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Walter Stanton

1891 - 1978 Person Name: Walter K. Stanton, 1891-1978 Scripture: Mark 6:3 Composer of "SNOWSHILL" in The Book of Praise Stanton, Walter Kendall; d. 1978; British conductor and educator

b. 1934 Person Name: Jeffery Rowthorn (1954-) Scripture: Mark 6:1-13 Author of "Lord, You Give the Great Commission" in Common Praise (1998) Jeffery W. Rowthorn (b. Newport, Gwent, Wales, 1934) wrote this text in 1978 while he was Chapel Minister at Yale Divinity School, New Haven, Connecticut. The text was first published in Laudamus (1980), a hymnal supplement edited by Rowthorn and used at the Yale Divinity School. Rowthorn graduated from Cambridge and Oxford Universities, Union Theological Seminary in New York, and Cuddeson Theological College in Oxford. Ordained in 1963 in the Church of England, he served several congregations in England before immigrating to the United States, where he was chaplain at Union Theological Seminary and a faculty member in liturgics at the Yale Institute of Sacred Music, which he helped to establish. He was then elected Suffragan Bishop of the Episcopal Diocese of Connecticut. The writer of several hymns, Rowthorn was also coeditor with Russell Schulz-Widmar of A New Hymnal for Colleges and Schools (1991). Rowthorn has since moved to Paris, where he is Bishop in Charge of the American Churches in Europe. --hymnopedia.com/

Robert Schumann

1810 - 1856 Person Name: Robert A. Schumann, 1810-1856 Scripture: Mark 6:13 Composer of "CANONBURY" in Worship and Rejoice Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

Johann Sebastian Bach

1685 - 1750 Scripture: Mark 6:1-13 Harmonizer of "ERHALT UNS, HERR" in Glory to God Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Vernon Griffiths

1894 - 1985 Person Name: Vernon Griffiths, 1894-1985 Scripture: Mark 6:8-11 Composer of "DUNEDIN" in Journeysongs (3rd ed.)

Lee Hastings Bristol

1923 - 1979 Person Name: Lee Hastings Bristol Jr. 1923-1979 Scripture: Mark 6:8-11 Composer of "DICKINSON COLLEGE" in The Book of Praise Born: 1923, Brooklyn, New York. Died: 1979, Syracuse, New York. Bristol was educated at Hamilton College, Clinton, New York (BA); Trinity College of Music, London (organ studies); and the Institute for International Studies, Geneva, Switzerland (graduate studies). He worked in New York for the Bristol-Meyers Company (the family business) in advertising and public relations, 1948-62. From 1962-69, he served as president of Westminster Choir College, Princeton, New Jersey. In 1972, the Hymn Society in the United States and Canada made him a fellow of the society. His works include: The Lamb and Other Carols, 1951 Songs for Liturgy, editor More Hymns and Spiritual Songs, editor, 1972 Hymns for Children and Grown-Ups Lyrics: "Let Us Now Depart in Thy Peace" Music: SEDGWICK --hymntime.com/tch/

James Quinn

1919 - 2010 Person Name: James Quinn, SJ, b. 1919 Scripture: Mark 6:7-13 Author of "Forth in the Peace of Christ" in Worship (3rd ed.) James Quinn (b. Glasgow, Scotland, April 21, 1919; d. Edinburgh, Scotland, April 8, 2010) was a Roman Catholic Jesuit priest who was ordained in 1950. As a consultant for the International Commission on English in the Liturgy, sparked by Vatican II, he has exerted influence far beyond his native Scotland. A collection of his hymn texts is available from Selah Publishing company. Sing a New Creation

Rich Mullins

1955 - 1997 Scripture: Mark 6:2 Author of "Awesome God" in The Faith We Sing Richard Wayne "Rich" Mullins (October 21, 1955 – September 19, 1997) was an American contemporary Christian music singer and songwriter born in Richmond, Indiana. He had two sisters and two brothers. Mullins was best known for his worship songs "Awesome God" and "Sometimes by Step", both of which have been embraced as modern classics by many Christians. Some of his albums were also considered among Christian music's best, including Winds of Heaven, Stuff of Earth (1988), The World As Best As I Remember It, Volume One (1991) and A Liturgy, A Legacy, & A Ragamuffin Band (1993). His songs have been performed by numerous artists, including Caedmon's Call, Five Iron Frenzy, Amy Grant, Carolyn Arends, Jars of Clay, Michael W. Smith, John Tesh, Chris Rice, Rebecca St. James, Hillsong United and Third Day. Rich Mullins is also remembered for his devotion to the Christian faith. He was heavily influenced by St. Francis of Assisi (1181–1226). In 1997, he composed a musical called Canticle of the Plains, a retelling of the life of St. Francis set in the Old West. --en.wikipedia.org/wiki

E. Margaret Clarkson

1915 - 2008 Person Name: Margaret Clarkson, 1915- Scripture: Mark 6:7-13 Author of "So Send I You" in Worship and Rejoice

Dietrich Bonhoeffer

1906 - 1945 Person Name: Dietrich Bonhoeffer, 1906-1945 Scripture: Mark 6:1-6 Author of "By Gracious Powers" in Worship (3rd ed.) Dietrich Bonhoeffer (German: [ˈdiːtʁɪç ˈboːnhœfɐ]; 4 February 1906 – 9 April 1945) was a German Lutheran pastor, theologian, anti-Nazi dissident, and key founding member of the Confessing Church. His writings on Christianity's role in the secular world have become widely influential, and his book The Cost of Discipleship became a modern classic. See also in: Wikipedia