathesius (q.v.) (who in 1532 became rector of the school, but in 1541 diaconus and in 1545 pastor of the church), and it was said that whenever Mathesius preached a specially good sermon Herman straightway embodied its leading ideas in a hymn. His hymns, however, were not primarily written for use in church, but were intended for the boys and girls in the schools, to supplant profane songs in the mouths of the young men and women, or for the daily life of the “housefathers and housemothers" in Joachimsthal, at home, and in their work in the mines. He is a poet of the people, homely, earnest, and picturesque in style; by his naiveté reminding us of Hans Sachs. He was an ardent lover of music and a very good organist. The chorales which he published with his hymns are apparently all of his own composition, and are among the best of the Reformation period. Many of Herman's hymns soon passed into Church use in Germany, and a number are found in almost all books in present use. About 190 in all, they appeared principally in:— (1) Die Sontags Evangelia uber des gantze Jar, in Gesenge verfasset, für die Kinder und christlichen Haussvetter, &c, Wittenberg, 1560 (dedication by Herman dated Trinity Sunday, 1559), with 101 hymns and 17 melodies. The best are those interspersed specially meant for children and not directly founded on the Gospel for the day. (2) Die Historien von der Sindfludt, Joseph, Mose, Helia, Elisa und der Susanna, sampt etlichen Historien aus den Evangelisten, &c., Wittenberg, 1562 (preface by Herman dated St. Bartholomew's Day, 1560), with 73 hymns and 20 melodies. In this case also the general hymns are the best. A selection of 60 (really 61) of his hymns, with a memoir by K. F. Ledderhose, was published at Halle, 1855. One of Herman's hymns is noted under “Wenn mein Stündlein vorhanden ist." The others which have passed into English are:— i. Bescher uns, Herr, das täglioh Brod. Grace before Meat. 1562, as above, and thence in Wackernagel, iii. p. 1228, in 6 stanzas of 4 lines; in Ledderhose, p. 70; and in the Berlin Geistliche Lieder, ed. 1863, No. 1133. Translated as:— 1. Thou art our Father and our God. This, by P. H. Molther, a translation of stanza vi., as No. 180 in the Moravian Hymn Book, 1789 (1849, No. 220, st. v.). 2. As children we are owned by Thee, a translation of stanza vi., as st. iii. of No. 191 in the Moravian Hymn Book, 1801 (1849, No. 220, stanza iii.). ii. Die helle Sonn leucht jetzt herfür. Morning. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines, in Ledderhose, p. 87; and in the Unverfälschter Liedersegen, 1851, No. 450. Translated as:— The morning beam revives our eyes, a good and full translation by. A. T. Russell, as No. 71 in the Dalston Hospital Hymn Book 1848. iii. Erschienen ist der herrliche Tag. Easter. 1560, as above, in 14 stanzas of 4 lines, entitled, "A new Spiritual Song of the Joyful Resurrection of our Saviour Jesus Christ; for the maidens of the girls' school in Joachimsthal”; and thence in Wackernagel, iii. p. 1175; in Ledderhose p. 23, and Unverfälschter Liedersegen, 1851, No. 134. It has reminiscences of the "Erstanden ist der heil'ge Christ". Translated as:— The day hath dawn'd—-the day of days, a good translation by A. T. Russell of stanzas i., ii., xiii., xiv., as No. 113 in his Psalms & Hymns, 1851. Another tr. is, "At length appears the glorious day," by Dr. G. Walker, 1860, p. 28. iv. Hinunter ist der Sonnen Schein. Evening. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines; in Ledderhose, p. 88; and in the Unverfälschter Liedersegen1851, No. 523. Some of the phrases may have been suggested by the "Christe qui lux es et dies" (q. v.). Translated as:— 1. Sunk is the sun's last beam of light, a full and good translation by Miss Cox in her Sacred Hymns from the German, 1841, p. 57. Included in Alford's Psalms & Hymns, 1844, and Tear of Praise, 1867; in Dale's English Hymn Book, 1875; in the Pennsylvania Lutheran Church Book, 1868, and others. It is also given considerably altered and beginning, "Sunk is the Sun! the daylight gone," in W. J. Blew's Church Hymn and Tune Book, 1851-55. 2. The happy sunshine all is gone, in full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 225; repeated in her Chorale Book for England, 1863, and the Ohio Lutheran Hymnal, 1880. Other translations are: (1) "Did I perhaps Thee somewhat grieve," a translation of stanza iii. in the Moravian Hymn Book, 1789, No. 756. In the 1801 and later eds. (1886, No. 1181, st. iii.), it begins, "Where'er I Thee this day did grieve." (2) "The sun’s fair sheen is past and gone," by H. J. Buckoll, 1842, p. 68. (3) "The sun hath run his daily race," by Lady E. Fortescue, 1843, p. 14. v. Lobt Gott, ihr Christen alle gleich. Christmas. Written c. 1554, but first published 1560 as above, as the first of "Three Spiritual Christmas Songs of the new-born child Jesus, for the children in Joachimsthal." Thence in Wackernagel iii. p. 1169, in 8 stanzas of 4 lines; in Ledderhose, p. 1; and in the Unverfälschter Liedersegen, 1851, No. 47. It is one of the most popular German Christmas hymns. The melody set to it in 1560 is also by Herman; in 1554 to his "Kommt her ihr liebsten Schwesterlein" [in the Hymnal Companioncalled "St. George's (old)"]. Translated as :— 1. Let all together praise our God, a good translation of stanzas i., iii., vi., viii., by A. T. Russell, as No. 52 in his Psalms & Hymns, 1851. Repeated in Kennedy, 1863, adding a translation of st. ii., and beginning, "Let all creation praise our God." 2. Praise ye the Lord, ye Christians I yea, in full, by E. Cronenwett, as No. 31 in the Ohio Lutheran Hymnal 1880. Other translations are: (1) "A wondrous change He with us makes," a tr. of stanza viii., ix. as No. 438 in pt. i. of the Moravian Hymn Book, 1754, repeated 1789-1826. (2) "Come, brethren, lets the song arise," by Dr. G. Walker, 1860, p. 26. (3) "Praise God, now Christians, all alike," by Miss Manington, 1864, p. 9. (4) "Praise God, upon His throne on high," in the Sunday Magazine, 1874, p. 384, signed "P. J." The hymn “Shepherds rejoice, lift up your eyes," given by J. C. Jacobi in his Psalmodia Germanica, 1722, p. 8, to Herman's melody (which was first published 1554) is, as stated in his Preface, taken from Bk. i. of Isaac Watts's Horse Lyricae vi. So wahr ich leb, spricht Gott der Herr. Absolution. 1560, as above, in 11 stanzas of 4 lines, entitled "A hymn on the power of the keys and the virtue of holy absolution; for the children in Joachimsthal." Thence in Wackernagel, iii. p. 1183; in Ledderhose, p. 47; and the Unverfälschter Liedersegen, 1851, No. 429. It probably suggested the better known hymn, "So wahr ich lebe," q. v., by Johann Heermann. Translated as:— Yea, as I live, Jehovah saith, I do not wish the sinner's death, in full, by Dr. M. Loy, as No. 245, in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

George Ratcliffe Woodward

1848 - 1934 Person Name: George R. Woodward Hymnal Number: 111 Harmonizer of "PUER NOBIS NASCITUR" in The Cyber Hymnal Educated at Caius College in Cambridge, England, George R. Woodward (b. Birkenhead, Cheshire, England, 1848; d. Highgate, London, England, 1934) was ordained in the Church of England in 1874. He served in six parishes in London, Norfolk, and Suffolk. He was a gifted linguist and translator of a large number of hymns from Greek, Latin, and German. But Woodward's theory of translation was a rigid one–he held that the translation ought to reproduce the meter and rhyme scheme of the original as well as its contents. This practice did not always produce singable hymns; his translations are therefore used more often today as valuable resources than as congregational hymns. With Charles Wood he published three series of The Cowley Carol Book (1901, 1902, 1919), two editions of Songs of Syon (1904, 1910), An Italian Carol Book (1920), and the Cambridge Carol Book

John Milton

1608 - 1674 Hymnal Number: 3669 Author of "Let Us with a Gladsome Mind" in The Cyber Hymnal Milton, John, was born in London, Dec. 9, 1608, and died there Nov. 8, 1674. His poetical excellences and his literary fame are matters apart from hymnology, and are fully dealt with in numerous memoirs. His influence on English hymn-writing has been very slight, his 19 versions of various Psalms having lain for the most part unused by hymnal compilers. The dates of his paraphrases are:— Ps. cxiv. and cxxxvi., 1623, when he was 15 years of ago. These were given in his Poems in English and Latin 1645. Ps. lxxx.-lxxxviii., written in 1648, and published as Nine Psalmes done into Metre, 1645. Ps. i., 1653; ii., “Done August 8, 1653;" iii., Aug. 9, 1653; iv. Aug. 10, 1653; v., Aug. 12, 1653; vi., Aug. 13, 1653; vii.Aug. 14, 1653; viii., Aug. 14, 1653. These 19 versions were all included in the 2nd ed. of his Poems in English and Latin, 1673. From these, mainly in the form of centos, the following have come into common use:— 1. Cause us to see Thy goodness, Lord. Ps. lxxxv. 2. Defend the poor and desolate. Ps. lxxxii. 3. God in the great assembly stands. Ps. lxxxii. 4. How lovely are Thy dwellings fair. Ps. lxxxiv. From this, "They pass refreshed the thirsty vale," is taken. 5. Let us with a gladsome [joyful] mind. Ps. cxxxvi. 6. O let us with a joyful mind. Ps. cxxxvi. 7. The Lord will come and not be slow. Ps. lxxxv. Of these centos Nos. 4 and 5 are in extensive use. The rest are mostly in Unitarian collections. There are also centos from his hymn on the Nativity, "This is the month, and this the happy morn" (q.v.). --John Julian, Dictionary of Hymnology (1907)

J. N. Darby

1800 - 1882 Person Name: John N. Darby Hymnal Number: 171 Author of "And Is It So?" in The Cyber Hymnal Darby, John Nelson, M.A., youngest son of John Darby of Leap, King's Co., Ireland, was born at Westminster, Nov. 18, 1800; educated at Trinity College, Dublin, where he graduated in 1819; and in due course was called to the Bar. He subsequently took Holy Orders; but in a short time allied himself with the Plymouth Brethren. In the exercise of his ministry amongst them he visited most parts of the world, and translated the Bible into English, French, and German. His published works, including a Synopsis of the Books of the Bible; Notes on Revelations, &c, are numerous. He died at Bournemouth, April 29, 1882. His hymns in common use are:— 1. Hark, ten thousand voices crying. The Second Advent anticipated. Praise. Appeared in Hymns for the Poor of the Flock, 1837, and repeated in Psalms and Hymns and Sacred Songs, Lend., Walther, 1842, and A Few Hymns, &c, 1856. It is also given in a few collections other than those for use amongst the “Brethren." 2. O Lord, thy love's unbounded, So sweet, &c. God's unchanging Love. Given in A Few Hymns, &c., 1856, No. 82, in 8 stanzas of 4 lines. Another hymn in the same collection, No. 85, begins with the same first line: "O Lord, Thy love's unbounded! So full, so vast, so free!" This is in 2 stanzas of 8 lines, and is attributed in the "S. MSS." to J. N. Darby, in common with the first. 3. Rest of the saints above. Heaven. In A Few Hymns, &c, 1856, No. 79, in 14 stanzas of 4 lines. 4. Rise, my soul, thy God directs thee. Divine Guidance. 1st published in Hymns for the Poor of the Flock, 1837; and again in Psalms and Hymns, 1842 (as above); and A Few Hymns, &c, 1856, in 10 stanzas of 41. It is also in Dr. Walker's Cheltenham Psalms and Hymns, 1855-1831. 5. This world is a wilderness wide. Following Christ. This is No. 139, in 8 stanzas of 4 lines, in A Few Hymns, &c, 1856. 6. Though faint, yet pursuing, we go on our way. Divine Strength and Defence. This hymn was given anonymously in the Baptist Psalms and Hymns, 1858, No. 558, in 5 stanzas of 8 lines. In the 1871 ed. of the same collection, it appeared as by "John N. Darby (?) 1861." Here we have a doubt and an error. The doubt is with respect to the authorship; and the error is in the date. A hymn published in 1858 cannot be accurately dated "1861." The evidence for the J. N. Darby authorship is most unsatisfactory. We can simply name it "Anon." All these hymns were published anonymously; and the ascriptions of authorship of 1-5 are given from the "S. MSS." The same manuscripts say that he edited the work above referred to: A Few Hymns and some Spiritual Songs, Selected, 1856, for the Little Flock. Lond. Groombridge & Sons. -- John Julian, Dictionary of Hymnology (1907) ================== Darby, John N. , p. 279, ii. Respecting the hymn "Though faint, yet pursuing, &c." (No. 6), Miller says in his Singers & Songs of the Church, 1869, p. 587, that Mr. Darby told him that he was not its author. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Helen Howarth Lemmel

1864 - 1961 Person Name: Helen H. Lemmel Hymnal Number: 6968 Author of "Turn Your Eyes upon Jesus" in The Cyber Hymnal Born: November 14, 1863, Wardle, England. Died: November 1, 1961, at her home in Seattle, Washington. Buried: Lemmel was cremated, but her final resting place is unknown to us. Daughter of a Methodist minister, Helen emigrated from England with her family to America when she was 12 years old. They first settled in Mississippi, then relocated to Wisconsin. She moved to Seattle in 1904, and for three years was music critic for the Seattle Post-Intelligencer. While interviewing German singer Ernestine Schumann-Heink, Helen was persuaded to go to Europe. A gifted singer, she studied music in Germany for four years. Upon her return to America, she began giving concerts and traveling on the Chautauqua circuit. Eventually, she became a vocal music teacher at the Moody Bible Institute in Chicago, Illinois. After retirement, she moved to Seattle, Washington, where she was a member of the Ballard Baptist Church. Among her works are a hymnal used by evangelist Billy Sunday for over a decade. Lemmel and a women’s choral group she directed were part of Sunday’s group at the peak of his career. Sources: Hustad, pp. 272-73 Seattle Post-Intelligencer, November 3, 1961 © The Cyber Hymnal™ (hymntime.com/tch)

Christina Georgina Rossetti

1830 - 1894 Person Name: Christina Rossetti Hymnal Number: 3005 Author of "In the Bleak Midwinter" in The Cyber Hymnal Rossetti, Christina Georgina, daughter of Gabriel, and sister of Dante Gabriel and William Michael Rossetti, was born in London, Dec. 5, 1830, and received her education at home. Her published works include:— (1) Goblin Market, and Other Poems, 1862; (2) The Prince's Progress, and Other Poems, 1866 ; (3) Poems, mainly a reprint of Nos. 1 and 2, 1875; (4) A Pageant, and Other Poems, 1881, &c. In addition, Miss Rossetti has published several prose works, as:— Annus Domini (a book of prayers for every day in the year), 1874; Letter and Spirit of the Decalogue, 1883, and others. She has written very few hymns avowedly for church worship, but several centos have been compiled from her poems, and have passed into several hymn-books. These include:— 1. Dead is thy daughter, trouble not the Master. The raising of Jairus's daughter. From her Goblin Market, &c, 1862, into Lyra Mystica, 1865. 2. God the Father, give us grace. Invocation of the Holy Trinity. From Lyra Mystica into the Savoy Hymnary, for use in the Chapel Koyai, Savoy (see No. 8 below). 3. I bore with thee long weary days and nights. The Love of Christ. From her Goblin Market, &c, 1862, into Lyra Messianica, 1864. 4. I would have gone, God bade me stay. Resignation. From her Poems, Hymns, 1884, &c. 1875, into Horder's Congregational Hymns. 5. Once I thought to sit so high. A Body hast Thou prepared Me, or Passiontide. Contributed to Lyra Eucharistica, 1863. 6. The Advent moon shines cold and clear. Advent. From her Goblin Market, &c, 1862. 7 The flowers that bloom in sun and shade. The Eternity of God. In Mrs. C. Brock's Children's Hymn Book, 1881. 8. What are these that glow from afar? Martyrs. Part of the poem "We meet in joy though we part in sorrow," which appeared in Lyra Mystica, 1865, and then in Miss Rossetti's Prince's Progress, &c, 1866. It is the most widely used of her hymns. No. 2 above is also from the same poem. Miss Rossetti's verses are profoundly suggestive and lyrical, and deserve a larger place than they occupy in the hymnody of the church. Her sonnets are amongst the finest in the English language. [Rev.W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ============== Rossetti, Christina G., p. 978, i. The following hymns by Miss Rossetti have recently come into common use:— 1. A burdened heart that bleeds and bears. [Lent.] In her Time Flies: A Reading Diary, ed. 1897, p. 59, for March 26; and her Verses, &c., ed. 1898, p. 113. Included in Church Hymns, 1903. 2. Give me the lowest place, not that I dare. [Humility.] From her Prince's Progress, 1866, p. 216. 3. In the bleak midwinter. [Christmas.] In her Poetical Works, 1904, p. 246, as "Before 1872"; repeated in The English Hymnal, 1906. 4. None other Lamb, none other Name. [Jesus, All, and in All] From her The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 176); and her Verses, &c, 1898, p. 36. It is the second of two poetical meditations on Rev. v. 6. In Church Hymns, 1903. 5. The shepherds had an angel. [Christmas.] In her Poetical Works, 1904, p. 187, this is entitled "A Christmas Carol. For my Godchildren," and dated 6 October, 1856. Repeated in the Sunday School Hymnary, 1905. 6. We know not a voice of that River. [The River of the Eternal City.] In The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 523), as a poetical meditation on Rev, xxii. Also in her Verses, &c., 1898, p. 81. Additional works by Miss Rossetti to those named on p. 978, i., include Time Flies A Reading Diary, 1885; Called to be Saints, 1881; Seek and Find, 1879; The Face of the Deep, A Devotional Commentary on the Apocalypse, 1892; and Verses ... reprinted fromCalled to be Saints, Time Flies, The Face of the Deep, 1893. It must be noted that (1) the hymn attributed to her, "Dead is thy daughter; trouble not the Master," is not by her, but by Mrs. C. F. Alexander, with whose name it appeared in Lyra Mystica, 1865; and (2) her “I would be gone; God bade me stay," is from her Prince's Progress, 1866, p. 204. Miss Rossetti d. Dec. 29, 1891. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Gustav Holst

1874 - 1934 Hymnal Number: 3005 Composer of "CRANHAM" in The Cyber Hymnal Gustav Holst (b. Chelteham, Gloucestershire, England, September 21, 1874, d. London, England, May 25, 1934) was a renowned British composer and musician. Having studied at Cheltenham Grammar School, he soon obtained a professional position as an organist, and later as choirmaster. In 1892, Holst composed a two-act operetta, which so impressed his father that he borrowed the money to send Holst to the Royal College of Music. Severe neuritis in his right hand later caused him to give up the keyboard, and Holst turned to the trombone and composing. In 1895 Holst met Ralph Vaughan Williams, and the two became lifelong friends. Vaughan Williams helped Holst land his first job as a singing teacher. Holst became very interested in Indian and Hindu culture, and composed a number of operas translated from Sanksrit myths. These were not received well in England, however. Holst is best known for his composition, The Planets, as well as

William H. Parker

1845 - 1929 Person Name: William Henry Parker Hymnal Number: 6824 Author of "Tell Me the Stories of Jesus" in The Cyber Hymnal Parker, William Henry, was born at New Basford, Nottingham, March 4th, 1845. Early in life he began to write verses, and having joined a General Baptist church and become interested in Sunday schools was led to compose hymns for use at anniversaries. Three of these were introduced by his pastor, the Rev. W. R. Stevenson, M.A., into The School Hymnal, 1880, and passed into The Children's Book of Praise, 1881, and other collections. In 1882 Mr. Parker published a small volume entitled, The Princess Alice and Other Poems. His hymns in common use are:—1. "Children know but little.” (God’s condescension to the Little Ones) 2. “Holy Spirit, hear us!” (Hymn to the Holy Ghost). 3. “Jesus, I so often need thee” (A Child’s Prayer to Christ). [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Parker, W. H., p. 1585, ii, The following additional hymns are in the Sunday School Hymnary, 1905. 1. Gaily come the hours of gladness. Summer. (1905.) 2. How sweet is the message which Jesus has sent. Christ's love to Children. (1892.) 3. I love to hear you tell. Boyhood of Jesus. (1901.) 4. I want to be a hero. Christian Courage. (1895.) 5. Just in the harbour sailing are we. Sailors. (1893.) 6. Tell me the stories of Jesus. Life of Christ. (1885.) 7. The world may beckon from every bide. Of Home. (1905.) 8. There are voices all around us. The Angels. (1881.) 9. Where the rushes bowed and quivered. God's Servants. (1902.) 10. Wilt thou "Show us the Father." God the Father. (1880.) Mr. Parker's hymns were mostly first printed in the sheets used for Sunday School Anniversaries of the Chelsea Street Baptist Church, New Basford, Nottingham. The three hymns noted at p. 1585, ii., were written in March 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)