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Henry Hart Milman › Texts

Henry Hart Milman
© National Portrait Gallery
Short Name: Henry Hart Milman
Full Name: Milman, Henry Hart, 1791-1868
Birth Year: 1791
Death Year: 1868

Milman, Henry Hart, D.D., the youngest son of Sir Francis Milman (who received his Baronetage as an eminent Court physician), was born Feb. 10th, 1791, and educated at Dr. Burney's at Greenwich, and subsequently at Eton. His career at B. N. C. Oxford, was brilliant. He took a first class in classics, and carried off the Newdigate, Latin Verse, Latin Essay, and English Essay. His Newdigate on the Apollo Belvedere, 1812, is styled by Dean Stanley "the most perfect of Oxford prize poems." His literary career for several years promised to be poetical. His tragedy Fazio was played at Covent Garden, Miss O'Neill acting Bianca. Samor was written in the year of his appointment to St. Mary's, Reading (1817); The Fall of Jerusalem (1820); Belshazzar and The Martyr of Antioch (1822), and Anne Boleyn, gained a brilliant reception from the reviewers and the public. He was appointed Poetry Professor at Oxford in 1821, and was succeeded ten years after by Keble. It must have been before 1823, the date of Heber's consecration to Calcutta, that the 13 hymns he contributed to Heber's Hymns were composed. But his poetry was only the prelude to his larger work.

The Bampton Lectures (1827) mark his transition to theological study, and the future direction of it was permanently fixed by his History of the Jews (1829). This book raised a storm of obloquy. It was denounced from the University pulpit, and in the British Critic. "It was the first decisive inroad of German theology into England, the first palpable indication that the Bible could be studied like another book, that the characters and events of the sacred history could be treated at once critically and reverently" (Dean Stanley).

In 1835 he was presented by Sir Robert Peel to a Canonry at Westminster and the Rectory of St. Margaret's. In 1839 appeared his valuable edition of Gibbon's Decline and Fall; and in 1840 his History of Christianity to the Abolition of Paganism in the Roman Empire. Among his minor works in a different field were his Life of Keats and his edition and Life of Horace. It was not till 1854 that his greatest work—-for "vast and varied learning, indefatigable industry, calm impartiality, and subtle and acute criticism, among the most memorable in our language" (Quart Rev.)—-Latin Christianity—-appeared. He had been appointed Dean of St. Paul's in 1849. The great services under the dome originated in his tenure of the Deanery. His latest work, published after his death, Sept. 24, 1868, was The Annals of St. Paul’s. Though one of the most illustrious in the school of English liberal theology, he had no sympathy with the extreme speculations of Germany. The "criticism" of Tübingen "will rarely bear criticism." He "should like an Ewald to criticise Ewald." "Christianity will survive the criticism of Dr. Strauss," and the "bright flashing artillery" of Rénan. His historical style has been compared to Gibbon in its use of epigram and antithesis. His narrative is full of rapidity of movement. His long complex paragraphs have often a splendour of imagination as well as wealth of thought. All the varied powers of his mind found vent in his conversation; he was called, after his death, "the last of the great converters." The catalogue of his friends from the days of Heber, "his early friend," to those of Hallam, Macaulay, and Dean Stanley, was long and distinguished.

Milman's 13 hymns were published in Heber's posthumous Hymns in 1827, and subsequently in his own Selection of Psalms & Hymns, 1837. The fine hymn for The Burial of the Dead, in Thring's Collection, "Brother, thou art gone before us," is from The Martyr of Antioch (1822). Like Heber's, they aim at higher literary expression and lyric grace. He makes free use of refrains. The structure is often excellent. His style is less florid and fuller of burning, sometimes lurid force than Heber's. His hymn for the 16th Sunday after Trinity, "When our heads are bowed with woe," has no peer in its presentation of Christ's human sympathy; the hymn for the 2nd Sunday in Lent, “Oh! help us, Lord! each hour of need," is a piece of pure deep devotion. "Ride on, ride on in majesty," the hymn for Palm Sunday, is one of our best hymns. And the stanzas for Good Friday, "Bound upon the accursed tree," form one of the finest meditations on the Passion. All his hymns are still in common use. [Rev.H.Leigh Bennett, M.A.]

--John Julian, Dictionary of Hymnology (1907)

Texts by Henry Hart Milman (29)sort descendingAsAuthority LanguagesInstances
يا ملك ادخل راكباHenry H. Milman (Author)Arabic1
Ayúdanos, Señor y DiosHenry Hart Milman (Author)Spanish2
Bound upon the accursed treeHenry Hart Milman (Author)English61
Brother, thou art gone before us; and thy saintly soul is flownHenry H. Milman (Author)English54
Christ is risen, the Lord is comeHenry Hart Milman (Author)2
Con majestad montado vaHenry Hart Milman (Author)Spanish4
Ded Wakaŋtaŋka CiŋcaHenry H. Milman (Author)Dakota1
ഓടി കൂടിൻ യേശുവോടു (Ōṭi kūṭin yēśuvēāṭu)Henry Hart Milman (Author)Malayalam2
Lord, have mercy, and remove usHenry Hart Milman (Author)4
Lord, have mercy when we prayMilman (Author)English33
Lord, have mercy when we striveHenry H. Milman (Author)English2
Lord, thou didst arise and sayMilman (Author)18
Lord, we raise our cry to theeHenry Hart Milman (Author)11
Lord, we sit and cry to theeMilman (Author)2
O help us, Lord; each hour of needMilman (Author)English208
O help us when our spirits bleedHenry Hart Milman (Author)5
O Jesus, by the mortal pains we bearHenry Hart Milman (Author)3
O Father, hear us, when we callMilman (Author)English1
Ride on! ride on in majesty!Henry H. Milman, 1791-1868 (Author)English591
Sing to the Lord, let harp, and lute, and voiceHenry H. Milman (Author)3
The angel comes, he comes to reapHenry H. Milman (Author)39
The Chariot! the chariot! its wheels roll in fireHenry Hart Milman (Author)English184
What means yon blaze on highHenry Hart Milman (Author)3
When God came down from heavenHenry Hart Milman (Author)2
When our heads [hearts] are bowed with woe, When our bitter tears o'erflowHenry H. Milman (Author)English132
When the heart is sad withinHenry Hart Milman (Author)17
Ya yo! ya yo! Initaŋcaŋ!Henry H. Milman (Author)Dakota1
Zieh ein, zeih ein in MajestätHenry Hart Milman (Author)German1
Zieh ein, zieh ein, du FriedensfuerstHenry Hart Milman (Author)German3

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